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Issue 11

Collecting Edith

Collecting Edith

In March 1984, full of the joys of spring and possibly slightly mad, I bought the library of the American novelist Edith Wharton from Maggs Bros., the London booksellers, and subsequently discovered that it was incomplete. Maggs had purchased about two thousand books from Edith Wharton’s godson, Colin Clark, which for forty-seven years had been at Saltwood Castle in Kent. Here his father, the art historian Kenneth Clark, Edith Wharton’s friend, had completely integrated them into his own library, which complicated the process of identification and extraction. This had been supervised by Colin’s brother Alan who was by then the custodian of Saltwood.
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A Notorious Baggage

A Notorious Baggage

We can touch the past through diaries, letters and memoirs, which allow a measure of intimacy and immediacy even across the centuries. The accepted view is that they begin to proliferate in the second half of the seventeenth century with Pepys, Evelyn, Lucy Hutchinson and John Aubrey. But there is an earlier figure who has somehow slipped below the literary horizon. The letters that John Chamberlain (1554–1628) wrote are the first in English that can be read without difficulty and with pleasure.
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Anna and the Bazooka

I can drop Anna Kavan’s name among the most literary of my friends and their brows furrow and they confess that, even though thirteen of her books are still in print, and a second biography of her life, A Stranger on Earth, by Jeremy Reed, came out this spring, they’ve never heard of her, let alone read a word by her. Anna Kavan wasn’t her real name. She was born Helen Woods but changed her name to Helen Ferguson. Then, when she married, she became Helen Edmunds, but after her divorce (or was there a divorce? Everything about the woman is so mysterious) she destroyed all her diaries and papers, and invented a new birth date, a new physical appearance and a new literary style.
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