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Beside the Folly Brook

Beside the Folly Brook

In 1970 I told BB how much I loved his books. I wrote the letter sitting at the window in a house tucked into a Devon cliff, with pine woods behind and the sea in front. I’m sitting there now. It’s the sort of place BB would have adored, the recesses of undergrowth and exposed headlands teeming with wildlife. This, I imagined, was the setting for The Little Grey Men (1942). Here were all the ingredients, including wood dogs (foxes), fernbears (badgers) and above all a winding stream. In my mind this was the Folly Brook, up which the last gnomes in England travel on their heroic quest to find their missing brother, and down which they flee in their boat the Jeanie Deans, in the 1948 sequel, Down the Bright Stream.
1st March 2013

Slightly Foxed Issue 37: From the Editors

We’re now comfortably settled at our new home in Hoxton Square which, being a proper office rather than part of a flat, is far more spacious and functional than Brewhouse Yard. We do miss the spectacular view we had there of London’s domes and towers rising against the sky behind St Paul’s, but we’re enjoying the edgy inner city feel of Hoxton with its little specialist bookshops, vegetarian restaurants and bicycles chained to the railings among the plane trees and scruffy city pigeons. Thank you so much, all of you who sent us good wishes for the move and appreciative Christmas cards. We were extremely touched to receive them.
- Gail Pirkis & Hazel Wood
From the editors
Slightly Foxed Issue 54: From the Editors

Slightly Foxed Issue 54: From the Editors

The trees are in full deep green leaf now, making a small oasis of Hoxton Square, while not fifty yards away the traffic roars past along Old Street. New regulations to cut down air pollution in London are on the way we learn, but now the fumes hang heavily in the summer air as we make for the office, dodging people coming in the other direction who seem to be talking to themselves but are actually on their mobile phones. As Jane Austen’s great hypochondriac Mr Woodhouse observes, ‘Nobody is healthy in London, nobody can be.’ For many of us these days it’s a hurrying, worrying world . . .

Once a Catholic . . .

There it is on my shelf, that familiar bottle-green spine – the first in a quartet by the same author. This quartet has shadowed me for twenty-two years now: to various sets of university lodgings and back; to three dark rooms above a car dealership in Dalston, my first ever London flat; to two house-shares and then a bedsit in Clapham Junction; and now to Streatham, my home for the last dozen years. In all that time, though, I haven’t opened any of them; in fact, all four spines remain uncracked.
SF magazine subscribers only

Keeping It Real

Reading her books, and meeting her in person, you can’t but feel warmed by her generosity, her bursting desire to share her enthusiasms and insights, and her appetite for life. But at the same time she’s ambivalent about the public personae writers these days are obliged to adopt. ‘You have to develop a means of surviving it,’ she says, ‘and either that becomes a performative self or for me it’s meant devising a self who can still be the real self talking about real things, like I am now to you.’
SF magazine subscribers only
Word from the Wood

Word from the Wood

A Sand County Almanac, and Sketches Here and There is a collection of Leopold’s writing from the 1930s and 1940s. Author, scientist, ecologist, forester, conservationist and environmentalist, Leopold was truly a powerhouse of natural history. His Sand County had a profound impact on the environmental movement, introducing the idea of wilderness management and environmental ethics. That makes it all sound rather dry, but in fact the essays sparkle with precise details.
SF magazine subscribers only

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