I met the novelist Ruth Adler thirty years ago. She was then in her eighties, an elegant, quietly spoken but forthright woman. For a while she had been, as my husband put it, one of his many mothers. For much of his childhood during the Second World War and in the years that followed, while his own mother was working after her divorce, Raphael was parked on relatives or close friends. All of them, like Ruth Adler – the pen name of Ray Waterman – were members of the British Communist Party, the majority having joined in the 1930s. ‘Party’ households were not renowned for their comfort; Raphael’s mother scorned domesticity as bourgeois. So he generally found himself in cheerless, spartan rooms strewn with a few utilitarian items, table and chairs piled up with pamphlets, as if awaiting a committee meeting. But Ray’s house was special. Soft furnishings, pottery, paintings and, above all, the feeling of a home.