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What excellent company you are!

I have been devoted to your podcast for over a year; it could be improved only by being more frequent. Every book I have ordered from you has been a delight; nothing disappoints. I receive your emails with pleasure, and that’s saying a lot. Slightly Foxed is a source of content . . .
K. Nichols, Washington, USA

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Circus Tricks

Circus Tricks

I first read John le Carré’s Tinker, Tailor, Soldier, Spy soon after it was published in 1974, and have reread it several times since. It is one of those books that never fails to give me pleasure, even now I know it so well. There is so much about it to admire and enjoy: the precision of the dialogue, the deftly drawn characters, the accuracy of the settings, the steadily rising tension – above all, the sheer quality of the writing. Here is a writer in complete command of his subject: able to do whatever he wants, confident it will succeed.
A Confrontation with Evil

A Confrontation with Evil

It seems a rather odd thing to admit these days, but I spent much of my youth reading war comics and watching war films. That’s how it was if you lived in a house filled with boys in the 1960s. As a result I can still recite, without recourse to Wikipedia, the names of the three men who won a bar to the Victoria Cross (Chavasse, Martin- Leake and Upham, if you are interested), and I can easily recall the boiling hot afternoons during the summer holidays that I spent at Tobruk or on the Normandy beaches, flying low over the Möhne dam or high in the skies above Kent – all while sitting in a 1/9d seat at the Regal Cinema, Wallingford . . .

In Search of Home

Lost in Translation (1989) could not be more specific to time and place – lost and longed-for postwar Cracow, ‘a city of shimmering light and shadow’, of ‘narrow byways . . . echoing courtyards . . . medieval church spires, and low, Baroque arcades’, whose very streets were impregnated with Hoffman’s sense of her developing self; and suburban ’60s Vancouver, with its improbably smooth and velvety lawns, enormous picture windows, ‘disingenuous’ furniture, all of it whitish with gold trimmings.
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Beside the Folly Brook

Beside the Folly Brook

In 1970 I told BB how much I loved his books. I wrote the letter sitting at the window in a house tucked into a Devon cliff, with pine woods behind and the sea in front. I’m sitting there now. It’s the sort of place BB would have adored, the recesses of undergrowth and exposed headlands teeming with wildlife. This, I imagined, was the setting for The Little Grey Men (1942). Here were all the ingredients, including wood dogs (foxes), fernbears (badgers) and above all a winding stream. In my mind this was the Folly Brook, up which the last gnomes in England travel on their heroic quest to find their missing brother, and down which they flee in their boat the Jeanie Deans, in the 1948 sequel, Down the Bright Stream.

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