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I have been devoted to your podcast for over a year; it could be improved only by being more frequent. Every book I have ordered from you has been a delight; nothing disappoints. I receive your emails with pleasure, and that’s saying a lot. Slightly Foxed is a source of content . . .
K. Nichols, Washington, USA

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Sound Nonsense

Sound Nonsense

The words rolled out, natural and clear, and I listened with new ears and understanding. Enlightenment had finally come. Passages spoken aloud in an Irish accent, by someone who loved the prose enough to commit long passages to memory, released the book’s power. Its beauty had been unlocked not by a literary intellectual, but by a half-tight man in a cheap suit standing at the bar of a Dublin pub. Finnegans Wake was revealed as a work of sound rather than sense, a form of high falutin, Gaelic, literary rap. Ireland talking in her sleep. It was as if Brian had taken me by the elbow, and guided me into this particular tavern to receive a final, Celtic benediction.
SF magazine subscribers only
20th May 2009

‘If the rules of ‘Desert Island Discs’ allow a periodical instead of a book . . .’

‘I'm not sure if the rules of 'Desert Island Discs' allow a periodical instead of a book; but if they do – and no doubt the people at Hoxton Square could arrange delivery by homing albatross – I'd go for a subscription to Slightly Foxed and ration myself, very strictly, to an article a week . . . And I know I'd still read it in one go the day it arrived.’
- Tim Mackintosh-Smith
From readers
20th May 2009

‘Beautifully produced . . .’

‘Absolutely beautifully produced.’
- BBC Radio 4 Today
From readers
20th May 2009

Time Out

‘Packed with anecdotes, reminiscences and essays about books, writers and the trade. If you love books you'll love Slightly Foxed.’
- Time Out
From the press
Soames’s Second Coming

Soames’s Second Coming

I bought my copy of Seven Men in the late Sixties in a secondhand bookshop in Sutton Coldfield. The town had two second-hand bookshops, which both closed years ago, but I can recall every shelf and see titles, bindings and jackets in eidetic detail. I suspect many other lovers of books have this useless but comforting gift, even if they spend half the morning trying to remember where they put their glasses. Seven Men had – has, it’s on the desk beside me – a navy blue cloth binding; on the front cover of my copy, like a partial eclipse of the moon, is the white imprint of the base of a teacup. It is the 1920 second impression of the first edition and on the front free endpaper is the signature of a Francis T. Bellin, followed by the date ‘1922’. When I got it the pages were uncut: Mr Bellin had missed a treat.
SF magazine subscribers only

Anna and the Bazooka

I can drop Anna Kavan’s name among the most literary of my friends and their brows furrow and they confess that, even though thirteen of her books are still in print, and a second biography of her life, A Stranger on Earth, by Jeremy Reed, came out this spring, they’ve never heard of her, let alone read a word by her. Anna Kavan wasn’t her real name. She was born Helen Woods but changed her name to Helen Ferguson. Then, when she married, she became Helen Edmunds, but after her divorce (or was there a divorce? Everything about the woman is so mysterious) she destroyed all her diaries and papers, and invented a new birth date, a new physical appearance and a new literary style.
SF magazine subscribers only
‘Tombs, dear. Where’s your other sock?’

‘Tombs, dear. Where’s your other sock?’

No one told me that the pyramids had been one of the seven wonders of the ancient world, but they were certainly the primal wonder of mine. From early on they exercised an oddly persistent fascination.They could not, it seemed, be taken for granted, like hills and trees and houses. Approached along the pyramid road they got larger and larger and larger until they filled up one half of the sky. It took a long while to ride lurchingly round the Great Pyramid on a camel, and from no angle could their stupendousness be made a thing of nought. They were made of square yellow blocks, exactly like sugar lumps, but higher than I was.

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