Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of Lord Byron.
In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet.
Ada did not. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron’s little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination.
Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but sympathetic personality.
‘Seymour carries off a delicate balancing act, combining the historian’s proper caution with acute judgements and a dashing narrative pace.’ LRB
The Orchid Man
I owe the discovery of The Passing of a Hero and Conventional Weapons to a fellow-visitor to the London Library who, shrewdly interpreting the glazed stare of a fellow shelf-crawler, urged me to make...
Read moreThe Twilight Hour
Davidson’s book offers us a series of intense, lyrical and surprisingly moving meditations on landscapes, buildings and mythical settings, as seen at the close of day through the eyes of painters...
Read more