A Whole World of Good Reading

Paula Byrne, author of The Adventures of Miss Barbara Pym, and Lucy Scholes, critic, Paris Review columnist and editor at McNally Editions, join the Slightly Foxed team to plumb the depths and scale the peaks of Barbara Pym’s writing, life and loves. From Nazi Germany to the African Institute; from London’s bedsit land to parish halls; from unrequited love affairs with unsuitable men to an epistolary friendship with Philip Larkin; and from rejection by Jonathan Cape to overnight success via the TLS, we trace Pym’s life through her novels, visiting the Bodleian and Boots lending libraries along the way. There’s joy in Some Tame Gazelle, loneliness in Quartet in Autumn, and humour and all human experience in between, with excellent women consistently her theme.

The farmer-cum-writer Adrian Bell is best-known for his rural trilogy of Suffolk farming life, Corduroy, Silver Ley and The Cherry Tree. To explore Bell’s life and writing the Slightly Foxed editors are joined by Richard Hawking, chairman of the Adrian Bell Society, author of At the Field’s Edge: Adrian Bell and the English Countryside and editor of A Countryman’s Winter Notebook, a selection of Bell’s newspaper columns. From the pride of the wagon maker, the repeal of the corn act in the 1920s and the heartbreak of farmers going bankrupt to his bohemian mother making butter, his friend John Nash illustrating Men and the Fields and Second World War soldiers packing Corduroy in their kit bags, we learn that Bell is the perfect writer to reconnect people with the land, one whose work still feels relevant today.

And in our usual round-up of recommended reading we enter Walter de la Mare’s dreams, explore Shackleton’s Antarctica and visit Catherine Fox’s fictional Lindchester, the setting for her glorious twenty-first-century Trollopian tales.

In the spirit of Plato’s Symposium, the Slightly Foxed team enter into lively dialogue with Tom Hodgkinson of the Idler and Harry Mount of the Oldie, and learn lessons from notable loafers in literature. We begin with Doctor Johnson, an icon of indolence who wrote an essay called ‘The Idler’ and liked time to ponder; this lazy lexicographer claimed his dictionary would take three years to write when in fact it would take nine . . .

We enjoy a leisurely spell with loungers in fiction, visiting Lady Bertram and her pug in Mansfield Park, taking to Lady Diana Cooper’s bed in A Handful of Dust, retreating to Aunt Ada Doom’s room in Cold Comfort Farm, settling into the quiet comfort of Mycroft Holmes’s Diogenes Club and meeting Thomas Love Peacock’s Honourable Mr Listless along the way. And, to finish, there are the usual wide-ranging reading recommendations for when you have an idle moment.

Booze as muse or a sure road to ruin? In this month’s episode, William Palmer – author of In Love with Hell: Drink in the Lives and Work of Eleven Writers – and Henry Jeffreys – author of Empire of Booze and The Cocktail Dictionary – join the Slightly Foxed team to mull over why alcohol is such an enduring feature in literature.

From the omnipresence of cocktails in John Cheever’s short stories and ritual aperitifs in Patricia Highsmith’s Ripley novels to Mr Picksniff falling into Mrs Todger’s fireplace in Martin Chuzzlewit and P. G. Wodehouse’s hangover remedies for booze-soaked Bertie Wooster, drinks are social signifiers in fiction. Charles Dickens was fond of sherry cobblers and Jean Rhys knocked back Pernod in Paris, while Malcolm Lowry was a dipsomaniac and Flann O’Brien dreamed up alcoholic ink for the Irish Times, rendering readers drunk from fumes. We ask why gin denotes despair and port is always jovial, and question whether hitting the bottle helps or hinders the creative process in writers.