A Spiritual Affinity

Share this

I don’t know about you, but I have a number of books on the go at any one time. There’s one in the downstairs loo, one in the bathroom, a couple by my armchair in the living-room, and two or three by the bed. But one book has been permanently by my bed since my wife gave it me for Christmas in 2000, and I turn to it more or less every night for the crisp good sense which is guaranteed wherever I open it, and perhaps a laugh as well. Consider this, for instance:

This Leussler is a terrible man. He is a kind-hearted guy and would do anything for you, but he will kill you with talk in the process. We had him here to dinner and by 9.30 he had me so exhausted that I went and put my pyjamas on – a hint that would be considered too broad in the best society (if there is any) but it was just right for Leussler. Anything less pointed would have missed him by a yard and I didn’t quite feel up to holding up a card with large letters on it saying: FOR CHRIST'S SAKE STOP TALKING AND GO HOME!

No doubt some readers will have immediately recognized the ‘compulsively readable’ (Washington Post) writing style of the book I’d take to my desert island: The Raymond Chandler Papers: Selected Letters and Non-Fiction, 1909–1959. Mordant, splenetic, dry, wise, tender, never wordy, never trivial, Chandler’s hundreds of letters never descend to mere gossip. He himself said, ‘If a collection of letters is to mean anything, it shou

Subscribe or sign in to read the full article

The full version of this article is only available to subscribers to Slightly Foxed: The Real Reader’s Quarterly. To continue reading, please sign in or take out a subscription to the quarterly magazine for yourself or as a gift for a fellow booklover. Both gift givers and gift recipients receive access to the full online archive of articles along with many other benefits, such as preferential prices for all books and goods in our online shop and offers from a number of like-minded organizations. Find out more on our subscriptions page.

Subscribe now or

About the contributor

John Sheppard is a veteran documentary film-maker, once of World in Action and Disappearing World. His account of The Doors at the Roundhouse, his portrait of Olga Korbut and his celebration of Sergeant Pepper’s twentieth anniversary are remembered with affection by an ageing coterie. In the present state of British television there is no place for him. He prefers to think he is not retired, rather disused.

Share this

Comments & Reviews

Leave a comment

Customise this page for easy reading

Distraction-free
reading mode