So why isn’t he better-known today? The Slightly Foxed team put this question to Julian Evans, a distinguished writer and traveller himself, author most recently of Undefeatable: Odessa in Love and War, and of Semi Invisible Man, the definitive biography of Norman Lewis.
Julian took his title directly from his subject, who described himself as a ‘semi-invisible man’, a watcher from the sidelines who hated personal publicity. It was a lesson Norman learned from a hard childhood in which, as a clever boy growing up in the North London suburbs, he was severely bullied at school. His spiritualist parents, shattered by the deaths of his two older brothers, sent him to stay for some time with his Welsh grandfather and three disturbingly eccentric aunts, an interlude he described in his autobiography Jackdaw Cake.
A sharp dresser with a taste for fast cars, motor bikes and guns (though he hated violence) and a man of great charm, Norman survived during the 1930s Depression by running his own successful camera business. But travelling and writing were his passions, and after wartime service as an army Intelligence officer which produced his masterpiece Naples ’44, he wove the experiences of his worldwide travels into many other magical books such as A Dragon Apparent, Golden Earth and Voices of the Old Sea. He had an unerring instinct for a story and took risks to give a voice to overlooked communities. His Sunday Times article on the genocide of indigenous tribes in Brazil prompted the founding of Survival International, and The Honoured Society exposed the inner workings of the Mafia in Sicily.
Courage, humour, humanity, a distinctive voice and a genius for storytelling – Lewis has them all. ‘One goes on reading page after page as if eating cherries,’ wrote one New York Times reviewer. An essential author, we all agreed, for anyone who relishes good writing.
The Slightly Foxed Editors’ book recommendations were two novels by Joseph O’Connor, My Father’s House and The Ghosts of Rome, and Justin Webb’s childhood memoir The Gift of a Radio. And for an introduction to Norman Lewis, A Quiet Evening, a selection of his best articles introduced by John Hatt.
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Please find links to books, articles, and further reading listed below. We may be able to get hold of second-hand copies of the out-of-print titles mentioned on the podcast and listed below. Please get in touch with the Slightly Foxed office for more information. The digits in brackets following each listing refer to the minute and second they are mentioned. (Episode duration: minutes; seconds)
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Eric Lomax, The Railway Man (1:03)
Arthur Ransome, Peter Duck (1:45)
John Steinbeck, The Grapes of Wrath (1:59)
Jacqueline Susann, Valley of the Dolls (2:06)
John T. Appleby, Suffolk Summer (2:23)
Norman Lewis, A Quiet Evening (5:17)
Julian Evans, Undefeatable: Odessa in Love and War (5:58)
Norman Lewis, A Suitable Case for Corruption (11:50)
Norman Lewis, Naples ’44 (11:53)
Norman Lewis, Spanish Adventure (25:32)
Norman Lewis, A Voyage by Dhow (26:21)
Norman Lewis, ‘Hemingway in Havana’, A Quiet Evening (29:51)
Norman Lewis, A Dragon Apparent (36:11)
Norman Lewis, The Voices of the Old Sea (49:04)
Joseph O’Connor, My Father’s House (52:25)
Joseph O’Connor, The Ghosts of Rome (52:30)
Justin Webb, The Gift of a Radio (54:06)
Julian Evans, Semi-Invisible Man
–Championing the Underdog, Justin Marozzi on Norman Lewis, Naples ’44, Issue 38
–The Semi-Invisible Man, Justin Marozzi on Norman Lewis, A Dragon Apparent & Golden Earth, Issue 46
–A Tale of Two Villages, William Palmer on Norman Lewis, Voices of the Old Sea, Issue 74
–After the Death of the Masters, Barnaby Rogerson on travel writing, Issue 6




–Slightly Foxed Writers’ Competition
Opening music: Preludio from Violin Partita No. 3 in E Major by Bach
Hosted by Rosie Goldsmith
Produced by Philippa Goodrich
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