Header overlay

Issue 42

Small World

Small World

In my late seventies I have finally found for myself – that is without the aid of my biographical subjects – a children’s writer whose satire on adult behaviour is subtly developed and perfectly suited to readers of all ages. This is Mary Norton, whose quintet of novels about the Borrowers was written for the most part during the 1950s. These tiny people, who mimic what they sometimes call ‘Human Beans’, like to think of us giants as having been put on earth to manufacture useful small objects for them. There are, for example, safetypins (which become coat-hangers), cotton reels (on which to sit), stamps (which are placed as wonderful portraits and landscapes on their walls), toothbrushes (parts of which make excellent hairbrushes) and thimbles (from which they drink tea). All of these items and many more are borrowed or, as the giants would call it, ‘stolen’.
Down Tewkesbury Way

Down Tewkesbury Way

‘I have written a book which gives me much pleasure. It is a kind of full-length portrait of a small country town – this small town – between the wars. The sort of life that will never come back,’ John Moore told T. H. White in the summer of 1945. Already a well-established and prolific professional writer, Moore had written Portrait of Elmbury in six weeks after leaving the Admiralty Press Division in London to return to his home town of Tewkesbury, and it was to form the first part of a trilogy based on Tewkesbury and its surrounding villages. Portrait of Elmbury and Brensham Village were both published by Collins in 1946, and The Blue Field followed two years later: the names of places and people had been changed, but the disguise was lightly worn.

Sign up to our e-newsletter

Sign up for dispatches about new issues, books and podcast episodes, highlights from the archive, events, special offers and giveaways.