One Foot in Eden
Writing her diary one evening in January 1951, Edwin Muir’s wife Willa reflected that her husband’s poems would live on, but ‘of himself, only a legend’. Why? Contemporary poets united in marvelling at Muir’s gifts, not just as a fellow poet, but as a human being. T. S. Eliot recognized in him a more ‘complete integrity’ than he had known in any other writer; Kathleen Raine envied his stillness and stability in a hurtling world; George Barker was moved by his visionary insight. Edwin Muir, Barker wrote, was ‘like a silent clock that showed not the time but the condition, not the hour but the alternative’. Surely something more solid than ‘legend’ should survive of such genius?