The independent-minded quarterly that combines good looks, good writing and a personal approach. Slightly Foxed introduces its readers to books that are no longer new and fashionable but have lasting appeal. Good-humoured, unpretentious and a bit eccentric, it’s more like a well-read friend than a literary magazine.
In this issue: Sue Gee is bowled over by the Beaton diaries • Andrew Nixon lives it down with Jeremy Clarke • Olivia Potts rediscovers a companionable cookery writer • Nick Hunt meets an unlikely librarian • Rose Lyddon joins the Fitzgerald family Offshore • Roger Hudson enjoys a Countess’s sparkling love letters • Frances Donnelly pays homage to Iris Murdoch • Nicholas Murray meanders down the Wye • Helen MacEwan finds company at Juniper Hall . . .
A Consummate Professional • SUE GEE on Cecil Beaton’s Diaries
A Life Well Lived • BRANDON ROBSHAW on Robert Westall, The Making of Me
Paying Attention • LUCY BECKETT on Czeslaw Milosz, The Issa Valley
Low Life, High Art • ANDREW NIXON on Jeremy Clarke, Low Life
Against the Tide • ROSE LYDDON on Penelope Fitzgerald, Offshore
The Importance of Creepy-crawlies • URSULA BUCHAN on Ken Thompson’s Garden Writing
The Impression of the Moment • ROGER HUDSON on The letters of Harriet, Countess of Bessborough
A Source of Pleasure • NICHOLAS MURRAY on Robert Gibbings, Coming down the Wye
A Cook to Cook with • OLIVIA POTTS on Margaret Costa, Four Seasons Cookery Book
Size Matters • MARTIN SORRELL on André Maurois, Fattipuffs and Thinifers
The Watershed • ANDREW JOYNES on Bruce Chatwin, On the Black Hill
Domestic Lives • FRANCES DONNELLY on Iris Murdoch, A Fairly Honourable Defeat
Wine, Women and Words • JUSTIN MAROZZI on James Salter, Burning the Days
Lockdown with Linda • HELEN MACEWAN on The group biographies of Linda Kelly
An Unlikely Librarian • NICK HUNT on Jack Black, You Can’t Win
The Willing Suspension of Disbelief • ALASTAIR GLEGG on Nigel Kneale, The Quatermass Experiment
About Slightly Foxed
The independent-minded quarterly that combines good looks, good writing and a personal approach. Slightly Foxed introduces its readers to books that are no longer new and fashionable but have lasting appeal. Good-humoured, unpretentious and a bit eccentric, it’s more like a well-read friend than a literary magazine. More . . .



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