Nineteen twenty-two was a good year for poetry. It saw the publication of two very different works which would prove to be of lasting popularity – A. E. Housman’s Last Poems, and T. S. Eliot’s The Waste Land. I love that bizarre conjunction, Housman’s traditional, rhyming, apparently artless verse jostling for shelf space with the arch-modernist exciting and outraging the world with his wilful obscurities and cunning vulgarities. None of the doomed country lads who inhabit Housman’s poetic world were ever to ‘wash their feet in soda water’ as Eliot’s Mrs Porter and her daughter did, let alone dry their ‘combinations touched by the sun’s last rays’.