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Barbara Comyns: Stranger than Fiction

Any mention of Barbara Comyns usually brings an ‘I know the name but I don’t know anything about her’ kind of response. In this quarter’s literary podcast, presenter Rosie Goldsmith and the Slightly Foxed Editors sit down with Barbara’s biographer Avril Horner and Brett Wolstencroft, Manager of Daunt Books, to discover who this fascinating and forgotten novelist really was.

Though Barbara enjoyed success in the later part of her life, and a revival with Virago Books in the 1980s, it’s indicative of how thoroughly she disappeared from view that, as Avril tells us, she had difficulty in placing her wonderful biography, Barbara Comyns: A Savage Innocence, which was finally published this year.

Barbara was born in 1907 at Bell Court, a Warwickshire manor house on the river Avon, the fourth in a family of six. Superficially it was a comfortable middle-class upbringing, but her father, a Birmingham brewer, was a moody man given to violent fits of temper, and her mother was deaf and remote. After her father’s death when she was 15, Barbara finally escaped to London where she went to art school and in 1931 married another aspiring artist, John Pemberton. The relationship failed, but through her husband Barbara was introduced to other artists of the London Group and to the ideas of the surrealists, which influenced both her own art and her writing.

Avril describes how, when working on her biography, she came across a huge cache of letters from the 1930s owned by Barbara’s granddaughter, some of which ‘made her gasp’, and the story of Barbara’s life in London is indeed often shocking. It’s a tale of almost unimaginable poverty, of tangled affairs with unsuitable men, of a grim experience of childbirth, and countless moves from one bleak rented property to another.

Yet after repeatedly hitting rock bottom Barbara always courageously picked herself up and started again. At various times she survived as a commercial artist, artist’s model, dog breeder, antique dealer, renovator of old pianos and dealer in classic cars. At last in 1945 she made a happy marriage to Richard Comyns-Carr, who worked for MI6 where he was a colleague and friend of Kim Philby.

The couple moved to Spain, and it was then that Barbara started to write novels drawing on her earlier life such as Sisters by a River and Our Spoons Came from Woolworths. She was admired by Graham Greene who became her publisher, and later came other novels of a more gothic and surrealist kind including A Touch of Mistletoe, Who Was Changed and Who Was Dead and The Vet’s Daughter. No two of her haunting and disturbing novels are alike for she wrote in a variety of genres. She’s an intriguing novelist, totally original, impossible to pigeonhole and ripe for re-rediscovery.

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Show Notes

Books Mentioned

Please find links to books, articles, and further reading listed below. We may be able to get hold of second-hand copies of the out-of-print titles mentioned on the podcast and listed below. Please get in touch with the Slightly Foxed office for more information. The digits in brackets following each listing refer to the minute and second they are mentioned. (Episode duration:  minutes;  seconds)

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Barbara Comyns, Our Spoons Came from Woolworths (1:32)

Avril Horner, Barbara Comyns: A Savage Innocence (1:39)

Dorothy Whipple, The Other Day (4:50)

Barbara Comyns, The Vet’s Daughter (9:07)

Barbara Comyns, The Skin Chairs is out of print (9:10)

Barbara Comyns, Who Was Changed and Who Was Dead (13:53)

Barbara Comyns, A Touch of Mistletoe (13:55)

Barbara Comyns, The Juniper Tree (36:41)

Barbara Comyns, The House of Dolls (42:20)

Elspeth Barker, O Caledonia (50:42)

Elspeth Barker, Notes from the Henhouse (52:43)

Ysenda Maxtone Graham, Terms & Conditions (53:21)

Ysenda Maxtone Graham, Jobs for the Girls (53:38)

Related Slightly Foxed Articles

Sophia Fairclough and Me, Sophie Breese on the novels of Barbara Comyns, Issue 42

 

  • Sophia Fairclough and Me
    1 June 2014

    Sophia Fairclough and Me

    I was first introduced to Sophia Fairclough in 1985 by my new English teacher, the kind who came to lessons without notes and charmed those susceptible to such charm with his raw excitement for good writing. Sophia herself, although fictional, was immediately real to me: a quirky, self-deprecating, parentless artist who took people at face value and made many mistakes as a result. I loved her. I loved her naïvety, her optimism, even her self-destructive behaviour. I wanted to shake her into action but I also wanted to be her. She became an unlikely heroine for me, for though I planned to be a writer when I was older rather than an artist, I was quite prepared to suffer, to be poor, to live off tinned soup, even to fail in love, if these experiences enriched my writing.

Other Links

A Charity Prize Draw for BookTrust

Opening music: Preludio from Violin Partita No. 3 in E Major by Bach

Hosted by Rosie Goldsmith
Produced by Philippa Goodrich

 

Episode 50: Barbara Comyns: Stranger than Fiction


Comments & Reviews

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  1. Mrs. Ainee C. Beland says:

    It was lovely to listen to Comyns: Stranger than Fiction podcast again; there is always something new to find that I had not noticed before; I am still unsure how liked she was back then; I am currently reading The Woman in the Garden by Jill Johnson and I am wondering if she is at all like Comyns books; the author Johnson states that she grew up reading Agatha Christie and is very fond of her writing style and literary genius as well as Iris Murdoch; so perhaps not at all like Comyns. Or maybe they are both feminist writers.
    I am sorry for not making sense; it is just that I have read three or four books with a character named Simone and each time they’ve made me think of the famed Simone de Beauvoir as that is the only Simone that I have heard of; and the books have all had that feminist theme.
    Well, that is that; my reading genre has expanded, and not necessarily for the better. Thank you for sharing and happy reading!

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