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Origo, Iris

War in Val d’Orcia, [20] 80; The Merchant of Prato, [66] 73

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20210206131446 O is for Origo, Iris | From the Slightly Foxed archives

O is for Origo, Iris | From the Slightly Foxed archives

Greetings from Slightly Foxed HQ where we thought it high time to continue our tour through the magazine’s archives and provide a free article – and a handful of book recommendations – for some weekend reading. Daniel Worsley’s piece on The Merchant of Prato by Iris Origo appeared in SF Issue 66 and, for those of you who crave a change of scene, takes us back to fourteenth-century Tuscany. Please find a link to read the full article below. We do hope you’ll enjoy it.
20200601114534 Francessco di Marco Datini Alamy | Daniel Worsley on Iris Origo, The Merchant of Prato - Slightly Foxed 66

Nothing but the Best

Daniel Worsley on Iris Origo, The Merchant of Prato

It was grudgingly that I started to read Iris Origo’s The Merchant of Prato. My wife told me to. She had been referred to it for her studies. It sounded dry stuff, the re-creation of the life of a fourteenth century Tuscan businessman from his account books and correspondence. We had each been handed down copies of Iris’s immensely readable Images and Shadows (1970) in which she describes how in the 1920s she and her Italian husband bought the derelict estate of La Foce south of Siena and painstakingly re-established the mezzadria system. This had been used in Tuscany from the days of the Roman Republic, the landlords providing the upkeep of the farms and paying for half of everything needed for cultivation, and receiving in return a half share of all that was produced.
20081201104156 John Saumarez Smith on Iris Origo, War in Val d’Orcia

A Noble Cause

John Saumarez Smith, Iris Origo, War in Val d’Orcia

War in Val d’Orcia consists of the diary Iris Origo kept between the end of January 1943 and July 1944. The Origos were based throughout at La Foce, south of Montepulciano in central Italy, though they made occasional excursions to Florence and Rome. She and her Italian husband Antonio had devoted their pre-war lives to reviving the estate, something that could only be done by cooperating with Mussolini and his Fascist bureaucracy; when the Fascists allied themselves with Hitler and Nazism, the Origos keenly adopted the anti-Fascist cause. In what was a remote part of Tuscany they created a remarkable agricultural community, though its close-knit texture would be stretched to the utmost under wartime conditions.

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