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Slightly Foxed > Blog > Articles & Extracts
20150901103535

More Capability Brown

Richard Mabey on The Ecosystem of a Library

I like to think we run an open-door policy in our library at home in Norfolk. That is to say, on warm days in summer the door to the garden is actually open. Anyone’s welcome to come in for a browse. Last summer a stoat wandered in, peered dismissively at the modest shelf of my own titles, sniffed about under my desk and then ambled out. Most Julys the house ants – here long before us and so given due respect – pour out from alarming new holes in the floor, march along the tops of my editions of Gilbert White’s Natural History of Selborne, and shuffle in a lost and desultory way about the carpet, seeming uninterested in getting outdoors for their nuptial flights. But while I fret about the continuance of their ancient lineage, the culling is already under way. Next through the door come the bolder blackbirds and robins, hoovering the insects up in front of the shelves.
20150901162909

Behind the Net Curtains

Sarah Crowden on R. F. Delderfield’s Avenue Novels

The maxim ‘write what you know’ has been drummed into aspiring novelists on creative writing courses for years and it aptly sums up the varied career of R. F. Delderfield, whose writing life was divided into three distinct parts. He was encouraged early on by George Bernard Shaw and Graham Greene among others, and one of his several mentors advised him to ‘write what pleases you and you have a slim chance of pleasing others by accident’.
20150901151940

Gaiety and Magic

Richard Davies on Maurice O’Sullivan, Twenty Years A-Growing

Perhaps some of the best moments in a book-lover’s life are when you chance upon something that turns out to be a real find. The first of many such discoveries for me was a well-used Penguin entitled Twenty Years A-Growing, which I came across nearly sixty years ago, in the back room of a junk shop. I bought it for a penny, read the whole book that day and loved every word of it. I have it still and often revisit it.
20150901140532

The Dean and the Don

Derek Parker on Lord Byron, Don Juan

Back in 1968, when I was editing Poetry Review, published by the Poetry Society, I started a campaign to have a memorial to Byron placed in Poets’ Corner. I was tentative in my first approach to the Dean and Chapter of Westminster Abbey, suspecting they might not be particularly enthusiastic about giving space to a man who boasted of having enjoyed a hundred different women during his first two years in Venice and who thought that ‘all sense and senses’ were against belief in religion.
20150901155832

Down-to-Earth in Over Stowey

Anthony Longden on The Diary of William Holland, Somerset Parson

I have always had a weakness for diaries and memoirs, especially those written by men of the cloth. It’s generally quite gentle observational stuff, cataloguing the daily round, usually in a country parish, and much of its fascination lies in the diurnal detail, some of it joyous, some of it poignant, as local characters are christened, married and buried. This writing, for me at least, provides an instant escape to a lost world running at less than half the speed of our own.
20150901124433

The Green Notebook

Amy Liptrot on Louise Fitzhugh, Harriet the Spy

It might be irresponsible to recommend Louise Fitzhugh’s Harriet the Spy (1964) to youngsters today, with its sulky, unrepentant heroine who snoops on neighbours and whose notebook entries result in her losing friends. They might like it as much as I did. My copy, kept safe through house sales and moves and decades, is the only childhood book I still have, my best and most important. I’ve written inside the front cover: ‘Amy M. Liptrot, Private Spy. This book is totally brilliant!’
20150901112817

Modern Life Is Rubbish

Henry Jeffreys on David Nobbs, The Death of Reginald Perrin

It was eerie the first time I watched The Fall and Rise of Reginald Perrin because it all felt so familiar. I’d bought a DVD box-set on a whim. Suddenly my parents’ baffling banter made sense. When I thought they were speaking gibberish they were in fact quoting Perrin. My mother would say ‘great’ and my father would say ‘super’. My father would say things like ‘I didn’t get where I am today’ and my mother would say ‘I’m not a committee person.’ If lunch was going to be late my father would say ‘bit of a cock-up on the catering front’. They’d been doing it so long that I doubt they even knew they were speaking Perrinese. It’s difficult to overstate how thoroughly Perrin has seeped into popular culture and language.
20140601160327 B. Lodge illustration - Glynn Frewer, on second-hand bookselling

Turning a Page

Glyn Frewer on second-hand bookselling

My father was a bibliophile, a bibliographer and a university librarian for fifty years, and I cannot remember a time when I was without books. It was inevitable, therefore, that I should grow up with an ambition to own and run a bookshop. After thirty years in advertising, I bought a small haberdashery called Stuff & Nonsense in Stow-on-the-Wold. I stripped it of all the racks, previously filled with green anoraks, rolls of furniture fabric, strange hats with earflaps that pulled down or bobbles that stood up, shooting-sticks, carved thumb-sticks and pink wellingtons, and fitted it out with bookshelves.
20150901161224 William Stobbs illustration - Ronald Welch, Escape from France

Joining the Grown-ups

Matthew Adams on Ronald Welch, Escape from France & Nicholas Carey

Revisiting the Carey novels today, I am struck by how fresh and magnetizing they have remained, and by how much there is in these books – as there is in all good children’s literature – that can be enjoyed by adults. It is common for readers of Welch to credit him with sparking a love of history (I know an Oxford scholar of medieval literature who says she owes her career to Welch); what we hear less often is how subtle and careful his use of history can be. Escape from France and Nicholas Carey work brilliantly as historical fiction because the history with which they are suffused is always given a human face.
20150901173010

A Light to Live by

Sarah Perry on Foxe’s Book of Martyrs

On the cover was a drawing of a slender wrist held by a gloved hand; beneath the wrist was a candle held close. I began to read a story familiar to me: the account given in Foxe’s Book of Martyrs of the torture of the Protestant Rose Allen. I remember how bright and still it was, and how relieved I felt that no one passing by wondered what we were doing, and drew near enough to hear the child reading how the young Rose, bringing a jug of water to her mother, was found by an interrogator in her own home; how he took her candle and moved it back and forth across her hand in the form of a cross until the tendons audibly cracked; and how later she thanked God she’d kept her temper, and not brought the jug down on her tormentor’s head.
20150901170021 John Updike photograph (B&W) - Justin Cartwight on the Rabbit novels

The American Dostoevsky

Justin Cartwright on John Updike’s Rabbit Novels

I have read so much Updike, so many articles, so many collections of his criticism and journalism, and virtually all his many novels, that I sometimes think I know more about his thought processes than I do about my own. In his introduction to The Early Stories, 1953–1975, John Updike speaks candidly about his professional life. His inspiration, he says, has been drawn from life; he has always believed that ‘out there was where I belonged, immersed in the ordinary which careful explication would reveal to be the extraordinary’. And this, I think, gave him the leitmotif of his writing life and made him the writer he became.
20150901152950

Romance in Broadmoor

Maggie Fergusson on Patrick McGrath, Asylum

Over lunch one day in the autumn of 1996, I mentioned my fascination with Broadmoor to the novelist David Hughes. Had I read Patrick McGrath’s Asylum, he asked in response. No? I must! McGrath had grown up at Broadmoor, where his father had been appointed medical superintendent in 1957; and, though his fictional asylum wasn’t named, there was little doubt that it was based on his childhood home. The novel was just out, and getting rave reviews. I bought it immediately.
20150901164310 Portrait of Mary Borden - Bel Mooney on The Forbidden Zone

From Chicago to the Western Front

Bel Mooney on Mary Borden, The Forbidden Zone

Borden begins The Forbidden Zone with a surprisingly bald statement: ‘I have not invented anything in this book.’ She explains that the sketches and poems were written between 1914 and 1918 but the stories are more recent and recount ‘true episodes I cannot forget’. The paradox becomes clear: she is telling the truth and yet the truth was so dreadful that ‘I have blurred the bare horror of facts and softened the reality in spite of myself . . .’
20151201172423 Daniel Macklin illustration - C. J. Driver on Punch

‘Is there any news of the iceberg?’

C. J. Wright on the archives of Punch

Alan Coren was on fire. Or, at least, smoking. He was also ablaze with enthusiasm. In due course, the cigarette was extinguished. The enthusiasm was not.

It was 2004 and he had come to see the archives of Punch, which the British Library had just acquired. Coren had worked on the magazine since the early 1960s and been its editor between 1978 and 1987. After he left, it went into a terminal decline, ceasing publication in April 1992. The title was eventually purchased by Mohamed Al Fayed and relaunched in 1996 but finally sank in 2002.
20190924172138 Robert Walser photograph - Simon Willis on The Walk and Other Stories

Outrunning Darkness

Simon Willlis on Robert Walser, The Walk

Scanning the contents page, I could see that these were tiny stories about everyday subjects, most no more than a couple of pages long – prose sketches rather than conventional narratives – with titles like ‘Trousers’, ‘The Job Application’ or ‘The Boat’. But in the middle there was one covering more than sixty pages called ‘The Walk’. It was the first story I read by Walser, and it introduced me to a writer of both tragic and exultant modesty.
20151201160742 James B. W. Lewis - Shena Mackay on Alfred Ollivant, Owd Bob

One Man and His Dog

Shena Mackay on Alfred Ollivant, Owd Bob

My raddled copy of Owd Bob: The Grey Dog of Kenmuir, with its broken spine and pages falling out, sits in my bookcase alongside other lifelong companions such as Come Hither (which I was delighted to see featured in Issue 43 of Slightly Foxed), but as an adult I feared to open it, because I had once loved it so much. I never knew who wrote it since the title page was missing and the wording on the spine was obliterated by brown sticky tape, until some years ago I mentioned it to my bibliophile brother-in-law, who came up with the author’s name – Alfred Ollivant.
20150901164218 Kathleen Lindsley, April Snow Showers - Julian Hoffman on Robin Jenkins, The Cone-Gatherers

An Unexpected Gift

Julian Hoffman on Robin Jenkins, The Cone-Gatherers

I’m continually amazed by how many remarkable writers can pass you by, even when you think you read a lot. My friend had sent me a copy of The Cone-Gatherers (1955) by Robin Jenkins. I’d never heard of him, but I later discovered that in his long life (1912–2005) he’d written thirty novels and two short-story collections. His books have also appeared on the school syllabus in his native Scotland, and the Robin Jenkins Award was established to recognize exceptional works of environmental literature. But I didn’t know any of this when I sat down to read the book.
20151201154123

Ambassadress Extraordinaire

Roger Hudson on the letters of Harriet, Countess Granville

Hary-O, as she was called, was born in 1785 to the beautiful Georgiana, Duchess of Devonshire and incurable gambler, and the 5th Duke, who seems to have passed his life largely disengaged from his surroundings. With her elder sister Georgiana, who became Lady Morpeth then eventually Countess of Carlisle, and younger brother William, always known as Hart, the bachelor 6th Duke, she formed an unrivalled mutual admiration society. Whenever they were apart, they were the most assiduous of correspondents, which means that we can enjoy Hary-O’s mordant wit and shrewd commentary through her letters to them. She once strikingly invoked Georgiana: ‘O sister of my own sort, liver of the chicken to which I am gizzard.’
20151201172738 E. M. Delafield photograph - Louisa Yates on Consequences

Nothing in Moderation

Louisa Yates on E. M. Delafield, Consequences

‘Oh, Alex.’ I suspect many readers of E. M. Delafield’s fourth novel, Consequences (1919), have said this aloud at least once. They may have said it in sorrowful sympathy; they may have chuckled it knowingly; they may have shrieked it in exasperation. They may have varied its emphasis: ‘Oh, Alex.’ But they will have said it – probably – as I have, in a range of tones and volumes. Consequences is one of the most frustrating books I know.
20151201162603

Where There’s a Will

Andrew Lycett on Wilkie Collins, No Name

Both The Woman in White and The Moonstone are clever and absorbing. But where should one go in Collins’s work after them? Armadale is fascinating but dauntingly complex, with its two cousins of the same name. For an easier point of entry, and a gripping read, I always recommend No Name (1862). As its title playfully implies, it’s about loss of identity – another favourite topic, in this case arising in typical Collins manner from a botched will.
20190901120108

Lost in the Fens

Julie Welch on the detective stories of Edmund Crispin

Should you really never judge a book by its cover? Had I gone along with that dictum years ago I would not have happened upon Edmund Crispin. Shameful though it is to admit it, I was attracted not by the name of the author – unknown to me – but by a Penguin Crime jacket. Its green and cream design caught my eye at an Amnesty International book sale in the church opposite our house. Our dining-room had recently been redecorated, and I judged Frequent Hearses would, suitably displayed, tone with the colour scheme.
20190901111422 Anthony Longden - Field Marshal Lord Alanbrooke, War Diaries, 1939–1945

At War with Churchill

Anthony Longden on Field Marshal Lord Alanbrooke, War Diaries

The date is 28 September 1939. The author cannot know that what he will record in this 15-shilling notebook – and the many that follow it over the next six years – will become an astonishing first-hand account of Britain’s darkest hours, and a vivid, often harrowing portrait of one of its greatest leaders. For this is an extraordinary soldier, General Sir Alan Brooke, later Field Marshal Lord Alanbrooke, destined to become Churchill’s right-hand man as head of the British armed forces, and broker of the Grand Alliance with Roosevelt and Stalin. Yet despite the pivotal role he played, his name is still comparatively little known.
20190901111206 Miranda Seymour, Peter Davidson - F. L. Griggs, Duntisbourne Rouse

The Twilight Hour

Miranda Seymour on Peter Davidson, The Last of the Light

Davidson’s book offers us a series of intense, lyrical and surprisingly moving meditations on landscapes, buildings and mythical settings, as seen at the close of day through the eyes of painters and writers. The Last of the Light is a spellbinding exploration of that haunted moment of transition, either on some particular evening or in the history of the civilizations through which Davidson effortlessly roams. Again and again we find ourselves confronting the familiar with fresh eyes, noticing the tiny but significant details that he brings to the fore and quickens into life.
20190901104651 Ysenda Maxtone Graham, the poetry of Jan Struther, E. H. Shepard illustration

Hitting the Nail on the Head

Ysenda Maxtone Graham on the poetry of Jan Struther

1. Jan Struther, the well-known and successful writer, lecturer, radio performer etc. (with a subdivision called Jan Struther, the much-too-little-known and really pretty terrific serious poet whose depth and brilliance will only really be appreciated by a discerning literary public after she is dead!)

That ‘item no. 1’ was the first on a list concocted by my grandmother Jan Struther in a letter to her brother Douglas in 1951.
20190901175640

Challenging the Old Gang

Michael Barber on Noel Annan, Our Age

As a beneficiary of the Welfare State and the Permissive Society – to name just two of their life-enhancing achievements – I owe an enormous debt to the liberal intelligentsia who, in the teeth of opposition from the Old Gang, brought them to pass. But who were these irreverent shock troops and what motivated them? The answer is given by one of their standard bearers, Noel Annan (1916‒2000), in his dazzling group portrait Our Age (1990), which is not only a joy to read but also a wonderful crib for anyone studying the social history of Britain from the 1920s to the 1960s.
20190901132937 Sue Gaisford on Rosemary Sutcliff, The Eagle of the Ninth and The Silver Branch

The Sound of Chariots

Sue Gaisford on the Roman Britain novels of Rosemary Sutcliff

Rosemary Sutcliff knew about chariots. In the first of her four Roman books, The Eagle of the Ninth (1954), her young hero, the centurion Marcus Flavius Aquila, politely suggests to his British friend Cradoc that the British are all charioteers. Cradoc replies (accurately): ‘The British can all drive after a fashion; not every one is a charioteer.’ Marcus, however, is the real thing, the best in his Legion. Elegantly he slaloms Cradoc’s four strong little black stallions through planted spears, and then, reaching open land, he gives them their heads and they are off, at full gallop.
20190901161113

One of the Regulars

Linda Leatherbarrow on Penelope Fitzgerald, The Means of Escape

At the back of Penelope Fitzgerald’s only short-story collection, The Means of Escape (2000), there is a charming black-and-white photograph of the author. It shows her buttoned into a high-collared shirt under a garment that appears to be an academic robe but could simply be a very large cardigan. Not quite smiling, she looks gentle yet distinguished, exactly as I remember her; and, as I looked at the photograph, there she was again and so was I, back in the old public library at the top of Highgate Hill in north London.
20190901155008 Olivia Manning, The Balkan Trilogy, Patrick Welland

Adrift on the Tides of War

Patrick Welland on Olivia Manning’s Balkan trilogy

It is an irony that the dramatization of a novel may deter not spur. Instead of leading the viewer to the book, it becomes a substitute. Such a fate appears to have befallen Olivia Manning’s Fortunes of War, which in its Balkan and Levant trilogies traces the wartime travails of young Harriet and Guy Pringle as they flee the advancing Germans, first in Bucharest and Athens, then in Egypt and the Middle East. The six volumes were published to acclaim between 1960 and 1980. Yet Manning’s work is now probably better remembered as the 1987 BBC TV dramatization starring Emma Thompson and Kenneth Branagh.
20190901180152 Tim Mackintosh-Smith, Becoming a Writer

Word Magic

Tim Mackintosh-Smith on becoming a writer

Are writers born or bred? One of my grandfathers was a poet – an exact contemporary of Kipling, though rather less famous. His main contribution to literature was the invention of the poetry postcard. He also invented ‘The Quick and Easy Method of Washing Floors’, that ingenious bucket with a pedal that presses two rollers together and squeezes your mop, and which is found in every school and hospital throughout the universe; he sold the rights to it for, I think, twenty guineas.
20190822115041 Roman Books

The Roman Novels by Rosemary Sutcliff

Slightly Foxed Cubs

Rosemary Sutcliff (1920‒92) wrote three of her four great historical novels for children set during the last years of the Roman occupation of Britain – The Eagle of the Ninth, The Silver Branch and The Lantern Bearers (winner of the Carnegie Medal) – between 1954 and 1959, and the fourth, Frontier Wolf, which comes third in the chronological story, in 1980. Slightly Foxed is now reissuing all four of the Roman novels, with their original illustrations, in a limited, numbered edition.
20151201163919 Melissa Harrison on Gilbert White, History of Selborne

Touched with a Secret Delight

Melissa Harrison on Gilbert White, The Natural History and Antiquities of Selborne

For someone who writes about nature, as I do, the importance of Gilbert White’s Selborne, coupled with the daily journals he kept from 1751 to 1793, cannot be overestimated. The original parson-naturalist, White dedicated his life to observing and recording the natural history of his small Hampshire parish. In doing so he not only advanced our understanding of British flora and fauna quite considerably – he was the first to identify the harvest mouse and the noctule bat, and to distinguish between the chiffchaff, the willow warbler and the wood warbler, by listening to their song – but also laid the groundwork for an appreciation of local habitats that still informs our national character today.
20151201162344

A Talent to Amuse

Derek Parker on Arthur Marshall, Life’s Rich Pageant

Thirty years or so ago, we always shopped on a Friday morning at a local supermarket, and for a number of weeks we observed a strange phenomenon in the car park. Cars would arrive at, say, five to nine – but instead of everyone leaping out and going about their business, not a door opened until five seconds past the hour, when with one accord everyone sprang from their cars and made for the lift. The reason: at nine, Arthur Marshall stopped reading the latest instalment of his autobiography, Life’s Rich Pageant (1984).
20151201143150

Learning By Heart

Julia Blackburn on Arthur Quiller-Couch, The Oxford Book of Ballads

I was born in 1948 and so I stepped over into vague adulthood during the 1960s. My parents were what you might call bohemian, which meant they used Freud as the springboard for seeing sex in every aspect of life and they believed in doing whatever they felt like doing and to hell with the consequences. They were also good people in their way: my mother full of laughter and sociability, my father full of booze and poetry and fascinated by the transforming power of metaphor ‒ just so long as you could find the right one to fit the occasion . . .
20151201141744

Happy Lands

Robin Blake on Keith Waterhouse, Billy Liar

The novel is a beautiful collision between The Secret Life of Walter Mitty and The Catcher in the Rye, translated to the streets of Stradhoughton. This is a fictional West Yorkshire town derived from Hunslet, which stands across the River Aire from the city centre of Leeds, and is where Waterhouse grew up. I loved the novel from the first page, and I still treasure its vinegary sense of place and sardonic anti-establishment humour, perfect credentials for the wave of northern working-class fiction then rolling across Britain’s literary seabed. But Billy Liar went on to transcend the genre.
20160301124450 David Eccles illustration -Oliver Pritchett on literary inspiration

Getting the Idea

Oliver Pritchett on seeking inspiration

I wonder what the business was that the person from Porlock wanted to discuss when he (or possibly she) knocked on the door of the isolated farmhouse in Nether Stowey on that day in the summer of 1797? Maybe he (or she) said something like: ‘Sorry to bother you, Mr Coleridge, but I am honorary secretary of the Porlock Young Writers’ Circle, for my sins, and we were just wondering whether you might be good enough to judge this year’s poetry competition.’ . . .
20160301124229

Old Devil in a Dog-collar

Linda Leatherbarrow on Lorna Sage, Bad Blood

I first read Lorna Sage’s deeply absorbing and funny memoir Bad Blood in 2001, just before it won the Whitbread Award for Biography. A week later she died of emphysema, aged only 57, and, although I’d never met her, I felt as if I had. Her printed voice still flowed in my head, witty and full of insights into the rocky worlds of children and the adults who are supposed to care for them; a precise voice, rich with details that reminded me of my own semi-rural childhood: ‘hedges overgrown with hawthorn, honeysuckle and dog roses’.
20160601122241 James B.W. Lewis. Juliet Gardiner on Michael MacDonagh

London at War

Juliet Gardiner on Michael MacDonagh, In London during the Great War

Year by year literature of and about the First World War mounts –  books on its campaigns, causes, politics and economics; memoirs by politicians and generals; diaries and letters written by ordinary ‘Tommies’, by nurses in the front line and those involved on the Home Front, from the ‘Munitionettes’ who filled shells and assembled guns to the society ladies who rolled bandages and handed out tea and buns to departing soldiers. The catalogue of the London Library currently lists 1,475 titles on the First World War, and there will be many more to come during the remaining centenary years . . .

20160301120020

Lost Cities

Charles Elliott on John Lloyd Stephens, Incidents of Travel in Central America

Between 1839 and 1841 John Lloyd Stephens made two long and arduous trips through Central America in search of lost Mayan cities. What followed were two huge books (respectively 900 and 700 pages long), both best-sellers in their day. Even now Incidents of Travel in Central America, Chiapas and Yucatan and Incidents of Travel in Yucatan are a splendid introduction to the Mayan world, since except for a few of the most famous sites, the ruins they describe remain as remote and untouched as they were 150 years ago. I have never been to Chinese Turkestan or to Egypt, worse luck, but from my own experience (far less extensive than his) I can testify that Stephens has got Central America and its lost cities dead right, in all their complexity, discomfort and absolute fascination. He claims to have explored no less than forty-four sites, many for the first time.
20160301113532

A Victorian Quartet

Sue Gee on Penelope Fitzgerald, The Knox Brothers

Last spring, I visited the hamlet of Knill, deep in the Herefordshire countryside. Knill lies on the river Lug, a tributary of the Wye, and in the 1930s Penelope Fitzgerald’s father, Eddie Knox, used to come here and fish with his brothers, taking the lease on a cottage. I had learned this from The Knox Brothers (1977), Fitzgerald’s beguiling biography of four remarkable men; loving it as much as her novels, I was keen to find this cottage, of which she had happy childhood memories.
20160301104954 Anna Trench. Matthew Adams on F.M. Cornford

Wisdom from the Ivory Tower

Matthew Adams on F. M. Cornford, Microcosmographia Academica: Being a Guide for the Young Academic Politician

The title, which translates as ‘A Study of a Tiny Academic World’, refers to the enclave that was Cambridge University in the 1900s, at which time Cornford was a fellow of classics at Trinity College (where he had been an undergraduate in the late nineteenth century). There was much about this world that he disliked, and many of these dissatisfactions can seem rather minor and arcane. But his principal and most important objections ‒ objections from which Microcosmographia Academica would arise ‒ were related to such minutiae.
20160301103219 Anna Trench. Sarah Bakewell on Cortázar & Dunlop

Motorway Madness

Sarah Bakewell on Cortázar & Dunlop, Autonauts of the Cosmoroute

As with many of the books I’ve come to love most, I bought Autonauts of the Cosmoroute (1983) impulsively, knowing nothing about it, and mainly because of its cover. This features a doughty old red Volkswagen camper, with its forward-pitched roof raised like a sceptical eyebrow as a bearded man climbs out through its sliding side door. In the foreground, we see two lurid, flowery chairs. Above is only blue sky. Inside, you can make out a cooker, a folding table and a checked curtain. It is the kind of van in which you could go a long way.
20160301144431 Ronald Welch, Mohawk Valley - Foxed Cubs

Learning from the Wilderness

Galen O’Hanlon on Ronald Welch, Mohawk Valley

You should never camp in a ravine. Look for higher ground, and a windbreak – a fallen tree is fine, but rocks are the best. Gather balsam wood for bedding, and use your tomahawk to cut firewood from a dead tree. Make two fires. Set the bigger one against the rocks for warmth, and spread the ashes of the smaller one over the ground you wish to sleep on – they will stop it being so cold and damp. Catch fish from the river, but keep an eye out for Indians moving silently through the forest on moccasined feet. This much I have learnt from Ronald Welch’s Mohawk Valley . . .
20160301151449 Anna Trench - Helena Drysdale on Alison Lurie, Real People

All for Art

Helena Drysdale on Alison Lurie, Real People

What a perfect basis for a novel: hole up some highly charged ‘creatives’ in a secluded location and propel them from Eden into a Sartrean existentialist hell. Published in 1969, Real People is a subversively mocking but also poignant coming-of-middle-age comedy. Janet Smith (she adds ‘Belle’ to make herself seem elegant) is a priggish ‘lady writer’ who converses on highbrow matters over dinner. She and her fellow artists smugly agree that here at ‘Illyria’ they blossom into Real People ‒ their real best selves as they would be in a decent world, away from the stress of daily life. Janet is thankful to see the back of unreal people, particularly her boring insurance executive husband and tiresome children.
20160301150013 David Eccles crop - Patrick Welland on J. G. Farrell, Troubles

Murder at the Majestic

Patrick Welland on J. G. Farrell, Troubles

On 11 August 1979, a humane and singular man, who after long periods punctuated by adversity declared himself ‘happier than I’ve been in years’, left his isolated cottage near Bantry Bay in the west of Ireland to fish from his favourite rock. There he was swept away by a huge wave, outrider of an unprecedented storm which two days later would claim the lives of eighteen crew in the Fastnet yacht race. A witness said no cry left the fisherman’s lips and he made no visible attempt to save himself. The body of the novelist J. G. Farrell was found a month later. With his death at 44, contemporary literature lost a unique voice and the prospect of even greater riches to come. John Banville said it was ‘nothing short of a disaster for English fiction’.
20160601144322 David Eccles. Maggie Fergusson, RSL

Mr Cattermole’s Successors

Maggie Fergusson on the Royal Society of Literature

In the autumn of 1991, I started working for the Royal Society of Literature, one of the strangest and most beguiling organizations in London. Nobody, not even Roy Jenkins, its President, seemed to have much idea of the RSL’s purpose, and so in the evenings, after work, I took to exploring the archives. They lived in a small room over the front door of the Society’s home, 1 Hyde Park Gardens, stuffed into lever arch files whose spines read like a register of literary ghosts: Barrie, Beckett, Beerbohm, Blunden, Brooke . . .
20160601142821 Geri Waddington, Peacock Garden. Alexandra Harris on Katherine Swift

A Garden Litany

Alexandra Harris on Katherine Swift, The Morville Hours

From about the thirteenth to the sixteenth century, anyone who could afford it owned a ‘book of hours’ and kept it close at hand for daily use. It contained the prayers of the divine offices to be said at appointed hours, as well as psalms, lists of saints and a calendar, often tailored to the particular place in which it was used. My diary, the only book I use many times a day, is a paltry thing beside these medieval books, some of which are made visually beautiful with illuminations, and all of which are conceptually beautiful in their weaving of the hours of each day with the arc of the whole year.
20160601141505

The Mark of Cain

John Conyngham on Herman Charles Bosman, Cold Stone Jug

For me as a teenager, reading voraciously on the Natal sugar farm that was then my home, what gave Herman Charles Bosman an edge over other writers was that he was a murderer. That he was also one of a handful of South African writers who could confidently be called ‘major’ seemed incidental. From my adolescent perspective, lounging in a rattan chair on the veranda, with the sea of sugarcane swaying in the distance, it was his infamy that was beguiling.
20190812130530

In Spite of Everything

David Spiller on James Cameron, An Indian Summer

If anything, my experience with James Cameron’s book An Indian Summer (1974) demonstrates the need for magazines like Slightly Foxed. In the 1980s I was working in India as the British Council’s books officer and reading everything I could find about the subcontinent: V. S. Naipaul’s sober tomes; Forster and Ackerley on the Maharajahs; Eric Newby on negotiating the Ganges in a small boat; Sarah Lloyd’s An Indian Attachment, about her affair with a young Sikh. Because of my job I was ideally placed to find the right stuff, yet it was only during my fifth year in India that I discovered what was – and still is – the best book I’ve read on the subject.
20160601123607 Alan Munro on Cecil Roberts

Romance of the Road

Alan Munro on Cecil Roberts, And So to Bath

For anyone interested in places and their associations And So to Bath (1940) is a gem. Writing at the end of the 1930s under the shadow of war and in a succession of stages along the road’s hundred miles, Roberts conjures up a fascinating historical panorama from prehistoric times to Rome, the Plantagenets, the Tudors and Stuarts, the cultural glories (and social misdemeanours) of Georgian England and the Victorian prosperity and reforms that followed it, through to a philistine twentieth century which he laments. With a magpie’s zeal Roberts has gathered it all for us. For occasional fellow travellers he has the scholarly and spinsterly Miss Whissett, and Rudolf, an enthusiastic young Austrian student of English literature whose companionship may have held more than a passing charm for the bachelor author.
20160601121703

Casting Out Fear

Gary Mead on Viktor E. Frankl, Man’s Search for Meaning

Man’s Search for Meaning has apparently sold more than 10 million copies and been published in 24 languages. It is, according to the Library of Congress, one of the ‘ten most influential books in the United States’. When you are happy, E. F. Benson or some other undemanding text is enough; when you torture yourself, you need to find ways of coping. Frankl’s book is unlike any other Holocaust memoir I have read. From the darkest degradation he brings hope. He finds meaning amid the meaningless. It would be an exaggeration to say that his book saved my life – but it did help me find meaning.
20160601112902 Anna Trench. Laura Freeman on Charles Gibson-Cowan

Chekhov and Oysters

Laura Freeman on Charles Gibson-Cowan, The Voyage of the Evelyn Hope

The night the Evelyn Hope sailed from Hamble, there were sausages, potatoes and fried tomatoes cooked on a Primus stove for dinner. The captain opened a bottle of beer. It took three days for the boat to reach Le Havre. There the captain and his first mate disembarked and ordered a dinner of moules marinières, followed by nougat and Calvados. The diners were Charles Gibson-Cowan and Elizabeth David.
20160601111547 Justin Marozzi on Gerald Hanley

An Irishman in Somalia

Justin Marozzi on Gerald Hanley, Warriors

Can a book save one’s life? I used to think so when stationed in Mogadishu, avoiding thoughts of murder or suicide in that sunburnt madness only by immersing myself in Gerald Hanley’s Warriors (1971). Day after day I would throw myself on to my bed after another utterly fruitless, pointless day in the president’s office, and lie down, sweating beneath squadrons of flies and mosquitoes, and try to forget about it all.
20160601111218

To Hell and Back

Michael Holroyd on the novels of Dan Rhodes

Do you know the novels of Dan Rhodes? I ask because his books would appeal, I believe, to many readers. But he avoids journalism, does not belong to any literary groups or contemporary schools of writing and is very much an individual novelist. He neither pursues fame nor patronizes his readers. What he believes is what you get: sensitivity, humour, sadness and devastating shock. Sometimes I have been so saddened, so shocked, that I have stopped reading and put the book aside. But before long I am compelled to pick it up again and read on. And what I have read has found a place in my imagination.
20160601105201 Sue Gaisford on Christopher South

Gateway to the East

Sue Gaisford on Christopher South, The Authorised Guide to Grunty Fen

Grunty Fen has long been a source of mystery. For years it lurked in the dusty lumber-room of memory, unvisited and all but forgotten, its faint miasma lingering slightly, if unpleasantly, until all that was left was the name, only the name. Like Adelstrop, you might think, as immortalized by Edward Thomas; though until recently, all the two places had in common was that once, long ago and for a short time only, each boasted a small, branch-line railway station.
20160601095810

Distance & Desire

Liz Forsyth on E. Annie Proulx, Close Range

Close Range collects eleven of Proulx’s short stories, all set at various points in the previous century on the ‘dangerous and indifferent ground’ of the author’s home state of Wyoming. It is a book echoing with the voices of hard-rolling, rusty-trucked ranching communities, inhabited by men and women who plod and plough and geld and herd for a living on isolated dots of farmsteads and in one-street towns. The characters don’t talk much, though occasionally they might talk too much: like a river in spate, this is when they tend to do most damage.
20160601170002 Willy Pogany, The Struldbruggs - Robin Blake on Gulliver's Travels

Travelling with Swift

Robin Blake on Jonathan Swift, Gulliver’s Travels

Among quite a few things Gulliver’s Travels has in common with Alice in Wonderland, one in particular would have surprised their authors: each jumped nimbly across the boundary of their assumed readership. But they did so from different sides of the fence. Carroll’s child’s fantasy, spun during a picnic afternoon on the river, generated an entire academic industry for serious-minded adults; Swift, on the other hand, had ground out a bitter, hard-hitting satire on bad government, intellectual pretension and moral hubris, only to have it co-opted by children in their fascination for little people and giants.
20090601151145 Nathan Ariss - Rowena MacDonald on Russell Hoban

Too Much Clevverness

Rowena Macdonald on Russell Hoban, Riddley Walker

Hoban started writing Riddley Walker in 1974 and finished it five years later. It is a masterpiece. Those who know it love it, and whole websites are devoted to it, with chapter-by-chapter annotations deciphering the language, and online chat rooms discussing its themes. In 2005 a Russell Hoban Some-Poasyum (a symposium in Riddleyspeak) was held in London, with readings, quizzes and a pilgrimage to Kent to visit locations in the novel. Every 4 February, Russell Hoban’s birthday, die-hard fans leave typed quotations from his novels in random places for strangers to find.
20160901151402 Anna Trench. Derek Parker

Caught in the Act

Derek Parker on the pleasure of obscure books

I waited until my wife was looking the other way, nipped quickly in and bought it. Admittedly, it weighed six pounds, its heavy leather binding was rather battered and, as the label said, it ‘lacks part of brass lock’; but it was irresistible, even at £50 – once clearly irresistible, too, to His Majesty King Edward VII, a collection of dukes and duchesses, and ‘the whole of the leading members of the theatrical profession’, all of whom had been ‘pleased to subscribe, in advance of publication’.
20160901150228

Not-so-gay Paree

Rowena Macdonald on Jean Rhys, Quartet and Voyage in the Dark

I first read Jean Rhys in my mid-teens; a copy of Quartet from my parents’ bookshelf, which drew me with its undemanding slimness and its cover featuring the beautiful face of Isabelle Adjani in soft focus above a chessboard with the heads of Maggie Smith and Alan Bates floating around her. (The three starred in the Merchant Ivory film of the book, which I have never seen.) From the back cover I learned it was set amid ‘the winter-wet streets of Montparnasse, Pernods in smoke-filled cafés [and] . . . cheap hotel rooms with mauve-flowered wallpaper’. Chic Parisian misery: just what teenage girls love. 
20160901144846 J. Weston Lewis. Martin Sorrell on Ted Walker

Land of Lost Content

Martin Sorrell on Ted Walker, The Last of England

One afternoon sometime in the early 1950s, the lad who by a country mile was my father’s ablest pupil in his sixth-form French and Spanish class rang our doorbell, and announced that the schoolgirl on his arm had just consented to become his wife. Not immediately, of course, but as soon as both had made it through the higher education which would force them to live far from each other for the next three or four years. That lad was Ted Walker, his bride-to-be Lorna Benfell. The two had met when he was 14, she one year older. They’d fallen urgently in love. Ted wanted my parents to be among the first to hear. He held them both in high regard, and they him – a mutual affection that lasted to the end.
20160901143218

A Purple Gentian

Tania Hershman on Alan Lightman, Einstein’s Dreams

I read Einstein’s Dreams (1992), by Alan Lightman, not long after it was published. I was in my mid-20s, freshly released from a degree in maths and physics I had understood very little of, and then a diploma in journalism. I wasn’t a scientist, certainly not a physicist (I loved physics but just wasn’t any good at it). I was working as a science journalist, but what I really wanted to write was fiction that somehow incorporated science. And Alan Lightman was the first author I’d come across who did this, beautifully.
20160901141859 Anna Trench. Rebecca Willis on Hilary Mantel

Raising the Dead

Rebecca Willis on Hilary Mantel, A Place of Greater Safety

Someone must have recommended it. Otherwise there’s no way, twenty years ago, I’d have picked up an 880-page book about the French Revolution. Even a novel. But I did pick up Hilary Mantel’s A Place of Greater Safety (1992), and I was immediately sucked into the vortex of this swirling, populous epic that animates one of history’s greatest and bloodiest convulsions. My paperback bears the scars of my attention: the faded front cover is detached and veined with creases, the corners worn and blurred, the pages dog-eared and soft as cloth. The impact the book had on me in return feels almost as physical. Because history, until that point, had left me completely cold. With A Place of Greater Safety, it suddenly came to hot-blooded life and stepped right off the page.
20160901125459 Anna Trench. Daisy Hay on Mary Wollstonecraft

Letters From the Heart

Daisy Hay on Mary Wollenstonecraft, Letters Written in Sweden

Over the past few months I’ve been immersed in a feast of late-eighteenth-century reading as I’ve meandered through the foothills of a new book project. I’ve had the delight of reacquainting myself with old friends and have made some new ones along the way as I’ve lived and breathed the turbulent events of the decade following the French Revolution through the eyes of some of the period’s most brilliant writers.
20160901123932

Mostly in the Mind

Derek Collett on Nigel Balchin, Mine Own Executioner

I watched a lot of television in my twenties and I doubt whether it did me much good. But it did lead, indirectly, to my discovering the fascinating novels of Nigel Balchin. In 1990 I saw a TV drama series, bought a copy of the book on which it had been based and, among the endpapers, spotted a notice for another novel that sounded intriguing: The Small Back Room by Nigel Balchin. I’d never heard of Balchin but tracked down The Small Back Room, read it and instantly became an ardent fan. I devoted much of the rest of the decade to finding and reading his other novels (he wrote fourteen in all), and now consider Mine Own Executioner to be one of the very best of them.
20160901121257 J. Weston Lewis. Victoria Neumark on Robert Graves

Goodbye to All What?

Victoria Neumark on Robert Graves, Goodbye to All That

Now I found myself asking: what was Robert Graves saying ‘goodbye’ to? When he published Goodbye to All That (1929), his startling memoir of his youth and his experiences on the Western Front in the First World War, he was 34. Most of the book recalls events that had ended a decade earlier. He says: ‘I had by the age of 23, been born, initiated into a formal religion, travelled, learned to lie, loved unhappily, been married, gone to the war, taken life, procreated my kind, rejected formal religion, won fame and been killed.’ Are these life events to which one can bid adieu?
20160901113110 Daniel Macklin. Patrick Welland on J.G. Farrell

Collapse in the Colony

Patrick Welland on J. G. Farrell, The Singapore Grip

With two prize-winning novels – Troubles and The Siege of Krishnapur (see SF nos. 49 and 50) – behind him, J. G. Farrell felt sufficiently confident to paint his next exploration of the decline of the British Empire on a larger canvas. The Singapore Grip (1978), set in the build-up to Japan’s invasion of the colony in 1942, continues the theme of its predecessors in portraying a complacent élite teetering on the edge of an abyss and then tumbling to its fate.
20160901111913

A Battersea Childhood

Jeremy Lewis on Richard Church, Over the Bridge

Richard Church is remembered, if at all, as a late-flowering Georgian poet and a busy man of letters who contributed reviews to such long-forgotten periodicals as John O’London’s Weekly, and who in due course became Dylan Thomas’s baffled and increasingly embattled editor at J. M. Dent. But he deserves to be better known, if only for one book. Published by Heinemann in 1955, Over the Bridge is the first volume in an autobiographical trilogy.
20160901105036

A Cheerful Revolutionary

Amanda Theunissen on Alexander Herzen, My Past and Thoughts

Alexander Herzen was a nineteenth-century Russian political reformer and philosopher who wrote five volumes of what he described as ‘memoirs in progress’.

Alexander Herzen was a nineteenth-century Russian political reformer and philosopher who wrote five volumes of what he described as ‘memoirs in progress’. These are the opening lines of Childhood, Youth and Exile – the first two volumes of the sequence My Past and Thoughts – which covers his early years, 1812 to 1840. The other three volumes carry on from there and end around 1868.
20161201102508 Daniel Macklin. Oliver Pritchett on Roget's Thesaurus

He Had His Little Lists

Oliver Pritchett on Peter Mark Roget, Thesaurus of English Words and Phrases

‘How do I love thee? Let me count the ways.’ You see, even Elizabeth Barrett Browning was a bit of a list-maker. Of course, our love affair with lists goes back a lot further than her. Think of the first Book of Chronicles in the Old Testament: ‘And Nahshon begat Salma, and Salma begat Boaz, and Boaz begat Obed, and Obed begat Jesse . . .’ And so the begetting goes on and on. Surely, when Moses came down from the mountain top with the Ten Commandments he was bringing us an important early example of a not-to-do list. 
20161201160424 Maggie Fergusson on P. D. James, Time to be in Ernest

The Threads of Memory

Maggie Fergusson on P. D. James, Time to Be in Earnest

I remember her most vividly gliding down from the first floor of her Holland Park house on a Stannah stairlift. Generally speaking these contraptions suggest dénouement and decline. Not with P. D. James. She reached the hall with an expression of keen anticipation and great good humour – especially if I had come to chauffeur her to an evening engagement. Being driven around London at night, she used to say, was one of the great delights of her old age.
20161201154900

A Ghost in the Green Room

Sarah Crowden on J. B. Priestley, Jenny Villiers

The subtitle of J. B. Priestley’s Jenny Villiers – ‘A Story of the Theatre’ – was what caught my attention when I came across it in a dilapidated barn in West Sussex, where the cooing of pigeons accompanied my search round the freezing and guano-spattered interior. It turned out to be an enchanting read, depicting a vanished world of call boys, live orchestras and tea matinées, when acting was honed as a craft, actors were respected for their talent, and theatres large and small flourished in virtually every town in Britain. 
20161201153443 Thomas Fogarty, Richard Platt on David Grayson

Well Earthed

Richard Platt on David Grayson, Adventures in Contentment

I made my first acquaintance with David Grayson in a dank corner of a bookshop basement. The bare light bulb just overhead had gone out, probably months before, leaving the corner in deep shadow. Ever the intrepid book hunter, I reached for my pocket torch and continued browsing. There, on the shelf nearest the floor, scuffed and soiled, its frayed and faded spine almost illegible, was Adventures in Contentment (1907) by David Grayson. Well, who doesn’t like adventures or contentment? I reached for the volume, blew decades of dust from the top of the spine, and settled myself on the floor.

20161207150343 Photograph, Boris Pasternak, Dr Zhivago

The Price of Revolution

Christian Tyler on Boris Pasternak, Doctor Zhivago

Anyone who was around in the mid-1960s can probably whistle ‘Lara’s Theme’, and quite a few will remember the film for which the tune was written, in which the glamorous Julie Christie and Omar Sharif modelled fur coats in the snow. But how many people today read the book on which the film was based, the literary scoop of the twentieth century, the bestseller that won the Nobel Prize for Boris Pasternak?
20161201142429 Lucy Lethbridge on Dorothy Hartley, Food in England

How We Lived Then

Lucy Lethbridge on Dorothy Hartley, Food in England

When I look back at the food of my 1970s childhood, it all seems as brightly coloured as a pair of toe-socks or a brand new Space Hopper. It was a neon feast of packets and powders, stuff dehydrated, canned or frozen solid. A typical supper was Alphabetti Spaghetti and fish fingers accompanied by the happy glug of tomato ketchup; then a pudding of butterscotch Angel Delight (just add milk) with a squeeze from a tube of chocolate-flavoured sauce. Flavours were fantastical combinations of chemicals and ideas (remember ‘hedgehog’ crisps?).
20140901112127 SLIGHTLY FOXED EDITIONS No. 27 MARRYING OUT Harold Carlton (first published as The Handsomest Sons in the World)

Grandma’s Footsteps

Harold Carlton, Marrying Out

The first thing that strikes one about the Conway family is the noise. The air is filled with Father’s sudden roars of rage, the slaps he lands on his son Howard, and his two other children, the flying plates, the slamming doors. Then there’s Grandma with her noisy coos and kisses, her cries of ecstasy one moment and shrieks of woe the next. It’s no wonder Grandpa is always going off for a little lie-down. And, of course, behind all this hubbub there are family secrets.
20140601110246 Slightly Foxed Editions, John Moore, Portrait of Elmbury

Down Tewkesbury Way

Jeremy Lewis on John Moore, Portrait of Elmbury

‘I have written a book which gives me much pleasure. It is a kind of full-length portrait of a small country town – this small town – between the wars. The sort of life that will never come back,’ John Moore told T. H. White in the summer of 1945. Already a well-established and prolific professional writer, Moore had written Portrait of Elmbury in six weeks after leaving the Admiralty Press Division in London to return to his home town of Tewkesbury, and it was to form the first part of a trilogy based on Tewkesbury and its surrounding villages. Portrait of Elmbury and Brensham Village were both published by Collins in 1946, and The Blue Field followed two years later: the names of places and people had been changed, but the disguise was lightly worn.
20161201144917 John Watson, Croquet - Gordon Bowker, GK Chesterton

Chesterton’s Spell

Gordon Bowker on G. K. Chesterton, Tremendous Trifles

Whenever I’m asked who my favourite schoolteacher was, I don’t hesitate. His name was Bill Drysdale and he taught me English when I was barely into my teens. He was tall and charismatic, with a dark beard and a beautiful bass voice. The thing we most loved about Bill, however, was that from time to time, instead of teaching us grammar, he would read us a story instead. I remember him reading Thornton Wilder’s The Bridge of San Luis Rey and Aldous Huxley’s The Gioconda Smile. But best of all, he introduced us to G. K. Chesterton’s Father Brown Stories.
20131201103024 PFE Gwen Raverat, Period Piece

Cambridge Canvas

Hazel Wood on Gwen Raverat, Period Piece

For almost a decade there’s been one particular book we’ve been longing to reissue.  Now at last, as we reach our tenth anniversary, we’ve got the opportunity to do so. When I wrote about it in one of our very early issues, I said that for me a home without a copy of Gwen Raverat’s Period Piece (1952) was like a home without a cat – lacking an essential cheering and comfortable element – and for me that still holds true.
20121201154809 Slightly Foxed Edition: My Grandfather & Father, Dear Father

Sherry Wine and Roses

Hazel Wood on Denis Constanduros, My Grandfather & Father, Dear Father

Not long after we launched the Slightly Foxed Editions, we came across a little gem of a book, first published in 1948 and long out of print, which we decided we must reissue. My Grandfather, as its title indicates, is a portrait of the author’s maternal grandfather, who, though surviving sturdily into the reign of George V, was to his grandson a character from the ‘warm, gas-lit, stable-smelling past’ of  the Victorian age.
20110601125212 Frances Wood, Hand-grenade practice in Peking

Too Much of a Good Thing

Oliver Pritchett on Frances Wood, Hand-grenade practice in Peking

I see Frances Wood in that great tradition of intrepid British women explorers, like Mary Kingsley and Gertrude Bell. She sets out for China in 1975, when the Cultural Revolution is still going strong, and soon she is hacking a path through impenetrable jungles of revolutionary doctrine and jargon. Now she is gamely slogging across arid deserts of boredom and hours of improving lectures about the heroic deeds and shining examples of simple peasants. There are a hundred discomforts and irritations to be endured. To the natives she is a figure of curiosity; they stare and point and they don’t accept her. Like her explorer predecessors, she is indomitable, but in her case it is because of her heroic sense of humour and her eye for the absurd. Hand-Grenade Practice in Peking – her account of the year she spent as a student first at the Foreign Languages Institute in Peking and then at Peking University – is a very funny book.
20080901101451 Slightly Foxed Paperback V. S. Pritchett, A Cab at the Door

Avid to Live and Learn

Anne Boston on V. S. Pritchett, A Cab at the Door

I shall always be grateful to A Cab at the Door. I read most of it one Sunday evening in a Victoria line tube train which was stuck for two hours outside King’s Cross station. The train lights dimmed and instead of the Blitz spirit a sullen, twitchy silence set in. I was spectacularly lucky in my companion. The sheer vigour of V. S. Pritchett’s writing and his benign, shrewd storyteller’s voice kept me suspended in his Edwardian boyhood until ‘the juice’, as the panic-stricken driver called it, came back on and we trundled away at last.
20080601124718 Plain Foxed Edition: My Grandmothers and I

How Not to Be a Grandmother

Linda Leatherbarrow on Diana Holman-Hunt, My Grandmothers and I

My grandmother’s idea of cooking was cracking open a raw egg and hurling the contents straight down her throat. She was a poet, deeply religious, immersed in the world of the spirit, never the flesh, who spent years translating Gerard Manley Hopkins’s poems into Scots – an obscure language then and even more so now. The resulting book and the correspondence between her and Hopkins are still kept in the library at Aberdeen University.
20161201145003

The Writing on the Wall

Ranjit Bolt on Jonathan Coe, The Rotter’s Club

I harbour – perversely, you might think – the fondest memories of two much maligned phenomena: the 1970s and Birmingham. I was lucky, of course. I had a relatively pleasant, carefree adolescence, and I see all this through a Proustian haze of nostalgia . . . and so, for the most part at least, does Jonathan Coe. His unabashed affection for his teens, and for the city where they took place, forms the core of The Rotters’ Club – a rite-of-passage novel which should take its place as an enduring classic of the genre, in the same league as The Catcher in the Rye or Tom Sawyer.
20161201140850 Anna Trench, Pistol - Brandon Robshaw on Margery Allingham

A Gentleman on the Case

Brandon Robshaw on the Albert Campion novels of Margery Allingham

What do you feel like reading, curled up in your armchair? Obviously, a whodunnit. But not just any old whodunnit. You don’t want the colourless style and arid tricksiness of Agatha Christie, nor the stately prose and rampant snobbery of Dorothy L. Sayers. You want the real queen of crime, the best, the darkest, the most interesting, idiosyncratic and literary novelist that the Golden Age of detective fiction produced. I refer, of course, to Margery Allingham.
20170301170915 The Island, Swallows & Amazons - Robin Blake on maps in books

Reading Maps

Robin Blake on maps in books

Last year the Bodleian Library paid £55,000 for a fold-out map torn from a copy of The Fellowship of the Ring and scribbled over by J. R. R. Tolkien. Maps, said one of the Bodleian curators, were central to Tolkien’s storytelling and he had annotated this one to guide the illustrator Pauline Baynes, who was making a poster map of Middle Earth (see SF no. 41). I was delighted that it had landed safely in a public collection. In my opinion a good map always enhances a good book, especially when the author and a skilled illustrator have worked on it together.
20170301165828 Howard Phipps, Noonday Shade - Ursula Buchan on W. H. Hudson, A Shepherd's life

Along the Old Ways

Ursula Buchan on W. H. Hudson, A Shepherd’s Life

I spend a couple of weeks each year walking on the Lake District fells, so it is inevitable that I should have fallen upon James Rebanks’s remarkable The Shepherd’s Life (2015). I loved it, and I learned much more about upland sheep farming than I could possibly have divined from hours of watching Herdwicks on the fell. Reading The Shepherd’s Life inevitably set me thinking about another book I read long ago and which, tellingly, turned the young Rebanks into a reader.
20170301155622 Sylvia Wishart, ‘The Ross Puma ashore in Hoy’ - Pamela Beasant on George Mackay Brown

A Song of the Islands

Pamela Beasant on George Mackay Brown, An Orkney Tapestry

An Orkney Tapestry sits quietly at the heart of George Mackay Brown’s prolific output as a writer of poetry, stories, novels and plays, created over a life that was longer and richer than he or anyone else expected. (Following a diagnosis of TB as a young man, before the introduction of penicillin, he must have felt he was living on borrowed time for almost all his adult life.) For those who have never read him, this small book about his native Orkney serves as a wonderful introduction. For those who have already fallen under his spell, it is something they return to and quote from, and love like an old friend.
20170301154100

Age of Innocence

Anthony Gardner on Godfrey Smith, The Business of Loving

Although the core of the story is set during the Second World War, the conflict barely registers beside what is, to the young hero, his raison d’être: the pursuit of an idealized lover. I must have been 16 when I first read it, and nothing I had come across described more perfectly my own state of mind. It clutched at my heart; returning to it in middle age, I found certain phrases and sentences echoing across the years with haunting vividness, like a bell tolling from a submerged city.
20170301140744 Agnes Miller Parker - David Beanland on Arthur Ransome, Rod & Line

Angling for a Bit of Peace

David Beanland on Arthur Ransome, Rod & Line

Arthur Ransome was a great admirer of Hazlitt and hankered after producing a series of essays himself. He would probably have considered that his journalism got in the way of that ambition, but in Rod & Line he realized it. The book comprises fifty essays distilled from articles he wrote for the Manchester Guardian after having complained to the editor that the newspaper ‘was not doing what it might for fishermen’. That might put off those readers who are not among the four million anglers in Britain. It shouldn’t. Ransome was not a narrow-minded devotee of fly, float and lure but a man of wide interests and experience.
20170301125740 Katie Grant on Violet Needham, The Black Riders

Trouble in Ruritania

Katie Grant on Violet Needham, The Black Riders

The first in Violet Needham’s Ruritanian, or Stormy Petrel, sequence, The Black Riders is set in a fictional Central European empire. Though I’d never been to Austria, I imagined it to be similar; friendlier and tidier than my bleak familiar Lancashire moors. Where we had dishevelled farmyards, derelict gates and rusting baths as water troughs, in ‘the Empire’ farms were cosy, gates swung briskly and baths were found indoors.
20170301164503

Bloody Conquest

Charles Elliott on Noël Mostert, Frontiers

There is a temptation to approach Noël Mostert’s Frontiers (1993) circumspectly, as you would the Grand Canyon or the Great Pyramid of Giza. It’s monumental – 1,292 pages, not counting index and notes ‒ and frankly imposing, a doorstopper to stop the largest door. The story it tells is of vast proportions too. Do not, however, be unnerved. This is a book which for originality, historical depth and sheer narrative richness has been compared to Gibbon ‒ and it deserves the comparison. It also deserves a great many readers.
20170301164505

A Lesson in Living

Alison Light on John McGahern, The Barracks

Was any novelist – or journalist come to that – writing about breast cancer in the early 1960s? Did anyone – apart from the medical profession and a few bold souls – even talk about it? When I was growing up, the word ‘breast’ was usually only encountered in literature or hymns and was likely to summon a snigger; women and girls had ‘chests’. A mastectomy was considered almost a matter of shame. Astonishing, then, that John McGahern’s first novel, The Barracks, published in 1963, has Elizabeth Reegan’s breast cancer at its centre.
20170301151232

Stage Lightning

Isabel Lloyd on Brian Bates, The Way of the Actor

I can’t remember which teacher told us to read his new book, ,The Way of the Actor (1986). But I can remember the sense of relief when I realized that, despite the icky subtitle – A New Path to Personal Knowledge and Power – it was written by a professor of psychology and had footnotes; this I understood. Bates’s ideas were intriguing. Using his own interviews with four leading actors – Charlton Heston, Glenda Jackson, Anthony Sher and Liv Ullmann – and excerpts from hundreds of other performers’ interviews and memoirs, he laid out a theory that actors were shamans for the modern world.
20170601110902 Daniel Macklin, Hedges - Alexandra Harris on William Cowper

The Abyss Beyond the Orchard

Alexandra Harris on the letters of William Cowper

For about a hundred and thirty years after his death in 1800, William Cowper was one of those figures about whom every keen reader had something to say. He was up there with Milton and Johnson, though people felt more intimately connected with Cowper than they were ever likely to feel with Milton. His long poem The Task (1785) seemed to articulate all the longed-for goodness of familiar, homely things; it was a tribute to ‘Domestic Happiness, thou only bliss of paradise that has survived the fall!’ Yet here, and in hundreds of the letters that began to be published from 1804 onwards, things of joy were surrounded by gulfs of loss and desolation.
20170301124435 Photograph, Leo Tolstoy - Christopher Rush on War and Peace

Moments of Truth

Christopher Rush on Leo Tolstoy, War and Peace

In a celebrated passage in Tolstoy’s War and Peace, a girl is dancing – a young girl not yet out of her teens. She is an aristocrat, a countess from St Petersburg, and she is visiting the village home of a distant relative whom she calls her uncle. He is a jovial character who lives with a serf woman, Anisya, who has prepared a rustic banquet for the hunting party. The girl is Natasha, the heroine of Tolstoy’s novel.
20170301152326 Adam Sisman on John le Carré, Tinker, Tailor, Soldier, Spy

Circus Tricks

Adam Sisman on John le Carré, Tinker, Tailor, Soldier, Spy

I first read John le Carré’s Tinker, Tailor, Soldier, Spy soon after it was published in 1974, and have reread it several times since. It is one of those books that never fails to give me pleasure, even now I know it so well. There is so much about it to admire and enjoy: the precision of the dialogue, the deftly drawn characters, the accuracy of the settings, the steadily rising tension – above all, the sheer quality of the writing. Here is a writer in complete command of his subject: able to do whatever he wants, confident it will succeed.
20170601144652 C. F. Tunnicliffe, Geese - Galen O'Hanlon on Aldo Leopold

Word from the Wood

Galen O’Hanlon on Aldo Leopold, A Sand County Almanac

A Sand County Almanac, and Sketches Here and There is a collection of Leopold’s writing from the 1930s and 1940s. Author, scientist, ecologist, forester, conservationist and environmentalist, Leopold was truly a powerhouse of natural history. His Sand County had a profound impact on the environmental movement, introducing the idea of wilderness management and environmental ethics. That makes it all sound rather dry, but in fact the essays sparkle with precise details.
20171201130609 Photograph by Caroline Forbes - Michael Holroyd on biography

Lives and Letters

Michael Holroyd on becoming a biographer

Most people do not encourage members of their family to become biographers. There is no telling what trouble they will get into. If you write fiction any member of your family who appears on the pages of your book can be hidden by a different name that prevents them being recognized. But biographers are always invading other people’s families uninvited, writing about the dead who cannot answer them and presenting what they have written to their subjects’ families and friends. It’s no surprise we are not welcome.
20170601135930 E. F. Benson in his 30s - Andrew Nixon on Mapp and Lucia

First-rate Monsters

Andrew Nixon on E. F. Benson’s Mapp and Lucia novels

Picture, if you will, the most appallingly pretentious person in the world: a well-dressed middle-aged lady at the piano, plonking her way through the slow first movement of the Moonlight Sonata. She is wearing her ‘well-known Beethoven expression’ with the ‘wistfully sad far away look from which the last chord would recall her’. Her guests, enduring the entertainment in various attitudes of suicidal boredom, give dutiful little sighs as that last chord fades, and then steel themselves for . . . another rendition of the slow first movement of the Moonlight Sonata! For – though she pretends otherwise and that Beethoven composed the trickier second movement largely by mistake – it is in fact the only tune she can play.
20171201130504 Anna Trench illustration - Andrew Joynes on Rudyard Kipling, Captains Courageous

Harvey Learns the Ropes

Andrew Joynes on Rudyard Kipling, Captains Courageous

When he gave Captains Courageous to me, my father described the opening episode of the book: a teenage boy falls overboard from a transatlantic liner at night and is hauled into a dory by a deckhand from a Grand Banks fishing schooner. Unsurprisingly, the story resonated with me immediately, for to the child’s mind the story of Captains Courageous is one of rescue. A boy falls into the sea, has adventures and forms friendships, and in due course is returned to his grieving parents.
20171201113647

Brief Encounters

Horace Annesley on Spencer Somers, Tea at Florian’s

An account of a life deeply devoted to celebrity-chasing, it is both comic and rather pathetic, because though he describes his victims with enthusiasm and a considerable talent for characterization, his encounters with them were almost always unsatisfactory. The Florian’s of the title is of course the celebrated café in the Piazza San Marco in Venice, where Somers lay in wait for his victims on the (perfectly accurate) theory that sooner or later anyone who was anyone would at some time sit down in the Sala Greca or the Sala Orientale or at one of the outside tables for afternoon tea.
20171201112224 Robert Francis - Chris Saunders on Travelling in Amherst

A Different Kind of Wealth

Chris Saunders on Robert Francis, Travelling in Amherst

As a rather romantic young man in my early twenties, I longed for a retreat, a cabin by a lake where I could learn to understand nature and write reams of lapidary poetry. Of course this never came to pass, not least because I could no more build a habitable hut than I could fly, but the lure of the self-sustaining rural life remains strong. My dream might have been inspired by Henry Thoreau’s Walden, his account of his life in a hut by a pond which remains an icon of American literature. In fact it was a book by another, later American that really inspired me ‒ Robert Francis’s Travelling in Amherst (1986), a copy of which I discovered one day in Hay-on-Wye.
20170901173137

Getting to Know the Colonel

Paul Cheeseright on André Maurois, Les Silences du Colonel Bramble

Maurois was a literary celebrity of the 1920s and 1930s who became one of the French great and good after his election in 1938 to the Académie française. He had wanted to write from an early age but, for a man who worked in his family’s textile mill, it could only be a matter of scribbling in his spare time. Still, he learned and became fluent in English, and not long after the outbreak of the First World War, he was sent by the French authorities to a British unit as an interpreter. From this experience Maurois wove the collection of sketches that made his name: Les Silences du Colonel Bramble (1918).
20170901171158 Michael Godfrey, Illustration - Linda Kelly on Charlotte M. Yonge, The Little Duke

The Big-hearted Little Duke

Linda Kelly on Charlotte M. Yonge, The Little Duke

Richard of Normandy, the hero of Charlotte Mary Yonge’s The Little Duke, is only 8 when the story begins. I must have been about the same age when I first read it and some of its scenes, with their rugged Norman settings, have remained with me ever since. My children loved it too, but when I came across it again the other day I wondered if I dared reread it. Would it be too moralistic, too old-fashioned? Why disturb my childhood memories? I soon found I needn’t have worried. The Little Duke is as exciting and moving as ever. And it is amazing how much historical knowledge the simply told story conveys.
20170901170609 Anna Trench illustration - William Palmer on Italo Svevo, Zeno’s Conscience

May Roses in Winter

William Palmer on Italo Svevo, Zeno’s Conscience

The preface is in the form of a rather tetchy report by a psychoanalyst who has been consulted by Zeno Corsini. The analyst says that he must apologize for having suggested that ‘my patient write his autobiography, students of psychology will frown on this new departure. But he was an old man . . . he seemed so curious about himself.’ His patient has terminated the analysis, so the analyst is publishing his patient’s notes ‘in revenge, and I hope he is displeased’.
20170601142147 Nicolas Bouvier, The Scorpion Fish

Stranger in Paradise

John Keay on Nicolas Bouvier, The Scorpion-Fish

The beauty of short books is that you can afford to read them more than once. In the case of Nicolas Bouvier’s The Scorpion-Fish I read it through and then double-read it. In other words, on the second reading I read each page twice before turning to the next. With just 30 lines a page and 140 pages, it didn’t take long. It was entirely pleasurable and I felt I owed it to an author I’d once had breakfast with. . .

20170601145824

Keeping It Real

Maggie Fergusson interviews the novelist Ali Smith

Reading her books, and meeting her in person, you can’t but feel warmed by her generosity, her bursting desire to share her enthusiasms and insights, and her appetite for life. But at the same time she’s ambivalent about the public personae writers these days are obliged to adopt. ‘You have to develop a means of surviving it,’ she says, ‘and either that becomes a performative self or for me it’s meant devising a self who can still be the real self talking about real things, like I am now to you.’
20170901175057 George Moore by Henry Tonks, 1901 - Jeremy Lewis on Esther Waters

Life on the Fringe

Jeremy Lewis on George Moore, Esther Waters

I first read Esther Waters more than fifty years ago, when I was an undergraduate at Trinity College, Dublin. As a young man I enjoyed reading tales of unmitigated woe, in which one disaster succeeds another, and the novel’s eponymous heroine suffers more than most at the hands of assorted drunkards, snobs, gamblers and predatory employers. And, as an Englishman in Ireland, I was fascinated by the complexity and ambiguity of relations between the two countries, and by Irish views of England ‒ of which Esther Waters is a remarkable and unusual example.
20170601171617 Robert Gibbings - Colin Williams, Watership Down

Up on the Down

Collin Williams on Richard Adams, Watership Down

Six years ago when we moved into our neglected nineteenth-century house on the edge of Hampshire’s chalk downs it was a move into two worlds. One was of damp walls, dangerously amateur wiring, a wheezing boiler and icy, see-your-own-breath bedrooms. The other was of the world that lay beyond the streaming window-panes, the sea of rolling green turf that filled the view on two sides from our position in the valley – Watership Down.
20170901154827 Anna Trench - Andy Merrills on Alan Bradley, Flavia de Luce

Not So Cosy After All?

Andy Merrills on Alan Bradley’s Flavia de Luce novels

On the face of it, crimes don’t get much cosier than those which appear in the first six novels of the Flavia sequence. The convention of Slightly Foxed dictates that titles are normally tucked away in a footnote, but I think it is worth savouring the delightful cadence of all six here: The Sweetness at the Bottom of the Pie; The Weed that Strings the Hangman’s Bag; A Red Herring without Mustard; I Am Half-Sick of Shadows; Speaking from among the Bones and The Dead in Their Vaulted Arches. To me, each of these seems to have exactly the right balance of whimsy and menace, and these are promises that are admirably fulfilled in the books that follow.
20170601155645

Once a Catholic . . .

Melissa Harrison on Antonia White, Frost in May

There it is on my shelf, that familiar bottle-green spine – the first in a quartet by the same author. This quartet has shadowed me for twenty-two years now: to various sets of university lodgings and back; to three dark rooms above a car dealership in Dalston, my first ever London flat; to two house-shares and then a bedsit in Clapham Junction; and now to Streatham, my home for the last dozen years. In all that time, though, I haven’t opened any of them; in fact, all four spines remain uncracked.
20170901152848

Trouble at the Convent

Kate Tyte on Aldous Huxley, The Devils of Loudun

Huxley’s The Devils of Loudun (1952) – a book that could easily be subtitled ‘politically motivated witch-hunts and how to avoid them’ – feels horribly relevant. The Devils is about the supposed possession of a convent of nuns, thanks to the alleged witchcraft of a Catholic priest with a sex life that reads like Les Liaisons Dangereuses. It includes exorcisms, torture and Byzantine political manoeuvrings by an untouchable elite.
20170601123232 Reynolds Stone - Nigel Jarrett on Strunk & White, The Elements of Style

Strunking It

Nigel Jarrett on Strunk & White, The Elements of Style

The problem for a writer like White when stepping into the stylist’s domain is the need to obey the rules he’s about to consider. He confined his revision of Strunk’s manual to the addition of a chapter that included his own ‘notions of error’, perhaps realizing that Strunk’s unequivocal commands – Do this, Don’t do that – did not reflect the idea of language, any language, as something evolving.
20170601115202 Photograph, Ella Maillart & Peter Fleming - Ysenda Maxtone Graham

An Unlikely Duo

Ysenda Maxtone Graham on Peter Fleming, News from Tartary & Ella Maillart, Forbidden Journey

Is it acceptable to be both happily married to a living man and physically attracted to a long-dead author? I know I’m not the only one. I have one friend who goes weak at the knees when she shows me photos of the late Patrick Leigh Fermor, and another who has a lasting physical pash for Joseph Banks (1743‒1820). Mine is for Peter Fleming (1907‒71), older brother of Ian.
20171201145202

Well-Salted

Ysenda Maxtone Graham on the Oxford Junior Encyclopedia

Did we all have someone in our childhood who was The Best Giver of Presents? In my case, it was a family friend called Vere Guilford. She entered deeply enough into the person you were to get presents right. At the perfect moment she gave me a lockable cassette box. When my soul was starting to ache she gave me a double-cassette pack of Beethoven symphonies. At Christmas 1974 (I remember the mild disappointment on unwrapping it) she gave me Volume I of the twelve-volume Oxford Junior Encyclopedia.
20171201133939 George Orwell - Brandon Robshaw on George Orwell’s Essays

An Extraordinary Ordinary Bloke

Brandon Robshaw on the essays of George Orwell

The Orwell of the essays has a pungent literary personality. He’s dauntingly knowledgeable, decided in his views and trenchant in their expression, a non-sufferer of fools, an enemy of pretension and hypocrisy; yet withal humane, reasonable, decent. He writes as if he’s just an ordinary bloke – yet not an ordinary ordinary bloke, but an exceptionally well-read, politically aware, sensitive and intelligent ordinary bloke with wide-ranging interests and a view on everything.
20171201134510

No Coward Soul

Christopher Rush on Emily Brontë, Wuthering Heights

Emily Brontë is the greatest woman novelist of all time. That is my personal opinion, though it is one which happens to be shared by many others, including highly respected scholars. That in itself is a compelling reason for reading the one and only novel she ever completed. How far her second novel had progressed will never be known, for her sister Charlotte, who often took it upon herself to act for her sisters in the way she thought fit, probably destroyed the manuscript after Emily’s death . . .
20170901124115 Photograph, Rudyard Kipling - David Gilmour on the Indian stories and poems

Scandalous Tales from the Hills

David Gilmour on the Indian stories and poems of Rudyard Kipling

Kipling was thorough and blatant in his search for characters and ‘copy’ when he was in Simla. Soon after arriving in the hills he would spend an afternoon loping alongside his mother’s rickshaw, ‘learning most of the scandal’ in the town. Then he would spend his time talking ‒ and above all listening ‒ to anyone from whom he could acquire ‘goodish material’ and any ‘curious yarns’.
20170901111004 Helena Drysdale on BB Children’s Classics: The Little Grey Men and Down the Bright Stream

Beside the Folly Brook

Helena Drysdale on BB, The Little Grey Men & Down the Bright Stream

In 1970 I told BB how much I loved his books. I wrote the letter sitting at the window in a house tucked into a Devon cliff, with pine woods behind and the sea in front. I’m sitting there now. It’s the sort of place BB would have adored, the recesses of undergrowth and exposed headlands teeming with wildlife. This, I imagined, was the setting for The Little Grey Men (1942). Here were all the ingredients, including wood dogs (foxes), fernbears (badgers) and above all a winding stream. In my mind this was the Folly Brook, up which the last gnomes in England travel on their heroic quest to find their missing brother, and down which they flee in their boat the Jeanie Deans, in the 1948 sequel, Down the Bright Stream.
20170901101350 Angela Le Maire, The Capon Tree - Adam Foulds on Geoffrey Hill, SF Issue 55

Seeing Differently

Adam Foulds on the Collected Poems of Geoffrey Hill

On the cover was Gauguin’s rendition of Jacob wrestling with the angel from his Vision after the Sermon. On the back, Hill himself scowled out from under a supremely confident comb-over in an author photograph with no hint of warmth or welcome. Licence was granted for this attitude by the words of praise around it, the first of which, from Michael Longley, declared, ‘He is a profound genius, the best poet writing in English.’ Other encomia came from the likes of George Steiner and Christopher Ricks. This was ideal.
20171201140848

A Writer in Hiding

Kate Jones on the novels of A. L. Barker

I first saw A. L. Barker’s books lined up in a row on a shelf in the University of East Anglia library, their dust covers removed, their red, blue and green cloth bindings faded, their pages clean and unmarked – it seemed as if they’d never been read. I borrowed the books and read them one after another. Here was a writer who clearly deserved attention. Her fiction seemed so contemporary, not in terms of style but because of the ideas with which it grappled: the strangeness of so-called ordinary life; the dangers of ignorance or innocence; the consequences of taking, and not taking, action . . .

20171201153023 Michael Barber, The Dragon Book of Verse - Slightly Foxed Issue 56

Sixty Years On

Michael Barber on The Dragon Book of Verse

Nestling in a box full of bric-à-brac was her father’s copy of The Dragon Book of Verse, a book I had last opened about sixty years ago at my prep-school, where it was used for a weekly exercise called ‘Rep’. He had bought it second-hand for 2/6d during the year he spent at Oxford before being called up. Before that it had belonged to a boy at St Edward’s, Oxford, who had coloured in many of the quaint illustrations.
20171201130922 Shooting Script - Matt Huber on Gavin Lyall

Aerobatics

Matt Huber on the aviation thrillers of Gavin Lyall

Gavin Lyall was not the first pilot to take to fiction – Nevil Shute, Ernest K. Gann and Antoine de Saint-Exupéry navigated the skies creatively before him – but Lyall’s thrillers of the 1960s and ’70s set a standard of aerial pace and style that has not been bettered. When his first novel, The Wrong Side of the Sky, was published in 1961 P. G. Wodehouse was prompted to write: ‘Terrific! When better novels of suspense than this are written, lead me to them.’
20171201120739 Miriam Macgregor, Somerset Garden - Nicholas Asprey, Life of the Bee

Secrets of the Hive

Nicholas Asprey on Maurice Maeterlinck, The Life of the Bee

The Life of the Bee is not a scientific study or a treatise on practical beekeeping but a study of the bees and their culture written by a man who had observed them during twenty years of beekeeping. ‘The reader of this book’, he says, ‘will not gather therefrom how to manage a hive; but he will know more or less all that can with any certainty be known of the curious, profound and intimate side of its inhabitants’; and he writes ‘as one speaks of a subject one knows and loves to those who know it not’.
20171201152501 Anthony Wells on Proust, Remembrance of Things Past - Slightly Foxed Issue 56

Introducing M. Swann

Anthony Wells on Marcel Proust, Remembrance of Things Past

The first time my wife-to-be invited me round for a meal, and sat me down in her book-lined dining-room, my eye was caught by three thick volumes in a slipcase, in decorative blue, white and red dust- wrappers, bearing the name ‘Marcel Proust’ in large black letters at the top of each spine. ‘You’ve read Proust!’ I burst out, thrilled to be able to add to the array of charms with which she had already dazzled me that of having read the incomparable Remembrance of Things Past.
20171201143015 Horst Lemke - Sue Gee on Erich Kastner, When I Was a Little Boy

48 Königsbrücker Strasse

Sue Gee on Erich Kästner, When I Was a Little Boy

Erich Kästner was born in Dresden on a snow-filled February day in 1899, the adored only child of Emil and Ida Kästner: he a master saddler fallen on pinched times, she – eventually – a hairdresser. Each had begun life in small-town Saxony, Emil coming from a line of joiners and blacksmiths, Ida with a background in bread, beer, butchery and horses. ‘And out of all the butchers, blacksmiths and horse dealers, one solitary member of the family, little Erich, only son of little Ida, has become – of all things – a writer!’
20180301160009

GBS and Me

Michael Leapman on watching the plays of George Bernard Shaw

My enthusiasm for George Bernard Shaw dates from 1950, when I was 12. On my way home from school it was my habit to buy a copy of the Star, one of London’s three evening papers, principally to check the cricket scores. One afternoon the front-page splash carried the bold headline: BERNARD SHAW DEAD. At the age of 94 he had fallen off a ladder while pruning his cherry tree, and he did not recover. I reasoned that a man who warranted front-page treatment must be a writer of consequence, so I resolved to discover more.
20180301154731 Mildred Eldridge - Ann Wroe on Henry Williamson, The Star-Born

A Boy in a Tattered Coat

Ann Wroe on Henry Williamson, The Star-Born

The book was called The Star-Born. Its first chapters were about owls, especially one called Eldrich, which sounded to me like the shriek of doom heard before a death. The owls were frightening: hunting, nipping on the neck, tearing open and gobbling down a succession of soft small rodents whose long tails dangled from their beaks, and whose tiny bones made an ossuary of the ruins where they nested. The next chapters were filled with creatures who were nebu­lous and filmy: Leaf Spirit, Air Spirit, Water Spirit and Quill Spirit, who lived among the dripping ferns and sunbows of the gorge of the River Lyd.
20180301145429 Sir Edward Marsh by Howard Coster - Derek Parker on A Number of People

The Man Who Enjoyed Everything

Derek Parker on Edward Marsh, A Number of People

If Sir Edward Marsh appears in a few literary reference books, it is as the editor of five anthologies of Georgian poetry published between 1911 and 1922, the idea for which came from Rupert Brooke. As Brooke said, they ‘went up like a rocket’; ‘Yes, and came down like a stick,’ Marsh ruefully recalled. But his name pops up unexpectedly – usually just as ‘Eddie’ – in many memoirs and biographies of twentieth-century figures from Henry James to Ivor Novello, Somerset Maugham to David Cecil, D. H. to T. E. Lawrence. And he was for a quarter of a century the close friend and assistant of Winston Churchill.
20180301125229 Marcel Proust, Anthony Wells on Remembrance of Things Past

High Society, Low Life

Anthony Wells on Marcel Proust, Remembrance of Things Past

Marcel Proust’s novel Remembrance of Things Past begins, as I discussed in an earlier piece (SF no. 56), with the narrator recalling the times he spent as a boy in his great-aunt’s house in the village of Combray. There were two walks the family regularly took from the house, one in the direction of a property owned by a family friend, M. Swann, and the other in the direction of an estate owned by a very grand aristocratic family with local connections, the Guermantes. The Way by Swann’s, the first walk, is the name of the first book of Proust’s novel. The Guermantes Way, the second walk, is the name of the third, and with it the narrator and reader enter a new world, of dukes and duchesses, princes and princesses, and all the high society of Paris’s fashionable Faubourg Saint-Germain.
20180301115558 Peter Parker on A Victorian Schoolboy in London

Dere Diary . . .

Peter Parker on David Rogers (ed.), A Victorian Schoolboy in London

What I want from a diary is not necessarily remarkable events, but a vivid sense of the author’s character and of the times in which he or she lived. Though it covers a mere four months, Ernest Baker’s diary more than satisfies this requirement, providing a marvellous picture of everyday life in Shoreditch in the early 1880s filtered through the consciousness of a lively and irreverent adolescent.
20180301172915 Claire Dalby, Nettlecome, Garden in October - Anthony Longden on Ruth Adam, A House in the Country 2

A Queer Parish

Anthony Longden on Ruth Adam, A House in the Country

I was on a much-rehearsed trawl of the labyrinthine bookshop when I spotted it. A neat green-cloth country volume of the type churned out in their thousands in the 1940s and ’50s – years of hardship but also ones of optimism and dreams of a better future. I read the faded spine. A House in the Country by Ruth Adam, published by the Country Book Club, 1957. Now this is the kind of thing I like. My bookshelves sag under the collective weight of H. J. Massingham, Adrian Bell, Ronald Blythe and Cecil Torr, but Ruth Adam was new to me. ‘This is a cautionary tale, and true,’ the book begins . . .
20180301164958 Portrait of Lady Mary Wortley Montagu - Roger Hudson, Issue 57

Wit and Truth

Roger Hudson on the letters of Lady Mary Wortley Montagu

I first delved into Lady Mary Wortley Montagu’s astringent and witty letters about fifteen years ago when compiling a Book of Days for the Folio Society. I had to find extracts for each day of the year, written on that day – so nearly all from diaries and letters. Towards the end of my search I was left with several stubbornly blank dates, and was even thinking I might have to write bogus entries, but she, along with Pepys, as it were saved the days.
20180601123006 Beards: An Omnium Gatherum - Andy Merrills on Reginald Reynolds

Hair Today and Gone Tomorrow

Andy Merrills on Reginald Ryenolds, Beards: An Omnium Gatherum

Five or six summers ago, I was browsing in a shabbily genteel second-hand bookstore in a university town somewhere in the middle of the United States. The shop had a substantial stock of fiction, a generous and eclectic supply of non-fiction and the sort of haphazard shelving policy which actively demands exploration. I cannot now remember which section I was in when I discovered Reginald Reynolds’s extraordinary Beards: An Omnium Gatherum (1949). I’m pretty sure it wasn’t in fiction, but beyond that it could have been anywhere . . .
20180301162915

Out of the Celtic Twilight

Anthony Gardner on Lord Dunsany, The Curse of the Wise Woman

A teenage boy is talking to his father in the library of their rambling Irish house. His father tells him to look at a particular picture; the moment he obeys, four armed men enter the room. But when he turns round, his father has vanished – apparently into thin air. So, in brilliantly dramatic fashion, begins Lord Dunsany’s The Curse of the Wise Woman (1933). As a novel it defies categorization, but if you imagine a John Buchan thriller with an overlay of the Celtic Twilight and Rachel Carson-style eco-prophecy you will be almost there.
20180301154048 José Rizal - Romesh Gunesekera on Noli Me Tangere

Dying for a Dream

Romesh Gunesekera on José Rizal, Noli Me Tangere

Many writers have places, real or imagined, linked with their names – Joyce’s Dublin, Hardy’s Wessex, Faulkner’s Yoknapatawpha – but I don’t know of any who have a province named after them, other than José Rizal, the Filipino author of Noli Me Tangere. The province of Rizal was created in 1901 (two years after the country was ceded to America by Spain), to honour the best-known martyr of Philippine nationalism.

20180301145331

Misadventures in the Rag Trade

Ariane Bankes on Eric Newby, Something Wholesale

It remains one of the more surprising facts of life that the intrepid traveller Eric Newby, who by the time I knew him had the weatherbeaten cragginess of a man only happy when halfway up the Hindu Kush, should have carved out an earlier career astride the lower slopes of haute couture. Everyone has to start somewhere, however, and he put his first reluctant footprint on the fashion world as hapless gofer in the family firm of Lane & Newby, ‘Mantle Manufacturers and Wholesale Costumiers’ . . .
20180301120844 Queen Elizabeth II, 1952, by Dorothy Wilding - Jane Ridley on Ben Pimlott

A Crowning Achievement

Jane Ridley on Ben Pimlott, The Queen

Like so many Slightly Foxed readers, I was hooked by Netflix’s first series of The Crown. The lavish production, rumoured to have cost £100 million, the understated acting, the meticulous detail and the cut-glass accents – all gave each episode a sense of stunning authenticity. Claire Foy, in the role of the Queen, was immaculate and as compelling as anyone can be driving a Land Rover in twinset and pearls, and the series as a whole introduced us to a world of privilege and glamour at the very heart of the British establishment which is usually shrouded in secrecy . . .
20140901101559

The Purveyor of Popular Fiction

Derek Parker on Norman Flower (ed.), The Journals of Arnold Bennett

Virginia Woolf unkindly called Bennett ‘a tradesman’ – and up to a point one sees what she meant. He did not thrive on the rarefied air of Bloomsbury: he was Enoch Arnold Bennett, late of Burslem and the Six Towns, Purveyor of Popular Fiction to the General Reader. He knew it, and it satisfied him – as well it might, for at one time he earned more than any other contemporary writer. He took all his work – novels, stories, journalism, plays and the journal – seriously, and the latter contains very little scrappy or careless writing.
20131201105715

Auburn in Wartime

Ursula Buchan on Margery Allingham, The Oaken Heart

I had heard of Margery Allingham, of course, and had read The Tiger in the Smoke as a teenager, but I had no idea that she had written an account of her life in the Essex village of Tolleshunt D’Arcy between July 1938 and May 1941. This was a stroke of luck: to find a proper writer (with a large garden and a gardener) who could honestly and clear-sightedly anatomize her feelings and sensations, and quote those of her neighbours, during the Munich crisis, the great evacuation of children and mothers to the country when war broke out, the retreat from Dunkirk, the Battle of Britain and the London Blitz.
20180601115712

Man on the Run

Derek Collett on John Mair, Never Come Back

In 1990, I watched a drama series on the BBC called Never Come Back. It was a superb Second World War thriller with a fine cast including James Fox, Nathaniel Parker and Martin Clunes. Then about a year later, while browsing in my local bookshop, I pulled a volume entitled Never Come Back by John Mair off the shelf and realized that the television series must have been an adaptation of it. The book had obviously been on display in the shop window for a long time because its front cover was badly faded. I almost put it back on the shelf. Thank goodness I didn’t, because Never Come Back (1941) has since become one of my favourite novels.
20190619163926 © National Portrait Gallery, William Plomer - John Conyngham, Slightly Foxed Issue 58

Holding a Mirror

John Conyngham on William Plomer, Turbott Wolfe

Early in 1925 there arrived at the Hogarth Press in London’s Tavistock Square a parcel, sent from Zululand, containing the manuscript of Turbott Wolfe, the first novel of an unknown writer named William Plomer. Leonard Woolf wrote back promptly, saying it looked ‘very interesting’ and that once Virginia, who was ill, had read it, he would write again. Plomer, living at a trading store in Entumeni, outside the forested hilltop town of Eshowe (named onomatopoeically in Zulu after the sound of wind in trees), was overjoyed. Two months later, Leonard wrote again, making an offer of publication, and weeks afterwards followed up with the news that Harcourt Brace & Co. in New York wanted to publish it too.
20180601160435

Spiritual Reading

Robin Blake on H. F. M. Prescott, The Man on a Donkey

Hilda Prescott was a professional historian, and a biographer of Queen Mary Tudor, who knew the sixteenth century like the back of her falconer’s glove. She was also a natural novelist who carried out her method of immersing the reader, many pages before the plot takes hold, in the daily life of a long-gone England with astonishing attention to detail. She is careful to count the lapse of time as a Tudor would (‘the nearest of the plough teams passed and repassed twice before Julian moved’), she understands the people’s daily obsession with fabrics and needlecraft, she tracks and describes the changes in season, weather and land work, she knows that a postern is a side gate, and a sparver is a bed canopy, and much other evocative terminology.
20190619154954 Holy Trinity Church Clapham - Ann Kennedy Smith, E.M. Forster

Prayers before Plenty

Ann Kennedy Smith on E. M. Forster, Marianne Thornton, 1797–1887

In 1953 the writer E. M. Forster, then aged 74, was sorting through old family papers and thinking about the past. He had recently moved back to King’s College, Cambridge, and the high-ceilinged spacious room where he sat was filled with treasured objects from his previous homes: shelves overflowing with books, framed family portraits on the walls and blue china plates neatly arranged on the mantelpiece. Letters gathered in a drift around his shabby William Morris armchair as he pored over his great-aunt Marianne Thornton’s diaries and recollections.

20180601144143 Clare Leighton - Richard Platt on Henry Thoreau, Slightly Foxed Issue 58

Streams of Consciousness

Richard Platt on Henry Thoreau, A Week on the Concord and Merrimack Rivers

Life had been kind to the Thoreau brothers. They were fit, healthy, enjoyed nothing so much as their time together in the open air, and having successfully taken over the Concord Academy, the local private school where they themselves had been educated, they had cause for optimism. They were finding their place in the world. It was a time to breathe deeply and venture forth with confidence. These would be among the happiest days of Henry Thoreau’s all-too-brief life, and would inspire A Week on the Concord and Merrimack Rivers (1849).
20080601124944

The Sensation of Crossing the Street

Sue Gee on Virginia Woolf, Mrs Dalloway

I remember thinking clearly: what a momentous day this is, and here I am, reading a novel set in London on a single day. What a chime, what an echo! These were not the words I used to myself, as I walked in the dazzling sun, but I now think they should have been, resonating as they do with the famous opening lines of Virginia Woolf ’s novel, when Clarissa Dalloway sets forth on a perfect June morning to buy the flowers for her party: ‘What a lark! What a plunge!’
20170901114336

In Search of Home

Sue Gee on Eva Hoffman, Lost in Translation

Lost in Translation (1989) could not be more specific to time and place – lost and longed-for postwar Cracow, ‘a city of shimmering light and shadow’, of ‘narrow byways . . . echoing courtyards . . . medieval church spires, and low, Baroque arcades’, whose very streets were impregnated with Hoffman’s sense of her developing self; and suburban ’60s Vancouver, with its improbably smooth and velvety lawns, enormous picture windows, ‘disingenuous’ furniture, all of it whitish with gold trimmings.
20180601135123 Anne Hayward Sarah Perry Article John Moore The Blue Field

Sprouts and Parsnip Wine

Sarah Perry on John Moore, The Blue Field

Early one morning, late in July, the villagers of ‘crack-brained Brensham’ woke to a remarkable spectacle. There amid the customary colours of furze and wheat was a seven-acre field that ‘had suddenly become tinctured with the colour of Mediterranean skies’. Nothing like it had ever happened before, so that the villagers caught their breath at the sight of this miracle: a great, vivid patch of cerulean ‘so clear and pure that it made one think of eyes or skies’ . . .
20180601114239 Howard Phipps, The Medlar Tree - Helen McEwan, William Cowper, Slightly Foxed Issue 58

A Snatch of Morning

Helen MacEwan on David Cecil, The Stricken Deer

I bought David Cecil’s Life of William Cowper, The Stricken Deer, at a time, in my early twenties, when I was starting to devour literary biography, my preferred reading ever since. I was by then familiar not just with Elizabeth Bennet and Jane Eyre and David Copperfield but with Jane Austen, the Brontës and Charles Dickens. Most of my literary friends were in the nineteenth century: the eighteenth was largely unfamiliar territory. All I knew about William Cowper was that he had been a favourite poet of Jane Austen’s.
20180601130040 Colin Thubron - Maggie Fergusson, Slightly Foxed Issue 58

Travelling Fearlessly

Maggie Fergusson on the travel writing of Colin Thubron

For great tracts of time he was away, leaving his ‘old self behind’, exploring places most of us would neither dare nor desire to visit, but which we love to read about with a vicarious sense of fearlessness and endurance. In the golden generation that produced Jonathan Raban, Bruce Chatwin, Paul Theroux and Redmond O’Hanlon, Thubron is now the Grand Old Man, bringing to journeys that are physically and psychologically testing a fine, romantic sensibility.
20180601150229 Gustav Dore - Christopher Rush, Paradise Lost - Slightly Foxed Issue 58

An Epic Achievement

Christopher Rush on John Milton, Paradise Lost

Paradise Lost was first published 350 years ago in 1667, and was still being hailed and even enjoyed as an epic achievement (literally) into the early twentieth century. Now it’s almost unread, except by the chosen academic few. Why? The real problem, says John Carey in his recent abridgement, is not its world picture but quite simply its length. Milton had just turned 20 when he first announced his epic intention, to compose a poem that would encompass all space and time: an ambitious aim, and, as it took another thirty years to accomplish, the resulting work was never going to be short.
20180601163220 Rodrigo Moynihan, Elizabeth Taylor - Sue Gee, Game of Hide and Seek, SF Issue 58

Hands across the Tea-shop Table

Sue Gee on Elizabeth Taylor, A Game of Hide and Seek

The novel is set in the 1920s and 1940s. Both world wars are elided, the one before it opens, the other between one chapter and the next, but in the background is the fierce struggle of the suffragettes, when Lilian, Harriet’s mother, had been sent to prison. A clever, principled woman, widowed young, she despairs of her daughter, who has left school without an exam or an ambition, and sends her to help look after the two children of Caroline Macmillan, one-time fellow suffragette, still dearest friend. It is in this worthy, book-lined, vegetarian household that Harriet falls for Vesey, nephew of Caroline’s husband.
20180901131247 Jennie Erdal Ghosting

Tiger the Literary Lion

Hazel Wood on Jennie Erdal, Ghosting

One day in 1981 a young woman found herself travelling from her Scottish home to London to meet a publisher. So far so predictable perhaps. She had read Russian at university and had recently translated the memoirs of the painter Leonid Pasternak, father of the more famous Boris. There was nothing predictable about this meeting, however, and the man waiting for her at the door of his Mayfair flat was no ordinary publisher. This is how she describes him.
20180901213551 Brendon Chase Slightly Foxed Cubs p104

Forest School

Helena Drysdale on BB, Brendon Chase

It’s the end of the Easter holidays, and Robin, John and Harold Hensman can’t face returning to their boarding-school. Their ‘people’ are in India, and for years they’ve been entrusted to the care of their fussy maiden aunt, assisted by the vicar. Banchester isn’t bad as English public schools go, but they are country boys who dread being trapped in a classroom when summer approaches and the great outdoors calls. They hatch a plan. They will escape and hide out like Robin Hood and his merry men in the eleven-thousand-acre forest of Brendon Chase . . .

20180101175503 Slightly Foxed The New Yorker Long-winded Lady

Manhattan Moments

Kristian Doyle on Maeve Brennan, The Long-Winded Lady: Notes from the New Yorker

In January 1954, a vignette appeared in the New Yorker’s ‘Talk of the Town’ section, introduced only vaguely as a missive from ‘a rather long-winded lady’. The piece – like all ‘Talk’ stories then, unsigned – was a lightly sardonic first-person account of a woman’s disastrous experience in a dress shop. It might not have been world-changing, but it did stand out from the usual ‘Talk’ pieces, which were often impersonal, mannered little things, written in the royal ‘we’. The Long-Winded Lady, though, idiosyncratic from the beginning, spoke only for herself. ‘Well, there you are,’ she signed off, ‘in case you’ve paid any attention.’
20180901100235 Richard Crockatt on Thomas Mann, Magic Mountain - Slightly Foxed Issue 59

A Peak Experience

Richard Crockatt on Thomas Mann, The Magic Mountain

If literary critics are to be believed, understanding literature requires an analytical approach. We all know, however, that our experience of a particular book or author is often bound up with where we happen to be in life. In that sense, reading is as much about self-discovery as discovery of what the author meant. Perhaps the great books are those which can accommodate the widest possible range of reader experiences of whatever time and place. Certainly the circumstances in which I read Thomas Mann’s The Magic Mountain (1924) bore little relation to those of its first German readers in the era of the Weimar Republic. Yet connections emerged in the most surprising ways.
20180901110000 Anthony Gardner, Osbert Lancaster SF Issue 59

Growing up Edwardian

Anthony Gardner on Osbert Lancaster, All Done From Memory & With an Eye to the Future

I wonder if I have ever stayed in an English house that didn’t contain a creased and dog-eared book by Osbert Lancaster. In my childhood his collections of pocket cartoons were always a disappointment: the comic sketches on their covers promised hilarity, but the jokes inside – no doubt wonderfully topical in their day – meant little to me. His architectural books, which I noticed as I grew older, seemed forbiddingly esoteric. Not until I acquired parents-in-law who owned almost his entire oeuvre did I discover the memoirs that convinced me of his brilliance: All Done from Memory (1953) and With an Eye to the Future (1967) are remarkable not just for their wit and powers of observation, but for their highly individual take on Britain’s path to two world wars.
20180901120347 Ken Haigh on H. G. Wells, Mr Polly - Slightly Foxed Issue 59

Mr Polly Walks to Freedom

Ken Haigh on H. G. Wells, The History of Mr Polly

Part of the attraction lies in its hero, Alfred Polly. He is a small, inconsequential man, the sort who drifts through life as if in a dream. ‘I’ve never really planned my life, or set out to live,’ Polly admits. ‘I happened; things happened to me. It’s so with everyone.’ But Polly is graced with a warm heart and a real need for affection. He has a romantic streak fuelled by a voracious and indiscriminate love of reading. He also has a knack for comic neologism that makes up for his lack of formal education. Pushy youngsters are referred to as a ‘Shoveacious Cult’, full of ‘Smart Juniosity’. A man with a prominent Adam’s apple is the ‘Soulful Owner’ of an ‘Exorbiant Largenial Development’.

20180901122442 Henry Jeffreys on Len Deighton, Bomber - Slightly Foxed Issue 59

Cogs in a Fighting Machine

Henry Jeffreys on Len Deighton, Bomber

While reading Len Deighton’s Bomber (1970), I was reminded of Solzhenitsyn’s line – ‘To do evil a human being must first of all believe that what he’s doing is good.’ Bomber is a novel about the area bombing of Germany during the Second World War. Targeting German cities and civilians is a part of Britain’s war that is still extremely controversial. It doesn’t fit into the heroic narrative of the Battle of Britain, the Blitz or D-Day. Almost alone among British forces, bomber crews were not issued with a campaign medal when the war ended. The debate as to whether the bombing was a necessary evil or simply just evil continues to exercise historians and writers to this day.
20180901124541

Grinning at the Devil

Kate Tyte on Isak Dinesen, Seven Gothic Tales

Seven Gothic Tales is an apt title. All tales must have a teller, and Dinesen’s seven separate tales – all long, some long enough to be novellas – have multiple storytellers. There are tales within tales within tales, each opening on to the next like a series of Russian dolls. The themes are Gothic: doomed love affairs; the inevitability of fate; super natural forces. There are gloomy monasteries, ghosts, violent murders and bizarre plot twists including a nun who transforms into a monkey.

20180901130311

Father Figures

Martin Sorrell on Albert Camus, The Plague

Three-quarters of the way through the novel I’ve always thought is Camus’ finest, its two main protagonists go for a swim after dark in the waters beyond the harbour of their coastal city, which is in the grip of bubonic plague. The city is Oran, in north-west Algeria; the date is sometime in the 1940s. The plague, which gives the novel its name, has sealed Oran off from the outside world. The Mediterranean water into which the men plunge breathes like a fur-covered animal, Camus tells us.

20180901144304

A Well-tempered Gardener

Michael Leapman on the garden writings of Christopher Lloyd

There is no good reason why an expert and dedicated gardener should be able to write elegant prose – and a survey of the gardening shelves of bookshops, along with the many magazines devoted to horticulture, will confirm that the two skills rarely converge. One glittering exception was Christopher Lloyd, known familiarly as Christo, who died in 2006 havebaying spent almost his entire adult life developing the five-acre garden at Great Dixter, his family home in East Sussex, where he was born in 1921. He wrote columns about it for Country Life and other journals, and produced seventeen books.
20180901154305 Anthony Powell - Patrick Welland on Graham Greene, SF Issue 59

In a Class of Their Own

Patrick Welland on Graham Greene (ed.), The Old School

The Old School is made up of seventeen essays by writers who achieved literary distinction later in life, though some are all but forgotten today. Apart from Auden, still familiar names include Harold Nicolson, H. E. Bates, Anthony Powell, Elizabeth Bowen and Stephen Spender. Less well remembered are the South African novelist and poet William Plomer and the novelist and film critic E. Arnot Robertson.
20180901164759 Sue Gaisford, Asquith's letters Issue 59

Front Lines

Sue Gaisford on H. H. Asquith, Letters to Venetia Stanley & Raymond Asquith, Life and Letters

The Prime Minister was blazingly indiscreet, prefacing the most vital secrets of military strategy with such remarks as ‘this is rather private’ and reminding her not to leave the letter lying on the hall table. And his thumbnail sketches of his colleagues are wickedly enjoyable: arguing with Churchill, he wrote, was like arguing with a brass band, but even that was preferable to listening to his eloquence. But Asquith did not write to his son.
20130601115744

A Great Adventure

Andy Merrills on Patrick Leigh Fermor, A Time of Gifts; Between the Woods and the Water

In late December 1933, Patrick Leigh Fermor set out on foot for Constantinople (as he anachronistically termed it). Recently expelled from school for the unpardonable crime of holding hands with a local girl, and insufficiently inspired by the prospect of Sandhurst and a career of peacetime soldiering, the 19-year-old decided to head east on foot. His backpack was evidently stuffed to the brim, with a greatcoat, jerseys, shirts (including white linen ones for dressy occasions), puttees, nailed boots, a selection of stationery, a copy of The Oxford Book of English Verse and the first volume of the Loeb Horace.
20190531154221 Daniel Macklin - Laurie Graham on Lord Emsworth's Annotated Whiffle, Slightly Foxed 62

One Man and His Pigs

Laurie Graham on Lord Emsworth’s Annotated Whiffle

Many of you will already be acquainted with Clarence Threepwood, 9th Earl of Emsworth. You will know that in a life buffeted by bossy and opinionated women the Earl’s greatest consolation is his prizewinning Berkshire sow, the Empress of Blandings. P. G. Wodehouse’s Lord Emsworth is a connoisseur of pigs and his favourite book, possibly the only one he ever reads, is The Care of the Pig by Augustus Whiffle.
20190531173230 Rebecca West by Wyndham Lewis - Rebecca Willis on Saga of the Century, Slightly Foxed 62

Mood Music

Rebecca Willis on Rebecca West’s ‘Saga of the Century’

Until I read the bit in Rebecca West’s This Real Night where one of the main characters dies, I’d never cried properly on a plane. I’ll admit to a bit of panicky sobbing during a bout of bad turbulence, but never before had I abandoned myself to full-on, uncontrollable weeping at 33,000 feet. I won’t tell you which of the characters dies, because that would be a cruel spoiler, and I am hoping to persuade you to spend time with this strange, wonderful trilogy and the eccentric Aubrey family who live in its pages. But I’m getting ahead of myself, because This Real Night is the second book in the series and – like the unfinished third, Cousin Rosamund – was published posthumously (1984 and 1985 respectively).
20190601160403

Hoofing It

Richard Conyngham on Dervla Murphy, Eight Feet in the Andes

Unable to pedal but still able to walk, I had found inspiration in a battered copy of Eight Feet in the Andes wedged between the clothes and the spare tubes in my pannier. In the early 1980s, its author Dervla Murphy flew to Cajamarca in Peru with her 9-year-old daughter Rachel. Already a veteran of odysseys on foot, mule, donkey and bicycle, the Irish travel writer needed no justification for what came next. Putting the local grapevine to good use, she and Rachel purchased a lively young mule named Juana . . .
20190531172705 Matt Collins on H. E. Bates, Through the Woods 1 - Slightly Foxed 62

Small Is Beautiful

Matt Collins on H. E. Bates, Through the Woods

Among the books I’d assembled to help steer me through the boundless subject of trees and woodlands for a recent commission, H. E. Bates’s Through the Woods – a month-by-month account of a small copse in Kent – looked unassuming. Recommended via some unnerving algorithm of online commerce, it sat for many weeks among the accumulating pile beneath my desk. When at last I glanced through it, however, one passage brought it suddenly alive. . .

20190601170812

A Burning Issue

Piers Plowright on Cesare Pavese, The Moon and the Bonfires

This is the tale of a baby, a book and a candle. The setting is the Sudan, the baby is our first-born, two-month-old Natasha, and the book is a great twentieth-century Italian novel. As for the candle . . . One may as well begin with the baby. Natasha Su-ming Sakina Plowright was born on 22 February 1966 in Omdurman, a stone’s throw from the Mahdi’s tomb, to my wife Poh Sim and me. She weighed 8lbs 6oz and was bright blue. Her nearest neighbour in the nun-run hospital was a Greek grocer’s baby weighing in at over 10lbs. We carried ours home in triumph and a Moses basket to our eccentric, edge-of-desert house, set in a garden full of mongooses.
20190601165152

Not Your Average Englishwoman

Justin Marozzi on Rosita Forbes, The Secret of the Sahara

I first encountered Rosita Forbes atop a camel in the middle of the Rabiana Sand Sea in southern Libya. There was probably no finer way of making this unusual writer’s acquaintance. Here, deep in the Sahara, she was in her element, disguised as an Arab woman and with only a few camels and human companions between her and a nasty, lingering death. In fact it was worse than that. Apart from the natural dangers of the desert, she was passing through the territory of tribesmen who regarded this motley expedition of an Englishwoman and the Egyptian Olympic-fencer-cum-spy-cum-explorer Ahmed Hassanein Bey with profound suspicion, if not downright hostility.
20190601161509

Extremely Likable People

Ursula Buchan on the novels of O. Douglas

In the kind of house where books are handed down the generations, the chances are that on a spare bedroom bookshelf, squeezed between Guy Mannering and Roses, Their Culture and Management, you will find a copy of one of the eleven novels written by O. Douglas. Take it to bed to read and you will quickly become immersed in the cultured, if circumscribed, Scottish middle-class life of three generations ago. Whether that appeals to you will probably depend both on your attitude to Scotland and Scottishness and on whether you enjoy a well-told if old-fashioned story where only rarely does anything very startling happen.
20190603124922 Daniel Macklin - Pauline Melville on Jane Austen, Slightly Foxed 62

Ire and Irritability

Pauline Melville on Jane Austen, Sense and Sensibility

I am having another stab at Jane Austen. Friends beg me to keep trying, anxious for me not to miss what they tell me is an unrivalled view of a luminous literary landscape. I have made efforts on and off over the years and never found her to my taste. Somewhere along the line at school I passed through Northanger Abbey without retaining much impression of it. But now I have made a pledge with a friend who works at the Royal Society of Literature. I must endeavour to read some Austen and my friend will attempt to read Wuthering Heights, a book she has heretofore avoided. She suggested I start with Sense and Sensibility, so I did.
20051201132802

Up There on a Visit

Mike Petty on visiting a poet

It was the custom then, in the late ’70s, and still is for all I know, for editors to saunter forth from their ivory towers and visit bookshops with the reps, experience life at the sharp end of the book trade and so on. It was called being ‘on the road’ but tended to concentrate on large centres of population easily reached from London. Nothing could disguise the jittery bonhomie of the unfortunate rep chosen for this honour, or the loathing in the eyes of the bookseller forced to undergo ordeal by young puppy on top of the usual ordeal by rep.
20141201163654

O’Brian’s World

Grant McIntyre on Patrick O’Brian’s Aubrey/Maturin novels

O’Brian’s mastery of language is most wonderful of all. He manages to capture that mixture of toughness and grace which, for me at least, makes formal eighteenth-century English so attractive. Also the verbal violence that makes demotic eighteenth-century English so vivid. He catches Stephen’s subtle Irishness, or the slightly unidiomatic English of highly educated South Americans, or the competitiveness of children, or the way one wife can make her opinion of another very clear without expressing it, or Jack can make his authority absolute without disrespect – and he does it all in the language of the time.
20190301144620

Oh Nancy, Nancy!

Sam Leith on the Nancy Drew mysteries

The Nancy Drew mysteries (I didn’t know, then, that ‘mystery’ is what Americans call a detective story) were the first series of books to which I became completely addicted. And, since there were dozens of them, it seemed as if I could never run out – useful, for a child who weekly exhausted his borrowing limit at Dorking Library. My grandfather got into the habit, for a bit, of buying me one a week. Whenever I had a book token, it was into the bookshop at the top of the main street (I can’t for the life of me remember its name) that I would go. Oh! the anticipation of a fresh one, a fresh mystery, smelling of new paperback, picked off the long shelf of Nancy Drew books in the children’s section and taken home in a crisp paper bag.
20140601153429

The House that Jack Built

Grant McIntyre on Patrick O’Brian’s Aubrey/Maturin novels

Most people would agree that Patrick O’Brian’s Aubrey/Maturin novels, set when Britain’s Navy had first Napoleon and then the USA to confront, are among the best historical fiction the twentieth century produced. In fact plenty would drop that word ‘among’, since the books contain so much variety, perceptiveness and subtle comedy, so many wonderful themes and inventions of genius which add to the fun of reading them.

20131201142741

A Friendship of Opposites

Grant McIntyre on Patrick O’Brian’s Aubrey/Maturin novels

Never one for naval yarns I didn’t at first spot Patrick O’Brian’s Aubrey/Maturin novels, which are set in the wars at sea against Napoleon and then the United States. But once I’d tried one I bought them by the handful. It was like that for most of his readers. O’Brian was not successful at first; critics took him for a kind of retread C. S. Forester, and in fact his books did look a bit dated, published next to Radical Chic & Mau-Mauing the Flak Catchers for instance, or One Hundred Years of Solitude. A surprising few – Iris Murdoch, Charlton Heston, William Waldegrave and David Mamet, for example – were passionate about them from the start, but ten years passed before most of us realized something new and extraordinary had appeared.
20120901130756 Mark Handley - Linda Leatherbarrow, Edna O'Brien - Slightly Foxed Issue 35

Not Swinging, Just Dancing

Linda Leatherbarrow on the novels of Edna O’Brien

With my first wage, earned by selling toys in a department store, I bought myself a pair of black stockings, a bottle of frosted pink nail varnish, and a copy of Edna O’Brien’s The Country Girls. My family believed books were ‘good for you’ and I’d gobbled up the classics: Dickens, the Brontës, Thackeray, Gaskell and Defoe, coping happily with long convoluted sentences and dutifully deploying them in my school essays. O’Brien’s brilliantly concise sentences were a revelation, her voice fresh and direct.
20181201155948 Bert Weedon, Play in a Day - Slightly Foxed Issue 60

The Next Bob Dylan

Laurence Scott on Bert Weedon, Play in a Day

In 1950 guitars were rare in the UK and sales barely touched 5,000, but Elvis, Cliff and British rock ’n’ roll changed all that. In 1957, when Play in a Day was first published, annual UK guitar sales topped a quarter of a million and the number of people wanting to learn the guitar vastly outnumbered those capable of teaching it – a situation well understood by Bert, who wrote in his Introduction that he wanted his book to contain ‘the essential requirements of the lone student without a teacher’. It went straight to the top of the bestseller list and stayed there for several months. With sales to date totalling around 4 million, Play in a Day is the world’s biggest selling guitar tutor and it’s never been out of print.
20181201154331

Kinsey Makes a Difference

Frances Donnelly on Sue Grafton’s Kinsey Millhone Alphabet novels

There are authors’ deaths, announced casually on the radio, that provoke an involuntary cry of loss. The recent death of Sue Grafton, author of the alphabetically themed Kinsey Millhone detective novels, was one such. How could you not mourn a writer with whom you’d kept company – and 25 books – for 36 years? An added sadness was that she would not now complete her task of a book for every letter of the alphabet. We had had Y Is for Yesterday (2017) and awaited, confidently, Z Is for Zero. Except that now it won’t be. ‘In our family’, said one of her daughters, ‘the alphabet now ends with Y.’
20190503165541

Grave Expectations

Richard Platt on Charles Palliser, The Quincunx

The leitmotiv of The Quincunx is the interplay of Chance and Design – do we perceive Design in our lives, or merely impose it? – underscored by the recurrence of those Dickensian coincidences that Dickens’s detractors so often deride as ‘contrived’, yet which occur in real life every day, but the foundational theme is greed: how it twists, degrades and ultimately destroys everything it touches, even the innocent, and how it so clouds the minds of men that they come to see their most heinous acts through an indestructible rose-coloured glass of self-justification. Like so much of Dickens, it is a cautionary tale.
20181201145649 Ian Ribbons, The Linnets - Victoria Neumark, Elizabeth Goudge

In Search of Unicorns

Victoria Neumark on Elizabeth Goudge, The Little White Horse & Linnets & Valerians

Like Traherne Goudge was an ardent Anglican. But although religion can be an oppressive presence in her adult novels, in her children’s books it manifests itself merely as a sense of embracing safety. One of her obituaries quoted Jane Austen’s famous line from Mansfield Park, ‘Let other pens dwell on guilt and misery.’ Her fictional world is devoid of malice, which is why it was such balm to our childish spirits. Loyalty, kindness, affection, the wonder of nature, the smells of good, plain English cooking, a hot bath and clean clothes, the appealing personalities of pets: these are the things she celebrates. In Goudge’s children’s books, to use Louis MacNeice’s phrase, there is ‘sunlight on the garden’ and the equation always comes out.
20181201112530

A Modern Pied Piper

Maggie Fergusson interviews Michael Morpurgo

For generations of children, Michael Morpurgo has been a kind of Pied Piper. No one is sure exactly how many books he’s written, but there are over 150 of them, and they are said to have sold, in total, more than 35 million copies. Many have become classics – Private Peaceful, which follows a First World War soldier through the last night of his life before he is executed for cowardice; Kensuke’s Kingdom, the story of a small boy washed up on an island in the Pacific; Why the Whales Came, set in the Scilly Isles in 1914.
20181201111955 Sue Gaisford, The Letters of John Wilmot - Slightly Foxed Issue 60

Incorrigible and Irresistible

Sue Gaisford on the letters of John Wilmot, Earl of Rochester

On our course we were studying Rochester, as published in the Muses Library edition, and while we were certainly impressed by the rage and ingenuity of his satires, most of us had fallen slightly in love with the limpid beauty of his lyrics – especially ‘Absent from thee I languish still’ and ‘All my past life is mine no more’. It was a little mysterious that this early collection should be kept under lock and key but, as I was briskly informed, this was an unexpurgated and obscene book, definitely not suitable for impressionable undergraduates. And, actually, would I go away now and only come back with written permission from my tutor? That is, if I really needed to return.
20181201102657

Russian Roulette

Anne Boston on Lionel Davidson, Kolymsky Heights

I met Davidson in 1994 when Kolymsky Heights, his last and arguably his finest, was published. He was slight and unassuming, with expressive dark eyes that widened when I showed him my early proof copy and said how much I’d enjoyed it. How did he come to be familiar with the ‘howling wastes’ of Siberia, virtually closed to outsiders for decades, so chillingly evoked in the book? It was all based on factual research, he said simply; he had never set foot there.
20181201102031 Robert Gibbings - Christopher Rush, Sir Gawain and the Green Knight - Slightly Foxed Issue 60

Keeping Ahead of the Game

Christopher Rush on Sir Gawain and the Green Knight

How many know the story already? The question takes me back to my last year in primary school, when I was awarded the only literary prize I have ever won. It was for an essay ‘On the Evils of Alcohol’, set by the village Ladies’ Temperance Association – a misnomer, as abstinence, not temperance, was their aim. The prize was Stories of King Arthur and His Knights, retold for youngsters by Barbara Leonie Picard. I devoured this book and was gladdened by the far-away world it created . . .
20181201165746 Susie Leiper, ‘All are one’ - Justin Marozzi, Nan Shepherd

Rock, Root and Bird

Justin Marozzi on Nan Shepherd, The Living Mountain

The Living Mountain, thankfully, is a treasure that, rather like the Cairngorms it describes so wondrously, stands alone in space and time. Happening on it at any point in one’s reading life brings unexpected pleasure. It is thanks to Robert Macfarlane, who has written a typically penetrating introduction to a new edition, that the book, first published in 1977 after lying orphaned in a drawer for four decades, is now enjoying a second wind. So much so that the recent, universally glowing accolades even include the claim that this is ‘the finest book ever written on nature and landscape in Britain’. For Macfarlane it is ‘one of the two most remarkable twentieth-century British studies of a landscape that I know’. So we are in serious territory here.
20181201163424 Alan Bennett, The Uncommon Reader - Hazel Wood in Slgihtly Foxed Issue 60

. . . to Buckingham Palace

Hazel Wood on Alan Bennett, The Uncommon Reader

How Bennett must have enjoyed writing this book. The Palace setting, with its hierarchies and snobberies and constipated bureaucracy, and the shrewd no-nonsense voice of his central character, allow him to take pot-shots at all his favourite targets: official jargon, literary pretension, slippery politicians, trendy attitudes – and ultimately, perhaps, the infantilizing effects of Monarchy itself, with its suburban lifestyle hidden behind the glittering façade.
20181201160945

From Bloomsbury . . .

Alan Bradley on Virginia Woolf, The Common Reader

Notoriously, Woolf doesn’t write about the women on whom she herself depended for home comforts but, mostly, about those who were educated and wealthy enough to write diaries or letters. But she was very aware of the limitations society forced upon all women, both socially and physically. And how much can be gleaned from letters that will never be written, let alone preserved, in our modern, high-speed age. She was writing at a time when letters were still the main method of communication.

20181201153946 Daisy Hay, Barnaby Rudge - Slightly Foxed Issue 60

A Dickens of a Riot

Daisy Hay on Charles Dickens, Barnaby Rudge

Last year I decided that I felt like reading Dickens at Christmas. Resisting the temptation to turn to old and reliable fireside favourites, I alighted instead on Barnaby Rudge. It seemed a choice that would fulfil two purposes: quenching my thirst for some Dickensian delights while teaching me something of an episode about which I wanted to know more. Barnaby Rudge is a historical novel, one of only two such novels Dickens wrote. It was published in 1841 and was the work he planned the longest and most carefully. Yet it is rarely read today and wasn’t very popular when it was published either. One contemporary critic apparently dismissed it as ‘Barnaby Rubbish’.
20190301153307

Striking Sparks

Derek Parker on editing the Poetry Review

As Muriel Spark had done before me I insisted that ‘if you’re a driver, you drive’ – that I would publish what I liked, and that the lady who wrote from the South of France complaining that the contents of the magazine were ‘sheer drivel that is an insult to the intelligence’ must simply be ignored. I clung on for five years, introducing a number of then young poets now celebrated. I can scarcely believe that I did all that work without a salary – editors of the magazine had never been paid, and I didn’t learn until years later that on my appointment the Arts Council had a grant of £500 a year for the Editor, linked to £1,000 for the General Secretary – conditional on the secretary not being Robert Armstrong. The offer was naturally refused. I was awarded a small ‘honorarium’ for the last two years – less than I could have earned by writing one sixty-minute radio feature.
20190301140929 The Pensionnat Heger garden, Harper’s Monthly 1858 | Helen MacEwan, Charlotte Brontë - Slightly Foxed Issue 61

Love and Loss in Brussels

Helen MacEwan on Charlotte Brontë's Villette

In 2016, in a debate organized by the Brontë Society, a panel of four writers discussed the relative merits of Jane Eyre (see SF no. 40) and Charlotte Brontë’s last novel, Villette. When an audience vote was taken, the earlier and better-known book won, but only by a small majority; the two writers defending Villette had been eloquent in its praise. As one of them said, you often come to appreciate it later in life. If Jane Eyre is Pride and Prejudice, Villette is Persuasion.
20190301114707

Murder Most English

Janet Walkinshaw on the Flaxborough novels of Colin Watson

Colin Watson was born in 1920. At the age of 17 he was appointed as a junior reporter on a Boston newspaper, and he spent his working life in Lincolnshire, latterly writing editorials for a chain of news-papers. He was a member of the Detection Club of Great Britain and he won the CWA Silver Dagger twice. In his photos, bespectacled, moustached, he looks like one of his own creations, a quiet, reserved Englishman, and by all accounts that is what he was. Who knew that he could see, under the bland surface of a quiet country town, the joyous anarchy of the ordinary citizen’s life? And if he couldn’t see it, he could invent it, and describe it in what must be some of the most elegant language of any crime novel.
20190301111555 Hilary Paynter, Turf Farm, wood engraving (detail) - Karin-Altenberg, The Kristin Lavransdattir trilogy - Slightly Foxed Isuse 61

On the Wings of History

Karin Altenberg on Sigrid Undset’s Kristin Lavransdatter trilogy

Kristin Lavransdatter is a love story – but a masterly one that begins, in the first book of the trilogy, with Kristin swiftly breaking her society’s norms of patriarchy, duty and honour in order to give herself over to erotic passion. Undset viewed eroticism – a desire so profound that life would be intolerable if it were not satisfied – as part of the spiritual sphere. Kristin falls, in every way, for the handsome but clearly unsuitable Erlend Nikulaussøn, although her father has already pledged her to the thoroughly decent Simon Darre. When the wedding between Kristin and Erlend is finally allowed to happen, at the end of the first book, it is an excruciating affair, the bridal crown weighing so heavily on Kristin’s head that she can hardly sit upright at the banquet.
20190301103345 Frank Harris, c. 1922 - Michael Holroyd, Hugh Kingsmill

Man of Many Lives

Michael Holroyd on Hugh Kingsmill's Frank Harris

‘The Connoisseur of Harris’ was Hugh Kingsmill. In 1919 he published a novel called The Will to Love which he had written in a prisoner-of-war camp. Harris appears in it as Ralph Parker, a man whose friendship ‘was a craving for an audience, his love, lust in fancy dress’. Yet ‘in the ruins of his nature, crushed but not extinct, something genuine and noble struggled to express itself ’. Harris was in his seventies when he died in the summer of 1931 and Kingsmill’s biography of him was published the following year. They had known each other for twenty years and the book was one of those Lives that contain two main characters: the subject and the writer.
20190301151446 Jonathan Law on Alistair MacLeod - Slightly Foxed Issue 6

Just Staying

Jonathan Law on Alistair MacLeod

In forty years MacLeod produced just sixteen short stories, later collected in Island (2002), and one not very long novel, the extraordinary No Great Mischief (1999). Notoriously, he wrote at glacial speed, toiling over each sentence by hand until its shape and heft and tune were exactly so. You could read the life’s work in a weekend, but you mustn’t: the stories demand to be savoured slowly, the way they were written. A MacLeod sentence is a tactile thing, with the hard but polished feel of a pebble in the hand. Yet the prose is not ‘writerly’ in any tiresome way: ‘I like to think that I am telling a story rather than writing it,’ MacLeod once said, and his work retains a strong sense of the speaking or even singing voice – of folk tales or Gaelic balladry.
20190301143810

An Unusual Lexicographer

Ann Kennedy Smith on Robert Burchfield, The Spoken Word: A BBC Guide

The Spoken Word, published in 1981, was produced in response to a wave of complaints to the British Broadcasting Corporation about falling standards in spoken English. A new era of broadcasting had begun in the 1970s, as the BBC changed from being the Reithian home of ‘received pronunciation’ to something broader, permitting more regional accents and informal language. Many people felt that the move towards linguistic diversity had gone too far, resulting in what the critic Anne Karpf so eloquently described in 1980 as ‘English as she is murdered on radio’.
20190301130050 Chris Saunders on Edward Thomas, In Pursuit of Spring - Slightly Foxed Issue 61

Springtime Reflections

Chris Saunders on Edward Thomas, In Pursuit of Spring

You can almost smell the sylvan air, and this is one of Thomas’s attractions. Born in the suburbs, his love of nature drove his devout wish to escape the noise and chaos of London. Like him, I have moved to the sticks and I feel he is speaking for me when he writes: Many days in London have no weather. We are aware only that it is hot or cold, dry or wet; that we are in or out of doors; that we are at ease or not. But Thomas’s writing is more than pastoral escapism. He often turns his retreat to the country into an assessment of himself and this is where In Pursuit of Spring becomes spooky, funny and also strangely wise…
20190301120428 Reynolds, Stone - Roger Hudson, Dorothy Wordsworth's journals - Slightly Foxed Issue 61

A Perfect Electrometer

Roger Hudson on the journals of Dorothy Wordsworth

My Cambridge tutor was bubbling over with pleasure one morning in 1962 after reading Dorothy Wordsworth’s journal, the one she kept between 1800 and 1803 when living with her poet brother William at Dove Cottage in the Lake District. What he had been particularly taken with was something she wrote on 14 May 1802 when the two had been walking in the woods alongside Grasmere: ‘William teased himself with seeking an epithet for the Cuckow.’ I never forgot this slightly comical picture of the creative process, but it was almost thirty years before I came to read her journal myself when doing a book on Coleridge among the lakes and mountains.
20110601123641 Andy Merrills, Alfred Wainwright - Slightly Foxed Issue 30

A Personal Landscape

Andy Merrills on Alfred Wainwright

Every reader of Wainwright will have his or her favourite passages: if nothing else the sequence is a monument to the self-effacing whimsy of a modest man. Enthusiasts point to the dedications of the different volumes, for example – The Eastern Fells ‘to the men of the Ordnance Survey’, The Southern Fells ‘to the sheep of Lakeland’, The North Western Fells ‘to those unlovely twins, my right leg and my left leg. Staunch supporters which have carried me about for over half a century, endured without complaint. And never once let me down.’ Again and again, the lovingly pastoral tone is enlivened by a wry (and occasionally macabre) humour.

20070301142119

An Unsettling Read

Ruth Symes on E. M. Forster, A Passage to India

As the long flight plugged on through the night, Forster’s powerful descriptions of the scenery and climate of India beckoned me. I longed to feel the way the Asian heat ‘leapt forward’ hour by hour, to see the ‘angry orange’ sun that ‘had power without beauty,’ and to smell the toddy palms and neem trees and sweet ‘green-blossomed champak’. I wanted to feel beneath my feet what Forster describes as ‘something hostile in the soil’ and see the sky at night when ‘the stars hang like lamps from the immense vault’.
20090301125155 Daniel Macklin - Christopher Robbins, George Orwell - Slightly Foxed Issue 21

All Washed Up

Christopher Robbins on George Orwell, Down and Out in Paris and London

The book was the first full-length work by George Orwell to be published. A tale of poverty in two cities, it is divided into two parts: in the first the author becomes a dishwasher in Paris; in the second he lives the life of a tramp in London. The book’s obvious appeal for me was that it seemed to be written by a soul mate, a letter from one unpublished writer and dishwasher to another. It enabled me to romanticize my deadly dull occupation, not least by allowing me to think of myself not as a dishwasher but as a plongeur.
20190301171230

In the Eye of the Storm

Posy Fallowfield on Richard Hughes, In Hazard

In Hazard is an extraordinary read. It resembles The Human Predicament in mixing fiction with fact, but here the ‘fact’ is not a devastating political movement which took years to grow, but a devastating meteorological event which took place within a week. In November 1932 the steamship Phemius was sucked into a Caribbean hurricane and tested to the limits, yet somehow she and all her crew survived. The owner of the shipping line to which Phemius belonged approached Hughes and suggested he record the dramatic story. Hughes agreed to describe the storm and its effects on the ship as accurately as he could, with the proviso that he would invent a fictitious captain and crew . . .
20190301163701 Hilary Paynter, In-Exile, wood engraving based on the Hoffmann Garden of the Jewish Museum, Berlin (detail) - Adam Sisman, Hugh Trevor-Roper

The Hunt for Hitler

Adam Sisman on Hugh Trevor-Roper, The Last Days of Hilter

I cannot now remember when I first read Hugh Trevor-Roper’s The Last Days of Hitler (1947). My memory is confused by the fact that I knew the author in old age and was to become his biographer; Trevor-Roper himself told me about the extraordinary circumstances in which he had come to write the book. In September 1945 he had been awaiting discharge from the army so that he could resume his pre-war role as an Oxford don, when he was asked to undertake an urgent investigation into the fate of the Führer.
20190301114851 Laura Freeman on Nancy Mitford's Parisian Novels, Slightly Foxed Issue 61

The Paris Effect

Laura Freeman on Nancy Mitford’s Parisian novels

Brimming. That was how I spent my first weeks in Paris. Brimming with tears at the smallest setback. For Nancy Mitford’s Northey in Don’t Tell Alfred, dispatched to Paris to be secretary to Fanny Wincham, the new Madame l’Ambassadrice at the British Embassy, it is the ‘cruel food’ of France that sets her off. Beef consommé. Brimming. Lobster. Brimming. Foie gras. Brimming. ‘A Frenchman on board told me what they do to sweet geese for pâté de foie gras,’ says Northey at dinner on her first night at the Ambassador’s Residence. ‘Very wrong and stupid of him,’ says Fanny.
20190301132405 Rowena Macdonald on Philip Hensher, Kitchen Venom - Slightly Foxed Issue 61

Commons People

Rowena Macdonald on Philip Hensher, Kitchen Venom

When I first started working at the House of Commons, back in 2001, Philip Hensher was still discussed in dark tones by my colleagues. He was the only employee in living memory to have been sacked. Five years before, he had written Kitchen Venom, a novel set in the Clerks’ Department where we worked, about John, a secretly gay, hunchbacked senior clerk who spends his workday afternoons sneaking off to see a beautiful Italian rent boy in Earls Court.
20090301112741 That unsettling misunderstanding over the eggs. A Late Beginner

‘Tombs, dear. Where’s your other sock?’

Extract from A Late Beginner, Priscilla Napier

No one told me that the pyramids had been one of the seven wonders of the ancient world, but they were certainly the primal wonder of mine. From early on they exercised an oddly persistent fascination.They could not, it seemed, be taken for granted, like hills and trees and houses. Approached along the pyramid road they got larger and larger and larger until they filled up one half of the sky. It took a long while to ride lurchingly round the Great Pyramid on a camel, and from no angle could their stupendousness be made a thing of nought. They were made of square yellow blocks, exactly like sugar lumps, but higher than I was.

20090601110654 Daniel Macklin - Christopher Robbins, Finnegans Wake, Slightly Foxed Issue 22

Sound Nonsense

Christopher Robbins on James Joyce, Finnegans Wake

The words rolled out, natural and clear, and I listened with new ears and understanding. Enlightenment had finally come. Passages spoken aloud in an Irish accent, by someone who loved the prose enough to commit long passages to memory, released the book’s power. Its beauty had been unlocked not by a literary intellectual, but by a half-tight man in a cheap suit standing at the bar of a Dublin pub. Finnegans Wake was revealed as a work of sound rather than sense, a form of high falutin, Gaelic, literary rap. Ireland talking in her sleep. It was as if Brian had taken me by the elbow, and guided me into this particular tavern to receive a final, Celtic benediction.
20190301175415 Jan Morris, Conundrum - Derek Johns review in Slightly Foxed Issue 61

A Leap into the Light

Derek Johns on Jan Morris, Conundrum

I first met Jan Morris in the offices of the publisher Random House in New York in the early 1980s. I was a junior editor there, and was invited to meet someone I considered to be one of the most intriguing writers I had read. This was nothing more than a handshake and an acknowledgement of our shared Britishness in New York. But I was immediately struck by Jan’s warmth and affability, qualities that are key to her genius for talking to people and drawing stories from them. (For while Jan is less of an extrovert in person than in her writings, and indeed in some ways is quite reserved, she nonetheless possesses a remarkable ability, surely learned in the world of journalism, to nose out a story.)

20070901120702 Underwear Was Important - Hazel Wood, Posy Simmonds - Slightly Foxed Issue 15

Underwear Was Important

Hazel Wood on Posy Simmonds

Posy’s dialogue is as good as her draughtsmanship, and she has a talent for names (an area in which so many writers fall down) which is as good as that of Evelyn Waugh or Anthony Powell. What enchants and convinces in all her work is the brilliantly observed detail. If Posy draws a French coffee pot it is a completely authentic French coffee pot. The appearance of her characters – toddlers, sulky teenagers, pushy mothers, angst-ridden authors, pretentious publishing types – is always spot on. This kind of texture, she says, is the equivalent of verbal description in a novel . . .
20081201120422

The Temptation of Mrs Harris

Maggie Fergusson on Paul Gallico, Flowers for Mrs Harris

It was astonishing to me that a grown-up could cry, and more than astonishing that anyone should cry for joy. The memory came back to me a few weeks ago, as I reread, with my 9-year-old daughter, Paul Gallico’s Flowers for Mrs Harris. For Gallico, most fondly remembered as the author of The Snow Goose, was a master of the bittersweet, of the mysterious kinship between suffering and joy. He knew how to fold together humour and poignant detail in just the right proportions to prevent his prose from curdling into mawkishness and sentimentality.
20190301174119 Rudyard Kipling - Alastair Glegg, Reading in Prep School, Slightly Foxed Issue 60

Unsung Heroes

Alastair Glegg on learning to read at prep school

The library at Fonthill Preparatory School was just what I imagined a Gentlemen’s Club to be like: shiny brown leather armchairs with velvet cushions, long oak tables, panelled walls, a coal fire in the corner, and windows looking on to the branches of an enormous beech tree. And, of course, books. It was there that I came to know the schoolboy classics of the time: the adventures of Biggles, the misadventures of William, and the voyages of the Swallows and the Amazons.
20171201165123 Edward Lear, William Palmer on Vivien Noakes, Edward Lear; The Life of a Wanderer - Slightly Foxed Issue 56

Making the Best of It

William Palmer on Vivien Noakes, Edward Lear: The Life of a Wanderer

‘One day there appeared at luncheon sitting opposite to us a rosy, gray-bearded, bald-headed, gold-spectacled old gentleman who captivated my attention . . . Something seemed to bubble and sparkle in his talk and his eyes twinkled benignly.’ This was one small American girl’s first meeting with Edward Lear in 1870. At about the same time he was writing of himself in his diary: ‘Broken down with a hideous load of sorrow – the blinding accumulation of now nearly 60 years.’
20130301104513 Slightly Foxed Editions COUNTRY BOY, Richard Hillyer

Country Boy

Richard Hillyer

The coloured words flashed out and entranced my fancy. They drew pictures in the mind. Words became magical, incantations, abracadabra which called up spirits. My dormant imagination opened like a flower in the sun. Life at home was drab and colourless, with nothing to light up the dull monotony of the unchanging days. Here in books was a limitless world that I could have for my own. It was like coming up from the bottom of the ocean and seeing the universe for the first time . . .
20180901095832 Michael Barber, Guide to the City of Moscow - Slightly Foxed Issue 59

Moscow Under the Terror

Michael Barber on a 1937 guidebook to Moscow

Written by the Co-operative Publishing Society of Foreign Workers in the USSR, the guide describes Moscow as ‘the city of emancipated and joyful labour’. In fact it was a huge building site over which hovered the angel of death. The architect of this apocalyptic landscape was Josef Stalin, who had promised Muscovites that in future life would become ‘merrier’. In 1935 he approved a ten-year plan that would do for Moscow what Haussmann had done for nineteenth- century Paris.

20181201132950

Christmas Holidays

Extract from Drawn from Memory, Ernest H. Shepard

We three children were looking forward to Mother’s birthday, which was December 18th. December was ‘our’ birthday month, Cyril’s on the 20th, mine on the 10th: but the 18th was by far the most important. With a view to deciding what was to be done, we gathered round the schoolroom table, each armed with a statement of his or her financial resources. My assets were contained in an old purse that I kept hidden in a corner of the writing desk. This I emptied on the table. The contents were: one silver sixpence, one silver threepenny bit, and an assortment of coppers – total one shilling and tenpence halfpenny. Cyril was not in a much stronger position, and it remained for Ethel to retrieve the situation, which, I have to admit, she did most nobly. Lucky enough to have a godmother who sent her postal orders she was able to produce nearly ten shillings. Most magnanimously, she suggested that we pool our resources and give Mother one really nice present rather than three inferior ones. Cyril and I volunteered to draw and paint a birthday card between us, and we left it to Ethel to decide on the nature of the present.
20100901121425 British Library The Oldest Paper in the World Slightly Foxed

The Oldest Paper in the World

Frances Wood on The Oldest Paper in the World

It is not surprising that having invented paper over 2,000 years ago, the Chinese found a wide variety of ways to use it. Though the seventeenth-century landscape artist and arbiter of taste, Wen Zhengheng, considered painted wallpaper vulgar, Li Yu (1611–80), owner of the Mustard Seed Garden, advocated brown rather than white wallpaper, and Chinese painted wallpaper depicting birds, flowers, garden architecture and butterflies became popular in Europe in the seventeenth and eighteenth centuries. In 1794, the first British ambassador to China, Lord Macartney, even brought back a set painted with scenes of Chinese streets and workshops for his banker Mr Coutts which can still be seen in the bank’s boardroom.
20130301144054

Neither a Borrower . . . ?

Oliver Pritchett on some more elementary dos and don’ts of book etiquette

Every year the registrar of Public Lending Right issues a report on the authors whose books have been most often borrowed from libraries. You can be sure these days that Danielle Steel, Josephine Cox and James Patterson will be up there with the leaders, but it might be more interesting, I think, to discover the name of the author whose books we borrow most often from each other. We need more information about these delicate transactions between friends. I’d also like to know the title of the book which is most often borrowed and never returned, and I’d be disappointed to learn that it was something like A Sensible Guide to Home Plumbing or The Grouter’s Friend . . .

20100901103930 Erskine Childers

Well Done, Carruthers!

Jim Ring on Erskine Childers, Riddle of the Sands

In the depths of last winter the bathroom, if by no means warm, was the least glacial room in the house. Ever since the children were born it’s also been the only place in our North Norfolk home in which there is sufficient freedom from interruption to read. I was convalescing from Zadie Smith (On Beauty) and needed the literary equivalent of comfort food: of toad in the hole, cottage pie or dead man’s leg. The choice was Howard’s End, Brideshead Revisited or The Riddle of the Sands, all steadfast companions since I grew out of Lady Chatterley’s Lover. There was a rattle of rain on the bathroom window. It was an evening for Erskine Childers. I closed the door firmly on the children, drew the bath and settled down to read.
20080601101453 Swallows and Amazons

Swallows and Amazons for Ever!

Jim Ring on Arthur Ransome, Swallows and Amazons

The train from the south drew in to the junction with the line that led to the hills. We changed, and already there was freshness in the air on a day of azure skies and deep shadows. I went to admire the Puffing Billy that was to haul us on the last leg of our journey, inhaling the intoxicating cocktail of hot oil and steam that engines exude. The whistle blew, I ran back to the carriage, the doors slammed, and we clanked our way west with the setting sun. I hurried from side to side of the carriage . . .
20190114110353 Chris Wormell Slightly Foxed Fox Web

Slightly Foxed Issue 60: From the Editors

Gail Pirkis & Hazel Wood

Well, this issue is our 60th, and it’s making us feel a bit ruminative – emotional even – remembering the little group (four plus a baby) who sat round Gail’s kitchen table, discussing an idea for a magazine that we weren’t at all sure would work. The baby is at secondary school now and the original four has nearly trebled, if we count all the great people, both full-time and part-time and with ages ranging over six decades, who contribute to the production of Slightly Foxed.
20180807163056 Gerry Cotter, Second-hand Book Fairs - Article for Slightly Foxed

All the Fun of the Fair

Gerry Cotter on Second-hand Book Fairs

It was only after I retired that I looked along my bookshelves and realized there were many books I was never going to open again – so why not try to sell them? I signed up to sell online and was delighted when Heidegger’s Being and Time, unopened for decades and then only very briefly, sold the next day. This was evidently a Good Idea. I had been attending book fairs for years, so the next step was obvious: take a stall at a fair . . .

20170901121419 Slightly Foxed Issue 55 illustration, spitfires in formation

A Confrontation with Evil

Ursula Buchan on Richard Hillary, The Last Enemy

It seems a rather odd thing to admit these days, but I spent much of my youth reading war comics and watching war films. That’s how it was if you lived in a house filled with boys in the 1960s. As a result I can still recite, without recourse to Wikipedia, the names of the three men who won a bar to the Victoria Cross (Chavasse, Martin- Leake and Upham, if you are interested), and I can easily recall the boiling hot afternoons during the summer holidays that I spent at Tobruk or on the Normandy beaches, flying low over the Möhne dam or high in the skies above Kent – all while sitting in a 1/9d seat at the Regal Cinema, Wallingford . . .

20130301163335 Hurricane Clarice. Slightly Foxed magazine archives: Clarice Lispector

Hurricane Clarice

Michael Marett-Crosby on Clarice Lispector

The sleeper lounge is old-fashioned British Rail, all tartan carpet, smeared tables and microwave cuisine. Tonight it contains a gathering of solitaries, all of us making separate journeys to London. The man beside me is still working, though it’s nearly ten o’clock. By chance we order the same whisky. We raise our plastic glasses, embarrassed in a very British way. I want to encourage him. He is at war with a pile of papers. But he is wishing me good luck as well. He has been glancing at the author’s face on the back cover of my novel. She does rather stare . . .
20121201150423 Rachel Khoo, Little Paris Kitchen, Slightly Foxed Issue 36

Attics with Attitude

Elisabeth Russell Taylor on Rachel Khoo, Little Paris Kitchen

I am sometimes asked which writers have changed my life. Next time I shall not answer ‘Proust’ but ‘Rachel Khoo’. For five years, since the death of my husband, I had all but given up cooking and eating, all but forgotten what I had valued before my personal doomsday. Rachel Khoo has re-engaged my taste-buds and my enthusiasm. I may even convert my fantasy dinner parties into real ones. I am already making lists . . .

20121201185121

A Late Victorian Afternoon

Mark Jones on Mollie Panter-Downes, At the Pines

They seemed reasonable enough requests. Don’t lie on the bed naked in case passing servants catch an eyeful. Also, in mixed company, could he try to swear only in French? Modest pleas made by Theodore Watts-Dunton to the poet and ex-libertine Algernon Charles Swinburne when they first set up home together. It was 1879 and Swinburne’s relish for brandy and flagellation had reached a critical point. In the nick of time, Watts-Dunton, the gallant walrus-moustached solicitor-turned-author, had plucked his friend from the depths and carried him off for a spot of detox in Putney.
20091201170116 Divine Spark. Slightly Foxed magazine archives: Muriel Spark

Divine Spark

Emma Hogan on Muriel Spark

I first came across Spark when working in a little second-hand bookshop off the Charing Cross Road. A battered tome of her selected works was on sale in the outside pile, desolately stationed there to be picked over by tourists and dampened by rain. Not having much to do (the shop closed a month later, not necessarily because I’d worked there) I started reading one afternoon, and was hooked. For while Muriel Spark makes you laugh out loud, she also makes you think – she must, I feel, have been a formidable dinner-party companion, quietly sitting there with her razor-sharp tongue . . .

20111201155938 Laura, Louisa and Me. Slightly Foxed: Daisy Hay on Childhood Reading

Laura, Louisa and Me

Daisy Hay on her childhood reading

The Child that Books Built is the title of a memoir by Francis Spufford which explores the impact of books read in childhood by interspersing an account of Spufford’s own reading with excursions into history, philosophy and psychology. It beautifully articulates the formative nature of childhood literary exploration. ‘The words we take into ourselves help to shape us,’ Spufford writes. ‘They help form the questions we think are worth asking; they shift around the boundaries of the sayable inside us . . . They build and stretch and build again the chambers of our imagination.’
20071201150858 Slightly Foxed Issue 16: Strangely Like Real Life, Grant McIntyre on Anthony Powell

Strangely Like Real Life

Grant McIntyre on Anthony Powell, A Dance to the Music of Time

My own prime favourite is Anthony Powell’s sequence of novels A Dance to the Music of Time: panoramic, sharply observed, farcical, ironic, yet shot through with what Kingsley Amis called an endlessly inquisitive melancholy. We shadow the narrator Nick Jenkins from the callow half-understanding of youth, in the Twenties, through the drastic remaking of lives and relationships by war, to late middle age in the heady Sixties and Seventies – a whole new age of absurdity against which the novel’s various endgames are played out . . .
20150301120041 Neil M. Gunn, The Silver Darlings, Slightly Foxed Shop

The Call of the Sea

Galen O’Hanlon on Neil M. Gunn, The Silver Darlings

It’s a wonderful thing when a book so fires the imagination that it becomes more real than the world around you, when the mind is totally absorbed, the page dissolves, and you begin to exist differently. It was mainly a thing of long childhood summers, when I was a musketeer, then a Viking, a wizard, a centaur – once even a quickfooted warrior mouse. Sadly it stopped in adolescence, when these things weren’t done . . .
20131201171552 Susan Einzig - Maggie Fergusson, Tom’s Midnight Garden, When the Clock Struck Thirteen

When the Clock Struck Thirteen

Maggie Fergusson on Philippa Pearce, Tom’s Midnight Garden

A lot of the stories I loved most as a child involved doors. Aged about 4, I suppose, I passed through the small, latched door in the hillside, into Mrs Tiggywinkle’s flagged kitchen, filled with the ‘nice, hot, singey smell’ of ironing, busy and reassuring. A few years later came the doors into Narnia, the Secret Garden and Wonderland, Bilbo Baggins’s ‘perfectly round’ green door with its shiny yellow brass knob ‘in the exact middle’, the door into the Yellow Dwarf ’s home in the orange tree, and the dark door into Bluebeard’s bloody chamber . . .

But reading to my own children, the door I’ve been happiest to pass through again is the door into Tom’s Midnight Garden – a door one can only imagine because, unlike most of the others, it is never described.
20101201121946

Uncomfortable Truths

Diana Athill on W. G. Sebald, Austerlitz

There is no book more haunting than W. G. Sebald’s Austerlitz. I would not advise anyone unfamiliar with his earlier books to make it their introduction to his work, because his decision to do away, in this one, with paragraphs, and the way in which the narrative unfolds, are disconcerting enough when first encountered to be off-putting. It is necessary to make an act of trust – to put yourself in his hands; and this may be a problem for anyone who has not yet learned to trust him by reading his wonderful The Emigrants, The Rings of Saturn and Vertigo. I doubt whether I would have persisted beyond the first thirty-odd pages of Austerlitz if I hadn’t already learned that wherever Sebald led, I must follow him . . .

20081201150906 A Boy at the Hogarth Press

Putting up Useful Shelves

Sue Gee on Richard Kennedy, A Boy at the Hogarth Press & A Parcel of Time

In 1922, Richard Kennedy’s formidable grandmother pulled a well-connected string and got him a scholarship to Marlborough. To say that Kennedy’s education up to this point had been patchy is an understatement. As he describes it in his childhood memoir A Parcel of Time, it consisted of ‘two uneducated women’, his mother and his nurse, failing to teach him to read, followed by a series of pretty dire south-coast prep schools from which he generally absented himself by the simple expedient of taking the bus home . . .
20091201122539

Plain Jane? Plain Wrong

Daisy Hay on Jane Austen, Pride and Prejudice

There is nothing ‘common-place’ about Pride and Prejudice. It has a tightly woven, seductively intricate plot, which unfolds so delicately that the reader falls blindly into the traps of imperception set by the author, alongside that most perfect of imperfect heroines, Elizabeth Bennet. It has dialogue which sparkles and sings in the most extraordinary way, so that characters come alive in only a few words. It has a hero and heroine who fence and fight and fall in love . . .

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Ploughing On

Hazel Wood, Preface to Adrian Bell, The Cherry Tree

The writer Adrian Bell first arrived in Suffolk in 1920 – a delicate young would-be poet, fresh from public school at Uppingham and the polite drawing-rooms of Chelsea, under pressure from his father, who was news editor of the Observer, to get a proper job. He was, he says, ‘flying from the threat of office life’ when he first presented himself for work on the farm of an old-established farming family in the countryside near Bury St Edmunds.
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The Spell of Stout Angus

Robert Macfarlane on James Stout Angus, A Glossary of the Shetland Dialect

In a poem written near the end of his life, W. S. Graham imagined himself as a ‘wordy ghost’, ‘floating across the frozen tundra / of the lexicon and the dictionary’. Like Graham – like many people – I am also a ‘wordy ghost’, who loves haunting the pages of lexicons, dictionaries and glossaries. Unlike Graham I find the pages of such books to be not ‘frozen tundra’, sterile and barren – but fabulous forests, alive with delving word-roots and spreading canopies of connotation.
20170601163140 John Watson-Slightly Foxed Issue 54 From the Editors Illustration

Slightly Foxed Issue 54: From the Editors

Gail Pirkis & Hazel Wood

The trees are in full deep green leaf now, making a small oasis of Hoxton Square, while not fifty yards away the traffic roars past along Old Street. New regulations to cut down air pollution in London are on the way we learn, but now the fumes hang heavily in the summer air as we make for the office, dodging people coming in the other direction who seem to be talking to themselves but are actually on their mobile phones. As Jane Austen’s great hypochondriac Mr Woodhouse observes, ‘Nobody is healthy in London, nobody can be.’ For many of us these days it’s a hurrying, worrying world . . .
20161201094355 Cazalet Chronicles - Elizabeth Jane Howard - Set

At Home with the Cazalets

Sarah Perry on Elizabeth Jane Howard, The Cazalet Chronicles

‘All happy families resemble one another,’ said Tolstoy, rather sweepingly, ‘but each unhappy family is unhappy in its own way.’ The Anna Karenina principle has so long been taken for a truism one hesitates to disagree, but on reading Elizabeth Jane Howard’s Cazalet Chronicles it occurred to me that there’s no such thing as a happy family – how could there be? – and that if there were, it would be a most unsatisfactory subject for a novel.
20161201115420 Ysenda Maxtone Graham, Terms & Conditions, Plain Foxed Edition

Old Girls and Very Old Girls

Nicola Shulman, Preface to Ysenda Maxtone Graham Terms & Conditions: Life in Girls’ Boarding-Schools, 1939-1979

I went to a girls’ boarding-school in 1972. It was only for an afternoon. I’d been staying with a friend for half-term and we stopped on our way into London to drop her older sister back at school. I can’t remember which it was. Wycombe Abbey? Cobham Hall? Or Benenden, then of matchless fame for the education of Princess Anne? Though I’d never actually been inside a boarding-school, I knew all about them from books like Third Form at Malory Towers by the evidence-based historian, as I supposed she was, Enid Blyton.
20060601150929 ‘Something nasty in the woodshed’, by Mark Handley

Poste-Freudian Therapy

Michele Hanson on Stella Gibbons, Cold Comfort Farm

It is generally thought that Stella Gibbons was mocking Mary Webb’s Precious Bane when she wrote Cold Comfort Farm, but she was probably having a pop at all those purveyors of country hardship, sex, doom and slop, Hardy and Lawrence included. One can easily tire of the lush, dripping, thrusting, tragic, moist, fecund countryside, and long for a brisk young woman from the tough pavements of town like Flora Poste to come along and tidy things up a bit . . .
20160901163248 Anthony Rhodes, Sword of Bone, Slightly Foxed Editions

Hanging Out on the Maginot Line

Michael Barber, Preface to Anthony Rhodes, Sword of Bone

In 1989 I was commissioned to write and present a programme about the Phoney War for BBC Radio 4. My research took me to the Imperial War Museum’s sound archives and the testimony of a Dunkirk veteran called Anthony Rhodes, who was commissioned into the Royal Engineers shortly before Britain declared war on Nazi Germany in September 1939. At that stage I’d no idea Rhodes had written a book about his experiences, but what he had to say on tape was exemplary . . .
20160525114716

Slightly Foxed Issue 50: From the Editors

Gail Pirkis & Hazel Wood

We had quite a celebration for our tenth anniversary in 2014 and now this summer we’ve reached what feels to us like another significant milestone – our 50th issue. You could say Slightly Foxed has reached middle age, but it still has a spring in its step and we enjoy putting it together as much now as we did when four of us sat round the kitchen table (one of us holding a baby who is now at secondary school) and planned the first issue . . .
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Happy Ever After

Daisy Hay on Daisy Ashford, The Young Visiters

The Young Visiters was published in 1919 but written in 1890, when its author was 9. It appeared with a Preface by J. M. Barrie and with the manuscript’s many spelling mistakes faithfully reproduced. Within two years it had sold 230,000 copies, given rise to a stage play, and caused a rumpus in literary London. It has never been out of print since. This is an exceptional record for a slight work. Why was The Young Visiters so popular and why does it endure?
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Kindred Spirits

Liz Robinson on Anne Fadiman, Ex Libris: Confessions of a Common Reader

Do you treasure ancient paperbacks, spines gone, pages browning, brittle and crumbling, held together (or not quite) with perished elastic bands, simply because you also treasure the memories they evoke as much by their physical appearance as by their contents?

Do you treasure ancient paperbacks, spines gone, pages browning, brittle and crumbling, held together (or not quite) with perished elastic bands, simply because you also treasure the memories they evoke as much by their physical appearance as by their contents? . . .
20160616114713

An unchanging ritual . . .

Ted Walker, The High Path

When he came home of an evening, we went through an unchanging ritual. Hanging on the gate, I could tell the shape of him as he cruised the last half-mile along the Brighton Road on the Ariel. Just our side of Chandler’s Corner he would switch off the petrol for the sake of economy and freewheel silently the rest of the way, having judged his impetus so exactly that the merest touch of the brakes would halt him after the front wheel bumped over the kerb. The bike would be wheeled into the outhouse, suddenly full of the stirring odour of hot oil and the clicking of cooling metal. And then, in the kitchen, even had I been blindfolded, I could have recognised him; for he brought into the house an entire anthology of smells I associated with nobody else . . .

20150901173006 SLIGHTLY FOXED EDITIONS No. 31 THE HOUSE OF ELRIG Gavin Maxwell

Mowgli with a Gun

Galen O’Hanlon on Gavin Maxwell, The House of Elrig

A few months before his thirteenth birthday, the young and miserable Gavin Maxwell crept out of St Wulfric’s prep school to send a ‘thoroughly hysterical’ letter to his mother. At the end of it he wrote, ‘For God’s sake take me away from this awful place.’ She answered his plea, and he was whisked away in the middle of the Spring term, ‘a quaking jelly of misery and self-pity’. He went straight home, to the House of Elrig – the house he grew up in on the edge of the vast Monreith estate in Galloway, surrounded by woods and peat bogs and heather.
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Curiouser and Curiouser

Brandon Robshaw on the stories of Robert Aickman

All of Aickman’s tales (he wrote 48 in all) include some kind of supernatural element. ‘Pages from a Young Girl’s Journal’ is a vampire story, ‘Ringing the Changes’ is a zombie story, others feature ghostly visitants of various kinds. But that in itself is not what is strange about them. The characters are strange. The events are strange. The scenarios are strange. It’s hard to convey the special, unsettling atmosphere of Aickman’s work to anyone who isn’t acquainted with it; but let me try . . .
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Surprised by Joy

Jonathan Law on the diaries of Sylvia Townsend Warner

It’s always strange to think how easily you might not have met that someone: a bus that arrived on time, or a last drink at the bar, and it might all have been quite different. Our meetings with books can be equally subject to fluke. I was in the queue at Barter Books in Alnwick, a clutch of holiday reading under my arm, when for no reason at all I picked up a green Virago paperback: The Diaries of Sylvia Townsend Warner
20160902123703 From the Editors, Slightly Foxed Issue 51, Autumn 2016

Slightly Foxed Issue 51: From the Editors

Gail Pirkis & Hazel Wood

After the events of the past few months, we must admit that, though extremely cheerful and optimistic, we’re also feeling a bit ruminative here in the office. Somehow the timeless and civilizing things we hope Slightly Foxed stands for seem more important than ever at a moment of change like this. We hope, anyway, that with the arrival of this autumn issue you can relax, draw the curtains – actual or metaphorical – and, as one of our American readers recently described it, ‘breathe a sigh of relief and slip into a world of thoughtfulness and good humor’.
20160301111451 Diana Petre, The Secret Orchard of Roger Ackerley

Evasions and Deceits

Peter Parker, Preface to Diana Petre, The Secret Orchard of Roger Ackerley

Among the small horde of papers Diana Petre left me as her literary executor when she died in 2001 was a folder labelled: ‘Excuses. Lies. Evasions. Deceits.’ I thought at first that it might contain further notes about her mother, whose unhappy story is so brilliantly told in The Secret Orchard of Roger Ackerley and whose attempts to hold on to her many secrets involved all these ploys. In fact, it merely contained material Diana had collected for an anthology she once thought of compiling about the ways in which people get out of awkward or unwanted social engagements . . .
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Slightly Foxed Issue 47: From the Editors

Gail Pirkis & Hazel Wood

It’s hard to believe autumn is here already. But the days are shortening, the air is growing brisker, and gradually the city is coming to life again as people trickle back after the long summer break. London is back in business, and it’s all go here in the Slightly Foxed office, with the latest of the Slightly Foxed Editions and Slightly Foxed Cubs arriving from the printers, and some new projects afoot.
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Slightly Foxed Issue 48: From the Editors

Gail Pirkis & Hazel Wood

By now most of us have probably begun the often rather agonized run-up to Christmas – the worry about what to buy for whom and where to find it. For Slightly Foxed readers, we suspect books are likely to feature somewhere in that list. Quite recently we read a piece by The Times columnist Jenni Russell bemoaning the fact that so many disappointing books by well-known writers are ludicrously overpromoted these days. Publishing, she wrote, ‘doesn’t prioritize what’s good, it prioritizes what’s new’.

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Slightly Foxed Issue 49: From the Editors

Gail Pirkis & Hazel Wood

As everyone who lives here knows, spring in London doesn’t just signal daffodils in window boxes and budding trees in squares. It signals building projects. The whole city seems to be in a state of upheaval – ‘streets broken through and stopped; deep pits and trenches dug in the ground; enormous heaps of earth and clay thrown up . . . piles of scaffolding, and wildernesses of bricks’. That sounds like today, but in fact it’s Dickens in Dombey and Son describing the coming of the railway to Camden Town. London is forever changing and it’s certainly doing so now around the Slightly Foxed office in Hoxton Square – still fortunately a small haven of quiet, though only a few minutes’ walk from the gleaming office blocks of the new ‘Tech City’ rising around Old Street tube station . . .
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A Literary Love Affair

Maggie Fergusson, Preface to Helene Hanff, 84, Charing Cross Road

I thought I could never feel fond of Charing Cross Road. In 1988, when I was 23, I spent a miserable three months there doing a ‘Sight and Sound’ typing course on the bleak first floor of a building next to the Garrick Theatre. Secretarial instruction was delivered over headphones to classrooms full of women and as I tried to follow the disembodied tutorials my fingers kept slipping and jamming between the keys of a hefty, black manual typewriter.

20160301172916

The Sadness of Mrs Bridge

William Palmer on Evan S. Connell, Mrs Bridge

Mrs-Bridge---9780141198651

As a fan of early jazz, I’ve read a great deal about Kansas City as it was in the 1930s. A most attractive place it seems in retrospect, of twenty-four-hour drinking and gambling, to the accompaniment of wonderful music provided by young, prodigiously talented and mostly black instrumentalists and singers; a wide-open city ruled over by a corrupt mayor, Boss Pendergast, whose main duty seems to have been to keep the good times rolling . . .
20160420123126 Slightly Foxed Editions: Gerald Durrell, My Family & Other Animals

The Strawberry-Pink Villa

Gerald Durrell, My Family & Other Animals

The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuchsia hedges, had the flowerbeds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake’s head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles and circles, all overgrown with a shaggy tangle of flowers run wild.

20141201125900 Slightly Foxed Editions: Gerald Durrell, My Family & Other Animals

Paradise Regained

Simon Barnes, Preface to Gerald Durrell, My Family & Other Animals

Durrell

Every paradise is lost. That’s kind of the point. Loss is the diagnostic feature of every paradise ever lived or imagined. But for five miraculous years and 120,000 miraculous words Gerald Durrell sustained a vision of paradise with joy in every day and every page. Most evocations of paradise dwell on the eventual loss: not here. My Family and Other Animals is a tale of uninterrupted delight . . .

20160601124024

Wilder Shores

Richard Mabey on Lesley Blanch, Round the World in Eighty Dishes

I slipped into the world of Lesley Blanch’s swashbuckling cookbook, Round the World in Eighty Dishes (1955), before I’d even heard of it. It was the early ’60s, and I was on my first visit to Paris with friends from university. The city was sizzling in a July heatwave, and our host took us to an Arab quarter near St Michel, where we saw something extraordinary to our English eyes: people not just eating in the street but cooking in it.
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There was one day that fell in early December, more exciting than Christmas itself . . .

John Moore, Portrait of Elmbury

Always on this occasion my father’s firm provided sandwiches and drinks for all comers: dealers, smallholders, cowmen, shepherds, drovers. (The more substantial farmers were entertained to luncheon at the Swan.) Great were the preparations on the day before the market. Enormous joints sizzled in Old Cookie’s oven; baskets of loaves lay everywhere about the kitchen, huge pats of yellow butter, tongues, sausages, pasties. Maids were busy all day cutting sandwiches, which were piled on dishes and covered with napkins. There was an air of bustle and festivity all over the house . . .