Slightly Foxed > An Index to Slightly Foxed > Lloyd, Isabel

Lloyd, Isabel

Isabel Lloyd is co-author of Gardening for the Zombie Apocalypse: How to Grow Your Own Food When Civilization Collapses (or Even If It Doesn’t). She lives in London and Sussex.

The numbers in square brackets refer to the issue of the quarterly in which the article appears.
The unbracketed numbers refer to the starting page of the article.
For entries in multiple issues of the quarterly, the occurrences are separated by semi-colons.

articles by, [53] 35; [65] 54; [75] 24; [76] 40

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20221201101636 Isabel Lloyd on books about trees, SF 76, Sarah Woolfenden

. . . from the Trees

Isabel Lloyd on books about trees, Part II

In Issue 75, I said some books help you grow. Others help you let go. Our son was 17 when he disappeared. I’ll call him R. We bought our place that was big enough to plant trees when he was 14. We thought this was a good thing; he loved trees, so did we. While we were busy planting an orchard, a forest garden, he explored the ancient wood­land that surrounded us, taking an axe, a tinder box and a bivvy bag. We wouldn’t see him again until dark, sometimes not even then.
20200301174831 Isabel Lloyd on Beth Chatto, The Dry Garden - Slightly Foxed Issue 65

A Hardy Perennial

Isabel Lloyd on Beth Chatto, The Dry Garden

The summer of 2018 was a glory – as long as you weren’t a gardener. For those of us who fret about plants, it was a season as much to be endured as enjoyed. After a cold, late spring, the weather had pulled a U-turn, swerving into an intense dry heat that lasted from June to the end of August. With 7 per cent less rain than even the summer of ’76 – still, after a whole series of climatic upheavals, the touchstone for freak British weather – it wasn’t so surprising that anything newly planted shrivelled in the furnace.
20170301151232

Stage Lightning

Isabel Lloyd on Brian Bates, The Way of the Actor

I can’t remember which teacher told us to read his new book, ,The Way of the Actor (1986). But I can remember the sense of relief when I realized that, despite the icky subtitle – A New Path to Personal Knowledge and Power – it was written by a professor of psychology and had footnotes; this I understood. Bates’s ideas were intriguing. Using his own interviews with four leading actors – Charlton Heston, Glenda Jackson, Anthony Sher and Liv Ullmann – and excerpts from hundreds of other performers’ interviews and memoirs, he laid out a theory that actors were shamans for the modern world.

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