Cassandra Darke is an art dealer, mean, selfish and solitary by nature. She has become a social pariah, but doesn’t much care. Between one Christmas and the next, she has sullied the reputation of a West End gallery and has acquired a conviction for fraud, a suspended sentence and a bank balance drained by lawsuits. On the scale of villainy, fraud seems to Cassandra a rather paltry offence – her own crime involving ‘no violence, no weapon, no dead body’.
But in Cassandra’s basement, her young ex-lodger, Nicki, has left a surprise, something which implies at least violence and probably a body . . . Something which forces Cassandra out of her rich enclave and onto the streets. Not those local streets paved with gold and lit with festive glitter, but grimmer, darker places, where she must make the choice between self-sacrifice and running for her life.
Posy Simmonds’s graphic novels have always put a magnifying glass on British society and domestic life.
Underwear Was Important
Posy’s dialogue is as good as her draughtsmanship, and she has a talent for names (an area in which so many writers fall down) which is as good as that of Evelyn Waugh or Anthony Powell. What...Read more
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