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Wood, Frances

Frances Wood is a librarian, sinologue, historian and and former head of the Chinese Collection at the British Library, known for her writings on Chinese history, including Marco Polo, life in the Chinese treaty ports, and the First Emperor of China.

The numbers in square brackets refer to the issue of the quarterly in which the article appears.
The unbracketed numbers refer to the starting page of the article.
For entries in multiple issues of the quarterly, the occurrences are separated by semi-colons.

articles by, [1] 75; [6] 60; [11] 88; [20] 90; [27] 89; [43] 90; Hand-grenade Practice in Peking, [30] 13

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20210630122220 Frances Wood | Hand-grenade Practice in Peking

Hand-grenade Practice in Peking | Model Revolutionary Life

Frances Wood, Hand-grenade Practice in Peking

Like pain, the memory of the boredom of much of my visit in 1971, and of those interminable meetings with revolutionary committees, had faded with time and in 1975 I had applied to join the third group of British exchange students to go and study for a year in Peking. Though I could read Chinese and had a good job in a university library, working with Chinese books, I wanted to speak the language better. So now I was, once again, on my way to Peking. What follows is an account, based on letters home, of my year in China.
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Driven Dotty by Dewey

Frances Wood on Dewey decimal classification

In the olden days, when people went to public libraries to borrow books to read, they were probably unaware of the workings of the librarian’s mind. Librarians cherish the illusion that the Dewey Decimal Classification system is second nature to readers as well as librarians. Thus the reader in search of books on cookery will head immediately for the 641s, and anyone planning to travel to Germany to look at its architecture can be found in front of the 720s searching specifically for the numbers after the decimal point – 943 – because, as any fool knows, 720 is Architecture and 943 is Germany (although if you were to turn it round, 943. 7 is Czechoslovakia).
20081201160646 Daniel Macklin illustration - Frances Wood, Slightly Foxed Issue 20

Saying It with Books

Frances Wood on book titles

One of my favourite books is Wolfgang Kohler’s The Mentality of Apes. I haven’t actually read more than a couple of paragraphs at a time because the contents are of less significance to me than the cover. It is an old paperback with the characteristic turquoise cover that all Pelican books had, and the simplicity of the cover design allows the title to stand out clearly. I take it with me to meetings that I don’t want to go to and place it, obtrusively, on the table, title up.
20181201132950

Christmas Holidays

Extract from Drawn from Memory, Ernest H. Shepard

We three children were looking forward to Mother’s birthday, which was December 18th. December was ‘our’ birthday month, Cyril’s on the 20th, mine on the 10th: but the 18th was by far the most important. With a view to deciding what was to be done, we gathered round the schoolroom table, each armed with a statement of his or her financial resources. My assets were contained in an old purse that I kept hidden in a corner of the writing desk. This I emptied on the table. The contents were: one silver sixpence, one silver threepenny bit, and an assortment of coppers – total one shilling and tenpence halfpenny. Cyril was not in a much stronger position, and it remained for Ethel to retrieve the situation, which, I have to admit, she did most nobly. Lucky enough to have a godmother who sent her postal orders she was able to produce nearly ten shillings. Most magnanimously, she suggested that we pool our resources and give Mother one really nice present rather than three inferior ones. Cyril and I volunteered to draw and paint a birthday card between us, and we left it to Ethel to decide on the nature of the present.
20180101175503 Slightly Foxed The New Yorker Long-winded Lady

Manhattan Moments

Kristian Doyle on Maeve Brennan, The Long-Winded Lady: Notes from the New Yorker

In January 1954, a vignette appeared in the New Yorker’s ‘Talk of the Town’ section, introduced only vaguely as a missive from ‘a rather long-winded lady’. The piece – like all ‘Talk’ stories then, unsigned – was a lightly sardonic first-person account of a woman’s disastrous experience in a dress shop. It might not have been world-changing, but it did stand out from the usual ‘Talk’ pieces, which were often impersonal, mannered little things, written in the royal ‘we’. The Long-Winded Lady, though, idiosyncratic from the beginning, spoke only for herself. ‘Well, there you are,’ she signed off, ‘in case you’ve paid any attention.’
20140901115348

Rhubarb!

Frances Wood on the history of Chinese rhubarb

Any student of nineteenth-century Chinese history is familiar with Commissioner Lin Zexu (1785–1850), the epitome of the upright Confucian official who, in his moral and well-meaning efforts to stem the flow of opium into China, provoked the British military interventions that started the Opium War. Appointed by the Emperor to suppress the opium trade which was threatening the health of the nation and causing a disastrous outflow of silver, he arrived in Canton in March 1839 and issued orders threatening heavy punishment of Chinese opium-smokers and traffickers. He then turned his attention to the suppliers of Indian opium and drafted a letter to Queen Victoria. Though the letter was apparently never sent, he pointed out that Chinese rhubarb, tea and silk were ‘valuable products without which foreigners could not live’ and he demanded that the Queen personally seek out and destroy the opium carried on British ships and report back to him.
20110601125212 Frances Wood, Hand-grenade practice in Peking

Too Much of a Good Thing

Oliver Pritchett on Frances Wood, Hand-grenade practice in Peking

I see Frances Wood in that great tradition of intrepid British women explorers, like Mary Kingsley and Gertrude Bell. She sets out for China in 1975, when the Cultural Revolution is still going strong, and soon she is hacking a path through impenetrable jungles of revolutionary doctrine and jargon. Now she is gamely slogging across arid deserts of boredom and hours of improving lectures about the heroic deeds and shining examples of simple peasants. There are a hundred discomforts and irritations to be endured. To the natives she is a figure of curiosity; they stare and point and they don’t accept her. Like her explorer predecessors, she is indomitable, but in her case it is because of her heroic sense of humour and her eye for the absurd. Hand-Grenade Practice in Peking – her account of the year she spent as a student first at the Foreign Languages Institute in Peking and then at Peking University – is a very funny book.
20100901121425 British Library The Oldest Paper in the World Slightly Foxed

The Oldest Paper in the World

Frances Wood on The Diamond Sutra

It is not surprising that having invented paper over 2,000 years ago, the Chinese found a wide variety of ways to use it. Though the seventeenth-century landscape artist and arbiter of taste, Wen Zhengheng, considered painted wallpaper vulgar, Li Yu (1611–80), owner of the Mustard Seed Garden, advocated brown rather than white wallpaper, and Chinese painted wallpaper depicting birds, flowers, garden architecture and butterflies became popular in Europe in the seventeenth and eighteenth centuries. In 1794, the first British ambassador to China, Lord Macartney, even brought back a set painted with scenes of Chinese streets and workshops for his banker Mr Coutts which can still be seen in the bank’s boardroom.

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