Header overlay

Issue 5

Tank Tracks

Tank Tracks

The tank is an emblem of state power, a behemoth that has transformed wars and threatened – and sometimes mown down – civilians. But it has also been seen as a ‘cubist slug’, has inspired a modernist song and dance routine Tanko, has led military men to philosophize, and installation artists to appropriate the rhomboid shape to suggest the ultimate in urban alienation. In short, the tank, as Tank so skilfully and wittily and sadly shows us, stands at the very heart of the twentieth century and points up its follies, its wickedness, its aspirations, its delusions – and occasionally its humanity.
SF magazine subscribers only
Smoke Signals

Smoke Signals

I am wretchedly ill-qualified to write about Simon Gray, since I am hopeless about going to the theatre and have never seen one of his plays. I plan to remedy matters as soon as I can, but in the meantime I cannot recommend his autobiographical writings too highly. An Unnatural Pursuit is, alas, out of print, but Fat Chance, Enter a Fox and the masterly Smoking Diaries have all been reissued in paperback, and only the most Cromwellian theatre-hater could fail to be touched, amused and thoroughly entertained by them.
SF magazine subscribers only
A Hare’s Breadth

A Hare’s Breadth

Reading the opening chapter, I was immediately sucked into a magical world. The hare’s behaviour confounds science: it may move in a great drove like deer; it sucks milk from cows at pasture; it swims the Suir estuary in Ireland; it is intoxicated by snow, and makes tunnels in it for fun, despite not being a burrowing animal like its cousin the rabbit. And as part of an elaborate, little-understood mating ritual, it will sit transfixed in groups of thirty or forty, watching dancing, boxing males and females spar for attention.
SF magazine subscribers only

Sign up to our e-newsletter

Sign up for dispatches about new issues, books and podcast episodes, highlights from the archive, events, special offers and giveaways.