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Episode 35: Decline and Fall: A Literary Guide

Episode 35: Decline and Fall: A Literary Guide

The Dark Ages, Late Antiquity, the late Roman . . . however you define the years spanning the fall of Rome, the period is rich in stories, real or reimagined. In this episode Dr Andy Merrills, Associate Professor of Ancient History, joins the Slightly Foxed team to cast light on the surviving literature. We begin with Edward Gibbon’s Decline and Fall of the Roman Empire before delving into 4th-century accounts by the Latin historian Ammianus Marcellinus, a spiritual autobiography by Augustine, Bishop of Hippo, ecclesiastical chronicles by the Venerable Bede, Gallic tales of Christian miracles and relic-looting with Gregory of Tours and an alternative look at the period with the modern-day master of Late Antiquity, Peter Brown. From there we venture into fiction with Rosemary Sutcliff’s adventures inspired by archaeological finds, a retelling of the old British folk ballad ‘The Twa Sisters’ in Lucy Holland’s Sistersong and much more besides . . .
43 minutes
Sword of Bone | From the Slightly Foxed bookshelves

Sword of Bone | From the Slightly Foxed bookshelves

Our series of Slightly Foxed Editions are all absorbing reads – hitherto forgotten memoirs that bring alive a particular moment, that allow you into someone else’s world and make you feel you have actually known the writer. Often these books light up a period in a way no history book can. And that is what Anthony Rhodes has done in Sword of Bone, his wry account of the events leading up to the evacuation of the British Expeditionary Force in May 1940 – a ‘strategic withdrawal according to plan’ as the chaos was officially described. He manages to capture the absurdity as well as the tragedy of what took place in Dunkirk. For all its humour, Sword of Bone is a penetrating comment on the cruelty of war.
12th November 2021

Slightly Foxed Issue 72: From the Editors

Wednesday 29 September was a red-letter day for us – the first time for eighteen months that we’d got together under one roof to record the Slightly Foxed podcast. Since the first lockdown in March 2020 we’d been sitting at home each month at our separate desks waiting – usually a touch nervously in our case as we’re neither of us entirely confident when it comes to anything technical – to see if we’d made the connection with Philippa our presenter in Cambridge and Lynne our producer in Cheshire.
- Gail Pirkis & Hazel Wood
From the editors
‘Slightly Foxed is my little piece of heaven every quarter’ | New this autumn

‘Slightly Foxed is my little piece of heaven every quarter’ | New this autumn

The new Autumn issue of Slightly Foxed (No. 71) has now left the printing press at Smith Settle and will start to arrive with readers in the UK very soon and elsewhere over the next few weeks. It ranges far and wide in the usual eclectic manner:  Margaret Drabble admires Doris Lessing • Andrew Joynes receives divine inspiration from William Golding • Olivia Potts has plenty to say about Mary Wesley • John Smart dreams of cheese • Clarissa Burden falls for Josephine Tey’s Inspector Grant • Frances Donnelly visits Hotel du Lac with Anita Brookner • Ken Haigh make his case for The Hobbit, and much more besides . . . With it, as usual, you’ll find a copy of our latest Readers’ Catalogue, detailing new books, our backlist, selected seasonal reading and other offers and bundles. We hope it will provide plenty of recommendations for reading off the beaten track this autumn.
Cover Artist: Slightly Foxed Issue 71, Jackie Morris, ‘Spring into Autumn’

Cover Artist: Slightly Foxed Issue 71, Jackie Morris, ‘Spring into Autumn’

Jackie Morris, born in 1961, grew up with a desire to paint. She studied art at Bath Academy of Art and has exhibited her work internationally. She is the illustrator of many books and the author of some. In 2019 The Lost Words, a book made in collaboration with Robert Macfarlane, won the Greenaway Medal. Her inspiration is found between the feathers of a raven’s wing in flight, in the voices of birds, the turning of the year and the shape of a fox. Books, art, paint, creativity, poetry, the remnant boxes of antique paints, all these things and more are an inspiration. She also has a passion for old typewriters, the songs they sing and their scent.
Poetry, My Mother and Me

Poetry, My Mother and Me

My mother Linda Kelly was a historian and lover of the eighteenth century, with biographies of Sheridan, Tom Moore and Talleyrand to her name. Though I studied history at university, when it comes to my own writing, my subject matter has been rather different – books on mental health and wellbeing, including a memoir about my own expe­rience of depression, and a cookbook about eating with your mood in mind. But we had one literary overlap: I have always loved poetry and so did she. I think we both found it easier to communicate through the words of others. Poetry was our common ground.
SF magazine subscribers only
Out with the Galloping Major

Out with the Galloping Major

On one of my more recent trips to Ire­land, I took a detour through County Waterford to visit Lismore Castle. Tow­ering over the steep, wooded banks of the Blackwater, it was built nearly 900 years ago by an English prince, was once owned by Sir Walter Raleigh and has been the Irish seat of the Dukes of Devonshire since the eighteenth century. The castle is a fairytale sight but what caught my eye, given pride of place on one distinctly ancient and sturdy-looking wall, was a plaque. Said wall, it explained, replaced one that had collapsed ‘for no appar­ent reason’. No more, no less. I was, briefly, bemused; on reflection, quite the opposite. That precise phrase recurs, to pointed and poignant effect, in Troubles, J. G. Farrell’s sublime tragicomedy about the dying days of Ireland’s Protestant Ascendancy. As I sheltered from the rain, by now rather less soft than it’s fabled to be, in the lee of that notable wall, it struck me as the perfect summation of the entire Anglo-Irish predicament.
SF magazine subscribers only
Winston and Clementine

Winston and Clementine

It was lockdown, and I was short of a book to read. One night I picked up the fat paperback volume of letters that I had ordered from Amazon (yes, I know, but where else could I buy a 1999 paperback in twenty-four hours in the panicky first weeks of the pandemic?). The book was Speaking for Themselves: The Personal Letters of Winston and Clementine Churchill; I thought it might be useful research for my biography of King George V. To my surprise, I was gripped. During those early weeks of London lockdown, I clung to the certainty of routine: long walks through the haunted, empty streets of Mayfair or Westminster, sneaking in two walks a day because of my dog, the weekly socially distanced supermarket queue and, at the end of those strange housebound days, looking forward to my bedtime ration of Churchill letters.
SF magazine subscribers only
Rosemary Sutcliff | Sword Song & The Shield Ring

Rosemary Sutcliff | Sword Song & The Shield Ring

‘Sutcliff was a superb writer with a classicist’s grasp of the era, a poet’s eye for nature and a devilish sense of plot. Fiction this evergreen cannot fail to uplift.’ David Mitchell We’re pleased to report that the final two titles in our Slightly Foxed Cubs series of Rosemary Sutcliff novels, Sword Song and The Shield Ring, are both published on 1 September. We know that many of you have already placed orders for these books, either as part of a limited-edition set of all seven novels or as single titles. As thanks for your enthusiasm and support, we’ve dispatched your copies in advance of publication and they will be with you very soon, if not already, so please do look out for them in the post. The series of Roman and post-Roman novels that began with The Eagle of the Ninth in the Sussex downland has, by the last two books, moved to the north-west coast of England and the Hebridean islands, where the Vikings are expanding their empire . . .
The Price of Virtue

The Price of Virtue

Hotel du Lac was Anita Brookner’s fourth novel, published in 1984. To the consternation of many and the incredulity of the author, it won the Booker Prize that year. The photograph taken after the announcement shows an author wide-eyed with disbelief. And not just Ms Brookner. One of the judges, the late great Sir Malcolm Bradbury, consoled Julian Barnes, also shortlisted, with the words: ‘Bad luck, Julian – the wrong book won.’ With the greatest respect, Sir Malcolm, there are those of us who disagree. Hotel du Lac is the work of a supremely gifted novelist at the top of her game. Not just elegant, insightful and thought-provoking, but still, after many readings, laugh-out-loud funny. So it is pleasing to know from a work colleague that, for the whole of the next day, Anita was completely elated.
SF magazine subscribers only

A Strangulation of the Soul

It was dusk on a winter’s day, many years ago now, when I settled down to read the prison letters of Dennis Nilsen, the most prolific murderer in British history. They had been donated to the Royal Society of Literature, where I worked, to raise money at an auction at Sotheby’s, and they were chilling. Written in hard-pressed-down black biro, the words were crammed on the pages with no breathing space – a graphologist had described them as indicating ‘a strangulation of the soul’ – and they bristled with contempt and fury against everything and everyone. But Nilsen’s critical savagery was never turned on himself – strange, as he had fatally strangled fifteen men.
SF magazine subscribers only

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