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Slightly Foxed > Blog > Articles & Extracts
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Plain Jane? Plain Wrong

Daisy Hay on Jane Austen, Pride and Prejudice

There is nothing ‘common-place’ about Pride and Prejudice. It has a tightly woven, seductively intricate plot, which unfolds so delicately that the reader falls blindly into the traps of imperception set by the author, alongside that most perfect of imperfect heroines, Elizabeth Bennet. It has dialogue which sparkles and sings in the most extraordinary way, so that characters come alive in only a few words. It has a hero and heroine who fence and fight and fall in love . . .

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Ploughing On

Hazel Wood, Preface to Adrian Bell, The Cherry Tree

The writer Adrian Bell first arrived in Suffolk in 1920 – a delicate young would-be poet, fresh from public school at Uppingham and the polite drawing-rooms of Chelsea, under pressure from his father, who was news editor of the Observer, to get a proper job. He was, he says, ‘flying from the threat of office life’ when he first presented himself for work on the farm of an old-established farming family in the countryside near Bury St Edmunds.
20151213164349 Quentin Blake, Mr Fox - Travis Elborough, Roald Dahl, from Slightly Foxed Issue 24, Winter 2009

A Brush with the Law

Travis Elborough on Roald Dahl, Fantastic Mr Fox

I recall being mildly disappointed that the factory in Charlie and the Chocolate was not fashioned solely from chocolate. Now that literalism strikes me as peculiarly wonderful. And, in retrospect, it seems completely bound up in my enjoyment as a young boy of what was far and away my favourite Dahl title: Fantastic Mr Fox – a book that continues to colonize my consciousness, if in rather bastardized form.
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The Spell of Stout Angus

Robert Macfarlane on James Stout Angus, A Glossary of the Shetland Dialect

In a poem written near the end of his life, W. S. Graham imagined himself as a ‘wordy ghost’, ‘floating across the frozen tundra / of the lexicon and the dictionary’. Like Graham – like many people – I am also a ‘wordy ghost’, who loves haunting the pages of lexicons, dictionaries and glossaries. Unlike Graham I find the pages of such books to be not ‘frozen tundra’, sterile and barren – but fabulous forests, alive with delving word-roots and spreading canopies of connotation.
20170609145045 Slightly Foxed Paperback V. S. Pritchett, A Cab at the Door

Avid to Live and Learn

Anne Boston on V. S. Pritchett, A Cab at the Door

I shall always be grateful to A Cab at the Door. I read most of it one Sunday evening in a Victoria line tube train which was stuck for two hours outside King’s Cross station. The train lights dimmed and instead of the Blitz spirit a sullen, twitchy silence set in. I was spectacularly lucky in my companion. The sheer vigour of V. S. Pritchett’s writing and his benign, shrewd storyteller’s voice kept me suspended in his Edwardian boyhood until ‘the juice’, as the panic-stricken driver called it, came back on and we trundled away at last.
20170601163140 John Watson-Slightly Foxed Issue 54 From the Editors Illustration

Slightly Foxed Issue 54: From the Editors

Gail Pirkis & Hazel Wood

The trees are in full deep green leaf now, making a small oasis of Hoxton Square, while not fifty yards away the traffic roars past along Old Street. New regulations to cut down air pollution in London are on the way we learn, but now the fumes hang heavily in the summer air as we make for the office, dodging people coming in the other direction who seem to be talking to themselves but are actually on their mobile phones. As Jane Austen’s great hypochondriac Mr Woodhouse observes, ‘Nobody is healthy in London, nobody can be.’ For many of us these days it’s a hurrying, worrying world . . .
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At Home with the Cazalets

Sarah Perry on Elizabeth Jane Howard, The Cazalet Chronicles

‘All happy families resemble one another,’ said Tolstoy, rather sweepingly, ‘but each unhappy family is unhappy in its own way.’ The Anna Karenina principle has so long been taken for a truism one hesitates to disagree, but on reading Elizabeth Jane Howard’s Cazalet Chronicles it occurred to me that there’s no such thing as a happy family – how could there be? – and that if there were, it would be a most unsatisfactory subject for a novel.
20161102115420 Ysenda Maxtone Graham, Terms & Conditions, Plain Foxed Edition

Old Girls and Very Old Girls

Nicola Shulman, Preface to Ysenda Maxtone Graham Terms & Conditions: Life in Girls’ Boarding-Schools, 1939-1979

I went to a girls’ boarding-school in 1972. It was only for an afternoon. I’d been staying with a friend for half-term and we stopped on our way into London to drop her older sister back at school. I can’t remember which it was. Wycombe Abbey? Cobham Hall? Or Benenden, then of matchless fame for the education of Princess Anne? Though I’d never actually been inside a boarding-school, I knew all about them from books like Third Form at Malory Towers by the evidence-based historian, as I supposed she was, Enid Blyton.
20160108150929 ‘Something nasty in the woodshed’, by Mark Handley

Poste-Freudian Therapy

Michele Hanson on Stella Gibbons, Cold Comfort Farm

It is generally thought that Stella Gibbons was mocking Mary Webb’s Precious Bane when she wrote Cold Comfort Farm, but she was probably having a pop at all those purveyors of country hardship, sex, doom and slop, Hardy and Lawrence included. One can easily tire of the lush, dripping, thrusting, tragic, moist, fecund countryside, and long for a brisk young woman from the tough pavements of town like Flora Poste to come along and tidy things up a bit . . .
20160805163248 Anthony Rhodes, Sword of Bone, Slightly Foxed Editions

Hanging Out on the Maginot Line

Michael Barber, Preface to Anthony Rhodes, Sword of Bone

In 1989 I was commissioned to write and present a programme about the Phoney War for BBC Radio 4. My research took me to the Imperial War Museum’s sound archives and the testimony of a Dunkirk veteran called Anthony Rhodes, who was commissioned into the Royal Engineers shortly before Britain declared war on Nazi Germany in September 1939. At that stage I’d no idea Rhodes had written a book about his experiences, but what he had to say on tape was exemplary . . .
20160902123703 From the Editors, Slightly Foxed Issue 51, Autumn 2016

Slightly Foxed Issue 51: From the Editors

Gail Pirkis & Hazel Wood

After the events of the past few months, we must admit that, though extremely cheerful and optimistic, we’re also feeling a bit ruminative here in the office. Somehow the timeless and civilizing things we hope Slightly Foxed stands for seem more important than ever at a moment of change like this. We hope, anyway, that with the arrival of this autumn issue you can relax, draw the curtains – actual or metaphorical – and, as one of our American readers recently described it, ‘breathe a sigh of relief and slip into a world of thoughtfulness and good humor’.
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Slightly Foxed Issue 50: From the Editors

Gail Pirkis & Hazel Wood

We had quite a celebration for our tenth anniversary in 2014 and now this summer we’ve reached what feels to us like another significant milestone – our 50th issue. You could say Slightly Foxed has reached middle age, but it still has a spring in its step and we enjoy putting it together as much now as we did when four of us sat round the kitchen table (one of us holding a baby who is now at secondary school) and planned the first issue . . .
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Happy Ever After

Daisy Hay on Daisy Ashford, The Young Visiters

The Young Visiters was published in 1919 but written in 1890, when its author was 9. It appeared with a Preface by J. M. Barrie and with the manuscript’s many spelling mistakes faithfully reproduced. Within two years it had sold 230,000 copies, given rise to a stage play, and caused a rumpus in literary London. It has never been out of print since. This is an exceptional record for a slight work. Why was The Young Visiters so popular and why does it endure?
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Kindred Spirits

Liz Robinson on Anne Fadiman, Ex Libris: Confessions of a Common Reader

Do you treasure ancient paperbacks, spines gone, pages browning, brittle and crumbling, held together (or not quite) with perished elastic bands, simply because you also treasure the memories they evoke as much by their physical appearance as by their contents?

Do you treasure ancient paperbacks, spines gone, pages browning, brittle and crumbling, held together (or not quite) with perished elastic bands, simply because you also treasure the memories they evoke as much by their physical appearance as by their contents? . . .
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An unchanging ritual . . .

Ted Walker, The High Path

When he came home of an evening, we went through an unchanging ritual. Hanging on the gate, I could tell the shape of him as he cruised the last half-mile along the Brighton Road on the Ariel. Just our side of Chandler’s Corner he would switch off the petrol for the sake of economy and freewheel silently the rest of the way, having judged his impetus so exactly that the merest touch of the brakes would halt him after the front wheel bumped over the kerb. The bike would be wheeled into the outhouse, suddenly full of the stirring odour of hot oil and the clicking of cooling metal. And then, in the kitchen, even had I been blindfolded, I could have recognised him; for he brought into the house an entire anthology of smells I associated with nobody else . . .

20150901173006 SLIGHTLY FOXED EDITIONS No. 31 THE HOUSE OF ELRIG Gavin Maxwell

Mowgli with a Gun

Galen O'Hanlon, Preface to Gavin Maxwell, The House of Elrig

A few months before his thirteenth birthday, the young and miserable Gavin Maxwell crept out of St Wulfric’s prep school to send a ‘thoroughly hysterical’ letter to his mother. At the end of it he wrote, ‘For God’s sake take me away from this awful place.’ She answered his plea, and he was whisked away in the middle of the Spring term, ‘a quaking jelly of misery and self-pity’. He went straight home, to the House of Elrig – the house he grew up in on the edge of the vast Monreith estate in Galloway, surrounded by woods and peat bogs and heather. I was also a quaking jelly at school. I would long for the holidays, when we would pack up and drive to Scotland, to be dragged through ever thicker rain in search of ever rarer birds. My friends saw the sun in August. I saw the Shetland wren. So I find Maxwell’s books deeply comforting: none more so than The House of Elrig (1965), which describes in lucid detail the impossible social awkwardness of school, and the irresistible freedom of the natural world . . .
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Curiouser and Curiouser

Brandon Robshaw on Robert Aickman

All of Aickman’s tales (he wrote 48 in all) include some kind of supernatural element. ‘Pages from a Young Girl’s Journal’ is a vampire story, ‘Ringing the Changes’ is a zombie story, others feature ghostly visitants of various kinds. But that in itself is not what is strange about them. The characters are strange. The events are strange. The scenarios are strange. It’s hard to convey the special, unsettling atmosphere of Aickman’s work to anyone who isn’t acquainted with it; but let me try . . .
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Surprised by Joy

Jonathan Law on The Diaries of Sylvia Townsend Warner

It’s always strange to think how easily you might not have met that someone: a bus that arrived on time, or a last drink at the bar, and it might all have been quite different. Our meetings with books can be equally subject to fluke. I was in the queue at Barter Books in Alnwick, a clutch of holiday reading under my arm, when for no reason at all I picked up a green Virago paperback: The Diaries of Sylvia Townsend Warner
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Slightly Foxed Issue 47: From the Editors

Gail Pirkis & Hazel Wood

It’s hard to believe autumn is here already. But the days are shortening, the air is growing brisker, and gradually the city is coming to life again as people trickle back after the long summer break. London is back in business, and it’s all go here in the Slightly Foxed office, with the latest of the Slightly Foxed Editions and Slightly Foxed Cubs arriving from the printers, and some new projects afoot.
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A Literary Love Affair

Maggie Fergusson, Preface to Helene Hanff, 84, Charing Cross Road

I thought I could never feel fond of Charing Cross Road. In 1988, when I was 23, I spent a miserable three months there doing a ‘Sight and Sound’ typing course on the bleak first floor of a building next to the Garrick Theatre. Secretarial instruction was delivered over headphones to classrooms full of women and as I tried to follow the disembodied tutorials my fingers kept slipping and jamming between the keys of a hefty, black manual typewriter.

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Evasions and Deceits

Peter Parker, Preface to Diana Petre, The Secret Orchard of Roger Ackerley

Among the small horde of papers Diana Petre left me as her literary executor when she died in 2001 was a folder labelled: ‘Excuses. Lies. Evasions. Deceits.’ I thought at first that it might contain further notes about her mother, whose unhappy story is so brilliantly told in The Secret Orchard of Roger Ackerley and whose attempts to hold on to her many secrets involved all these ploys. In fact, it merely contained material Diana had collected for an anthology she once thought of compiling about the ways in which people get out of awkward or unwanted social engagements . . .
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Slightly Foxed Issue 48: From the Editors

Gail Pirkis & Hazel Wood

By now most of us have probably begun the often rather agonized run-up to Christmas – the worry about what to buy for whom and where to find it. For Slightly Foxed readers, we suspect books are likely to feature somewhere in that list. Quite recently we read a piece by The Times columnist Jenni Russell bemoaning the fact that so many disappointing books by well-known writers are ludicrously overpromoted these days. Publishing, she wrote, ‘doesn’t prioritize what’s good, it prioritizes what’s new’.

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Slightly Foxed Issue 49: From the Editors

Gail Pirkis & Hazel Wood

As everyone who lives here knows, spring in London doesn’t just signal daffodils in window boxes and budding trees in squares. It signals building projects. The whole city seems to be in a state of upheaval – ‘streets broken through and stopped; deep pits and trenches dug in the ground; enormous heaps of earth and clay thrown up . . . piles of scaffolding, and wildernesses of bricks’. That sounds like today, but in fact it’s Dickens in Dombey and Son describing the coming of the railway to Camden Town. London is forever changing and it’s certainly doing so now around the Slightly Foxed office in Hoxton Square – still fortunately a small haven of quiet, though only a few minutes’ walk from the gleaming office blocks of the new ‘Tech City’ rising around Old Street tube station . . .
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The Sadness of Mrs Bridge

William Palmer on Evan S. Connell, Mrs Bridge

Mrs-Bridge---9780141198651

As a fan of early jazz, I’ve read a great deal about Kansas City as it was in the 1930s. A most attractive place it seems in retrospect, of twenty-four-hour drinking and gambling, to the accompaniment of wonderful music provided by young, prodigiously talented and mostly black instrumentalists and singers; a wide-open city ruled over by a corrupt mayor, Boss Pendergast, whose main duty seems to have been to keep the good times rolling . . .
20160420123126 Slightly Foxed Editions: Gerald Durrell, MY FAMILY AND OTHER ANIMALS

The Strawberry-Pink Villa

Gerald Durrell, My Family & Other Animals

The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuchsia hedges, had the flowerbeds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake’s head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles and circles, all overgrown with a shaggy tangle of flowers run wild.

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Paradise Regained

Simon Barnes, Preface to Gerald Durrell, My Family & Other Animals

Durrell

Every paradise is lost. That’s kind of the point. Loss is the diagnostic feature of every paradise ever lived or imagined. But for five miraculous years and 120,000 miraculous words Gerald Durrell sustained a vision of paradise with joy in every day and every page. Most evocations of paradise dwell on the eventual loss: not here. My Family and Other Animals is a tale of uninterrupted delight . . .

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Wilder Shores

Richard Mabey on Lesley Blanch, Round the World in Eighty Dishes

I slipped into the world of Lesley Blanch’s swashbuckling cookbook, Round the World in Eighty Dishes (1955), before I’d even heard of it. It was the early ’60s, and I was on my first visit to Paris with friends from university. The city was sizzling in a July heatwave, and our host took us to an Arab quarter near St Michel, where we saw something extraordinary to our English eyes: people not just eating in the street but cooking in it.
20170116121051 Diary of a Nobody, George and Weedon Grossmith

At Home with the Pewters

Antony Wood on George & Weedon Grossmith, Diary of a Nobody

I’m bound to admit that some of the experiences, and also, for heavens’ sake, the attitudes of the ‘pathetic ass who records his trivial life’ (as William Emrys Williams put it in his introduction to the Penguin edition of 1945), seem embarrassingly close to my own. Mr Pooter may have lived more than a hundred years ago – just up the road from where I live now, as it happens, in a house, er, rather similar to mine – but his psychology is timeless.
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There was one day that fell in early December, more exciting than Christmas itself . . .

John Moore, Portrait of Elmbury

Always on this occasion my father’s firm provided sandwiches and drinks for all comers: dealers, smallholders, cowmen, shepherds, drovers. (The more substantial farmers were entertained to luncheon at the Swan.) Great were the preparations on the day before the market. Enormous joints sizzled in Old Cookie’s oven; baskets of loaves lay everywhere about the kitchen, huge pats of yellow butter, tongues, sausages, pasties. Maids were busy all day cutting sandwiches, which were piled on dishes and covered with napkins. There was an air of bustle and festivity all over the house . . .