A Whole World of Good Reading

D. J. Taylor, literary critic, novelist and Whitbread Prize-winning author of the definitive Orwell: The Life (2003) and its highly acclaimed sequel The New Life (2023), and Masha Karp, Orwell scholar, former Russian features editor at the BBC World Service…

Laura Freeman, chief art critic at The Times and author of Ways of Life: Jim Ede and the Kettle’s Yard Artists, and Kettle’s Yard Director Andrew Nairne take us back to Cambridge in this follow-up to Episode 30 of the Foxed Pod, in which Laura introduced us to literary art lover Jim Ede and talked us through his life and the founding of his gallery.

‘I would like to be remembered as a good writer and a good man . . . Writers are observers. We are natural lookers, watchers . . . it seems to me quite wonderful that I have so long been able to make a living from something I love so much.’ So wrote the writer, editor and famed chronicler of rural life Ronald Blythe for the Mail on Sunday in 2004. That Ronald (or Ronnie, as he preferred to be known), who died aged 100 in early 2023, will be remembered as a good writer is irrefutable. Many Slightly Foxed listeners will know and love not only Akenfield – his bestselling 1969 portrait of a fictionalized East Anglian village – and the ‘Word from Wormingford’ column for the Church Times but also his unparalleled collection of short stories, poems, histories, novels and essays and, most recently, his year-long diary published as Next to Nature, which celebrates the slow perpetual turn of the farming year, the liturgical calendar and the rhythms of village life.

The writer Jean Rhys is best known for Wide Sargasso Sea, her haunting prequel to Jane Eyre, yet her own life would have made for an equally compelling novel. Miranda Seymour, author of the definitive Jean Rhys biography I Used to Live Here Once, joins the Slightly Foxed team to follow Rhys’s often rackety life and shine light on her writing. Born Ella Gwendolen Rees Williams on the island of Dominica, she dreamed of being an actress. And she did play many roles over the years: raconteur, recluse, wife (three times), grieving mother, enthusiastic drinker . . . But her most important role was that of a writer. We begin in the Caribbean with Smile Please, Rhys’s unfinished autobiography of her early years, where we meet a white creole girl who feels like an outsider. This feeling lingers, whether she is living in squalid London, on Paris’s Left Bank or in rural Devon. The women in her novels feel it too: Anna adrift in London in Voyage in the Dark, Julia leaving Paris in After Leaving Mr Mackenzie, Antoinette bound for Mr Rochester’s attic in Wide Sargasso Sea.