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Slightly Foxed > Blog > Cover Artists
20180522121153 Cover illustration by Debbie George Debbie George has been a painter for over twenty years. Her work is a celebration of her passion for flowers and the objects with which she surrounds herself. She finds inspiration in many forms, ranging from ceramics and plants to books and wallpaper, textiles and landscape. Assembling flowers or objects within the foreground of a painting and setting them against a variety of backdrops, Debbie builds up layers of paint that create a wonderful luminosity and depth. For more of her work see www.debbiegeorge.co.uk.

Cover Artist: Issue 58, Debbie George, Forget me not

Debbie George has been a painter for over twenty years. Her work is a celebration of her passion for flowers and the objects with which she surrounds herself. She finds inspiration in many forms, ranging from ceramics and plants to books and wallpaper, textiles and landscape. Assembling flowers or objects within the foreground of a painting and setting them against a variety of backdrops, Debbie builds up layers of paint that create a wonderful luminosity and depth.
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Cover Artist: Issue 55, Jemma Lewis, Hand-marbled paper, ‘Bloomsbury Blue & Orange Botanical’

After graduating in Textile Art in Norwich Jemma Lewis worked for several years at a local bookbinding firm where she became fascinated with the marbled papers found on the binding of antiquarian books. She set up her own marbling business in 2009 and now works with her husband Craig in a purpose-built log cabin in their garden in Wiltshire. Their marbled papers are created by using traditional techniques, floating gouache paints on to a ‘size’ of carragheen moss, an Irish seaweed. They produce collections of both traditional and contemporary marbled papers, and often combine the two, using a modern-day palette to update historic designs.
20161201111013 Cover illustration: Mark Hearld, ‘Papercut Foxes’, screen print

Cover Artist: Issue 52, Mark Hearld, ‘Papercut Foxes’

Born in 1974, Mark Hearld studied illustration at Glasgow School of Art and then completed an MA in Natural History Illustration at the Royal College of Art. Taking his inspiration from the flora and fauna of the British countryside, he works across a number of mediums, producing limited-edition lithographic and linocut prints, paintings, collages and hand-painted ceramics. He has completed commissions for Faber & Faber, Tate Museums and Walker Books. In 2012 Merrell Books published Mark Hearld’s Work Book – the first book devoted to Mark’s work.
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Cover Artist: Issue 51, Olivia Lomenech Gill, ‘Vasalisa’s Garden’

Olivia is a professional artist. In recent years she has also worked on illustration after being commissioned to design and illustrate a book for Michael and Clare Morpurgo with Templar Publishing. This was shortlisted for the Kate Greenaway Medal in 2014 and nominated for the International Biennale of Illustration in Bratislava. Olivia lives and works in Northumberland, with her husband, a paper conservator, with whom she shares a dedicated print and conservation studio.