Articles & Extracts

The Sweetest Note of All Others

The Sweetest Note of All Others

Most of the houses of East Sheen in south-west London were built on farmland as part of the great explosion of suburbia between the 1890s and 1930s. The houses are solid and the rear gardens long. There are ancient copses in nearby Richmond Park and the surround­ing patches of common land but most of the garden trees were planted by the first residents and have grown over the years to maturity, just as the hedges of hawthorn and privet have grown taller and thicker. Patient gardening turns the soil and throws up worms and hundreds of other varieties of insect. A consequence of all this activ­ity is that, with the destruction of wild woodland and the poisoning of farmland by chemical fertilizers, perhaps the safest place for wild birds is now a leafy suburb – apart, that is, from the large number of cats, sitting with deadly patience under hedges and in long grass, but I’ll come back to them.
SF magazine subscribers only
Philosophical Designs

Philosophical Designs

Sometimes you come across a book that changes how you view the world. For me one such was Robert Bringhurst’s The Elements of Typographic Style (1st ed. 1992). My father gave me a copy of the third edition when I was just beginning my own career as a copy-editor, and it opened my eyes to a new philosophy of life applied to the arrangement of type. Until then, I had never really thought about what text looked like. I liked books to have attractive covers, but the words inside were just words, weren’t they? How wrong I was.
SF magazine subscribers only
The Crème de la Crème

The Crème de la Crème

Muriel Spark’s most famous novel was published in 1961. It is set in 1930s Edinburgh, and the characters include schoolgirls at Marcia Blaine’s High School for Girls, the dull headmistress Miss Mackay, the singing teacher, the art master and, of course, the unforgettable Miss Brodie, the mainspring of the action. The so-called Brodie set of girls are what she calls the crème de la crème, the elite, the elect, the chosen few, chosen by Miss Brodie herself, their presiding deity.
SF magazine subscribers only
A Nasty Business

A Nasty Business

H. G. Wells’s The War of the Worlds (1897) has long been one of my favourite books. I first read it half a century ago – when I was about 10, to judge by the date on my Penguin edition (price 3/6d). I must have read it half a dozen times since; my battered copy is now held together with Sellotape. Recently I began watching a television adaptation: it was so disappointing that I abandoned it halfway through the first episode. This unhappy experience led me to question why it is that I like the book so much.
SF magazine subscribers only
Fidget Pie

Fidget Pie

Huffkins and Fleads, Surry Ponds and Manchets, Frumenty, Minnow Tansies and Fidget Pie. These evocative recipe titles were what first hooked me; fantastical-sounding to my ear, they might have sprung from the pages of a Lewis Carroll story. They were, in fact, authentic recipes in an extraordinary volume I found in a second-hand bookshop more than a decade ago called Good Things in England, by Florence White. It wasn’t Alice in Wonderland, but it led me down a rabbit hole of sorts. I’ve been obsessed with the book and its author ever since.
SF magazine subscribers only
1st December 2022

Slightly Foxed Issue 76: From the Editors

This issue of Slightly Foxed comes with our very best wishes to you all from all of us here for Christmas and the coming year. However there’s no escaping the fact that these are anxious times, and we were touched by a reader in Australia who wrote to us recently: ‘I can only say, to all the Slightly Foxed team, that you are a saviour. Slightly Foxed has kept me in touch, kept me sane, made me relish the humour, the warmth, the quirky charm of the English way of doing things.’ Wherever you are in the world, we hope you feel the same.
- Gail Pirkis & Hazel Wood
From the editors
The House of Elrig | Chapter I: The House

The House of Elrig | Chapter I: The House

You can see the house from a long way off, a gaunt, grey stone building on a hillside of heather and bracken. The road, very narrow, has climbed two or three hundred feet from the sea; slanting at first from the grey boulder beach up near-cliffs of coarse grass, bracken and thorn scrub, the few trees stunted and deformed by incessant westerly winds, so that their limbs and their heads seem to be forever bowed and straining towards the land; on and up, winding through poor agricultural land, where the fields with their rough dry stone walls alternate with patches of scrubland, thorn bushes and briar thickets with the bare rock showing between them; through the tiny village of Elrig, with a smithy and a ruined mill but no shop; then, a mile on at the corner of a ragged fir wood sheltering a loch, is the turning to the house.
As I Walked Out One Midsummer Morning | Into Spain

As I Walked Out One Midsummer Morning | Into Spain

It was early and still almost dark when our ship reached the harbour, and when out of the unconscious rocking of sea and sleep I was simultaneously woken and hooked to the coast of Spain by the rattling anchor going over the side. Lying safe in the old ship’s blowsy care, I didn’t want to move at first. I’d enjoyed the two slow days coming down the English Channel and across the Bay of Biscay, smelling the soft Gulf winds blowing in from the Atlantic and feeling the deep easy roll of the ship. But this was Vigo, the name on my ticket, and as far as its protection would take me. So I lay for a while in the anchored silence and listened to the first faint sounds of Spain . . .
26th August 2022

Slightly Foxed Subscribers’ Writing Competition

We feel it’s time for another of our Writer’s Competitions. We’ve greatly benefited from them in the past, finding, predictably, that among our readers there are some very good writers. The competition is open to all current Slightly Foxed subscribers. The winner will receive a prize of £250 and the piece will be published in a future issue of the magazine. All entries should reach us by 15 January 2023.
- Gail Pirkis & Hazel Wood
From the editors
An Understanding Heart

An Understanding Heart

I can’t remember when I first read the magical trilogy that came to be known as Lark Rise to Candleford but, turning to it for comfort during the days of the 2020 lockdowns, I was struck afresh by the wonderful clarity and assurance of the writing. Most memoirs at the time Flora Thompson was writing were by comfortably educated, middle-class people, while she grew up as the daughter of a poor bricklayer in a small Oxfordshire village. Yet from the first sentence you feel the authenticity of her voice and know you are in the hands of an accom­plished writer. As her biographer Margaret Lane put it, ‘She was able to write the annals of the poor because she was one of them.’
In Nuristan with Carless

In Nuristan with Carless

Twenty years ago, I was due to give a talk at the Travellers Club about a recent expedition. I thought it would be much more entertaining for everyone if my friend Ned spoke about the perils of travelling with a travel writer. Eventually we also invited the retired diplomat Hugh Carless, a fellow victim, to talk about his own dire experiences at the hands of Eric Newby in A Short Walk in the Hindu Kush (1958). By then in his late seventies, Carless was charming, extremely modest and very funny. Rather unkindly, I thought, someone asked if his Foreign Office career had ever recovered from his merciless treat­ment. He laughed uncomfortably.
SF magazine subscribers only
An Appetite for Looking

An Appetite for Looking

‘Is Pevsner in the back?’ A familiar question from the driver when setting off for almost any destination in England – familiar not from my childhood (I don’t think there were Pevsners at home) but from years of adult friendship with people interested in buildings and places. Yes, here is Leicestershire in the footwell, and the seat pocket yields Nottinghamshire, which may mean that instead of driving straight past Hickling (say) we’ll take time to look at the ‘unusually rewarding number of engraved C18 and early C19 slate headstones in the churchyard’. If the church door is open we’ll find art of every century inside, from the ‘wild interlacing’ of a carved Saxon coffin to the ‘poor box, small, 1685, but still not at all classical’. We’ll even notice the door hinges on the way out, enjoying the extravagance of the medieval ironwork. Pevsner calls them ‘accomplished’.
SF magazine subscribers only
Unsuspected Depths

Unsuspected Depths

My sister gave me Copsford (1948). It was clearly a book she loved, and its author – Walter Murray – was someone we’d once known. So it seemed odd I’d never heard of it. It’s a strange, exhilarating book about a solitary year spent wholly absorbed in the natural world – a book in the tradition that runs from Richard Jefferies to Robert Macfarlane and perhaps has roots in Wordsworth too, and John Clare in saner moments. But though it has devotees and is reissued now and then, it has never been widely read. In fact most people, like me, have never heard of it.
SF magazine subscribers only
Of Captains and Khans

Of Captains and Khans

Many years ago, when it was possible to do such things, I hitchhiked to India. I travelled through Iran and Afghanistan, saw the Great Buddhas at Bamiyan, and rode through the Khyber Pass on the roof of a brilliantly painted truck with my hair blowing in the wind. Later, as the world changed and carefree travel became more difficult, I came across Peter Hopkirk’s The Great Game (1990) and was thrilled to read about the adventures of the first western travellers to those regions in the nineteenth century.
SF magazine subscribers only

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