The Completely Foxed Collection (2004–2024)
Slightly Foxed Issue 83 | Autumn 2024
Slightly Foxed Issue 82 (June 2024)
From the Editors | Slightly Foxed Issue 81
Slightly Foxed Issue 80, Winter 2023
From the Editors, Gail Pirkis, Hazel Wood, Slightly Foxed Issue 79
Slightly Foxed Issue 78, Summer 2023
Slightly Foxed Issue 77, Spring 2023
Slightly Foxed Issue 76, Winter 2022
Slightly Foxed Issue 75, Autumn 2022
Slightly Foxed Issue 74, Summer 2022
Slightly Foxed Issue 73, Spring 2022
Book Recommendations | Slightly Foxed Issue 72, Winter 2021
Slightly Foxed Issue 71 Autumn 2021
Slightly Foxed Issue 70 Summer 2021
Slightly Foxed Issue 69 Spring 2021
Slightly Foxed Issue 68
Slightly Foxed Issue 67
Slightly Foxed Issue 66
Slightly Foxed Issue 65
Slightly Foxed 64 Seren Bell
Slightly Foxed Issue 63
Slightly Foxed Issue 62
Slightly Foxed Issue 61
Slightly Foxed Literary Magazine Issue 60
Slightly Foxed Issue 59
Cover Artist: Issue 52, Mark Hearld, ‘Papercut Foxes’, screen print Born in 1974, Mark Hearld studied illustration at Glasgow School of Art and then completed an MA in Natural History Illustration at the Royal College of Art. Taking his inspiration from the flora and fauna of the British countryside, he works across a number of mediums, producing limited-edition lithographic and linocut prints, paintings, collages and hand-painted ceramics. He has completed commissions for Faber & Faber, Tate Museums and Walker Books. In 2012 Merrell Books published Mark Hearld’s Work Book – the first book devoted to Mark’s work. For a selection of Mark’s limited-edition prints visit www.stjudesprints.co.uk.
Mark Hearld, ‘Papercut Foxes’, screen print Born in 1974, Mark Hearld studied illustration at Glasgow School of Art and then completed an MA in Natural History Illustration at the Royal College of Art. Taking his inspiration from the flora and fauna of the British countryside, he works across a number of mediums, producing limited-edition lithographic and linocut prints, paintings, collages and hand-painted ceramics. He has completed commissions for Faber & Faber, Tate Museums and Walker Books. In 2012 Merrell Books published Mark Hearld’s Work Book – the first book devoted to Mark’s work. For a selection of Mark’s limited-edition prints visit www.stjudesprints.co.uk.
Cover Artist: Issue 50, Clare Halifax, Whitstable Lifeguard, print Clare Halifax has a BA Hons in printed textile design and an MA in multi-disciplinary printmaking. The inspiration for her work comes from the buildings that surround her and nostalgic reminiscences of places and items of interest. Within each image, design, pattern and colour play an important part, adding depth and decoration to build an aesthetically pleasing overall effect. To see more of her work visit www.clarehalifax.com.
Cover Artist: Issue 49, Rosie Sanders, ‘Dandelions and other flowers’ Rosie Sanders is a painter and printmaker specializing in plants. Her often bold and powerful watercolours of flowers express life and energy and sometimes fragility, not just depiction or imitation. She exhibits regularly with Jonathan Cooper of Park Walk Gallery in London. She is based in Devon.
Cover Artist: Issue 48, Sarah Woolfenden, ‘River in Winter’ Sarah Woolfenden trained at The Slade and taught art for many years. Now based in north Devon and a member of the South West Academy she draws large pictures of trees and woods in fine pen. To see more of Sarah’s work, which is available as prints and cards, visit www.sarahwoolfenden.co.uk.
Slightly Foxed Issue 47, Gail Brodholt, ‘Autumn’ Gail Brodholt is a painter and linocut printmaker of the contemporary urban landscape. Much of her work depicts the London transport network and the journeys made across the city on tubes and trains. She is a Fellow of the Royal Society of Painter-Printmakers and a recipient of many awards and prizes. She works full-time from her studio in Woolwich, South London. To see more of her work visit her website: www.gailbrodholt.com.
Slightly Foxed Issue 46, James B. W. Weston, ‘Summer Riverbank’ James B. W. Lewis is a printmaker and illustrator based in London. He makes relief prints and drawings inspired by nature, history and literature. Recent clients include the Oxford American and Caught by the River. More examples of his work and prints for sale can be seen at www.jwestonlewis.co.uk.
Slightly Foxed Issue 45, Andrew Gifford, ‘Arundel Cathedral, early evening light’ Born in Middlesbrough in 1970, Andrew Gifford is now recognized as one of the most innovative landscape painters working today. His paintings and light installations have been widely exhibited, including many solo public shows. His work is in the New Art Gallery, Walsall, and Chatsworth House, and in private collections in Europe, America and Asia. For more details visit www.jmlondon.com.
Slightly Foxed Issue 44, Mary Sumner, ‘Sheep in Frost’ Mary Sumner is an artist and printmaker who lives and works in mid-Devon. Her work is rooted in her love for the English countryside and the creatures that inhabit it. Observations from her daily walks inspire her paintings, and plants, seascapes and gardens are also recurring themes. Her work can be seen in galleries throughout the UK and on her website: www.marysumner.com.
Slightly Foxed Issue 43, Pam Grimmond, ‘Weathervane’ Pam Grimmond is an artist and printmaker who lives and works in North Yorkshire. She is fascinated by architecture and attracted by the quirky elements of buildings such as turrets, domes and weathervanes. Birds and the natural forms of trees and plants seen on walks around her home are a constant source of inspiration. She exhibits her work regularly in galleries throughout the UK. See www.pamgrimmond.co.uk.
Slightly Foxed Issue 42, George Devlin, ‘Searing Heat: Baumes de Venise’ George Devlin was a Glasgow-based artist who exhibited internationally and whose work is represented in civic, corporate and private collections worldwide, in addition to the Scottish National Gallery of Modern Art and the National Portrait Gallery of Scotland. For more about George’s work please contact the Portland Gallery: edh@portlandgallery.com.
Slightly Foxed Issue 40, Chris Corr, ‘Now We Are Ten’ Christopher Corr’s painting is inspired by his travels around the globe. Vivid colours and city scenes are what excite him. Recent commissions include a series of portraits of the Shard for the Shard, paintings about fish for the restaurant Kensington Place in Notting Hill and book illustrations for the Folio Society and Andersen Press. More examples of his work can be seen atwww.christophercorr.com and www.rowleygallery.com
Cover Art: Slightly Foxed Issue 39, Janet Brooke, ‘Telephone, telephone’ Janet Brooke is a printmaker with a passion for the city. Her work encompasses the urban environment in all its many forms: from the grand panoramic view to the minutiae of the street, with a particular penchant for the seemingly unremarkable and ephemeral aspects of city life. For more about her work see www.janetbrooke.com.
Cover Art: Slightly Foxed Issue 38, Emily Sutton, ‘Country Show’ Emily Sutton is an artist and illustrator who lives and works in York. She has illustrated children’s books for the Victoria and Albert Museum and Walker Books, and has worked on projects for Bettys and Taylors, Random House, Penguin Books and Hermes among others. She especially enjoys drawing interesting junk-shop finds and shop fronts. For more examples of her work see www.emillustrates.com
Cover Art: Slightly Foxed Issue 21, Francis Farmar, ‘Fox and Steam Train Francis Farmer describes himself as a painter of places. His work gives contemporary flavour to ‘prospect’ pictures, which bend and stretch the landscape it in order to describe more than can be seen from a single earth-bound viewpoint. www.francisfarmar.com
Cover Art: Slightly Foxed Issue 34, Ed Kluz, ‘The Silver Fox’ Ed Kluz was raised in the Yorkshire Dales and now lives in Brighton. He studied painting at the Winchester School of Art. He is a printmaker, illustrator, painter and designer, and finds inspiration in the historical objects, buildings, landscape and folklore of Britain. His eyes look into the past but his feet are firmly in the present: www.edkluz.co.uk
Cover Art: Slightly Foxed Issue 33, Andy Lovell, ‘Creek’ For the last 20 years Andy Lovell has enjoyed a successful career as an illustrator. He has also had regular exhibitions of his printmaking, which has now become the main focus of his work. Drawing and painting from life form the starting-point for his images, which are then honed, simplified and transformed through silkscreen and monoprint. For further details see www.andylovell.com
Cover Art: Slightly Foxed Issue 32, Alice Tait, ‘Gloucester Road in the Snow’ Alice Tait graduated from Bath Spa University in 2002 and has been working as an illustrator ever since. Her clients have included, among others, The Times, Vogue and Waitrose. She also has her own online print shop at www.alicetaitshop.com
Cover Art: Slightly Foxed Issue 31, Robert Field, ‘White Moon’ Robert Field is a mosaicist whose work has appeared in many exhibitions in both Britain and France. He is also the author of a number of highly successful books which have been used for creative design and is a founder member of the British Association for Modern Mosaic (BAMM). His work can be seen at www.robert field.co.uk and at the Quarr Gallery: www.quarrart.com
Cover Art: Slightly Foxed Issue 30, Emily Burningham, ‘Beach Huts’ Emily Burningham studied at Central St Martin’s College of Art and Design. Her design business was established in 2005 and now produces textiles and stationery. For more details and examples of her work visit www.emilyburningham.com
Cover Art: Slightly Foxed Issue 29, Rebecca Campbell, ‘The Foragers’ Rebecca Campbell’s work has been described as ‘quintessentially English’ but is influenced by an eclectic source of material ranging from Indian Mogul miniatures and Persian textiles to medieval tapestries. She is represented by Jonathan Cooper, Park Walk Gallery, London: www.jonathancooper.co.uk
Cover Art: Slightly Foxed Issue 28, Howard Phipps, ‘Downs in Winter’ Howard Phipps is a painter and printmaker with a special interest in wood-engraving, a medium in which he is now acknowledged as a leading exponent; the British Museum acquired twelve of his engravings for its collection in 2009. For further information he can be contacted on 01722 718294, and more of his work can be seen at the Rowley Gallery: www.rowleygallery.co.uk
Cover Art: Slightly Foxed Issue 27, Angie Lewin, ‘Midnight Garden’ Angie Lewin studied printmaking at Central St Martin’s College of Art and Design and at the Camberwell School of Arts and Crafts. Her limited-edition linocut, wood-engraving, lithograph and screen prints are inspired by skeletal plant forms seen against the sea and sky of North Norfolk and the Scottish Highlands. Her work can be seen at www.angielewin.co.uk
Cover Art: Slightly Foxed Issue 26, Leon Morrocco, ‘Blue Temple, Madurai’ Leon Morrocco’s work can be found in many notable public and private collections, including the Scottish National Gallery of Modern Art, the Scottish Arts Council, the Leeds Art Gallery, the Nuffield Foundation and the Queensland Art Gallery. For more information contact the John Martin Gallery: www.jmlondon.com ..
Cover Art: Slightly Foxed Issue 25, Simon Palmer, ‘Braithwaite Lane’ (detail) Simon Palmer’s watercolours have been widely exhibited in one-man and group exhibitions for thirty years. More of his work can be seen at www.jhwfineart.com
Cover Art: Slightly Foxed Issue 24, Quentin Blake, ‘Slightly Foxed’ Quentin Blake has drawn ever since he can remember. Now in his seventies he is recognized, according to the Guardian, as a ‘national institution’.
Cover Art: Slightly Foxed Issue 23, Gary Bunt, ‘Home’ Gary Bunt is represented by the Portland Gallery, 8 Bennet Street, London SW1A 1uRP. Gary’s work can also be seen on the gallery’s website: www.portlandgallery.com
Cover Art: Slightly Foxed Issue 22, Simon Laurie, ‘Greek Boat’: Simon Laurie trained at the Glasgow School of Art and is a member of the Royal Scottish Society of Watercolourists and the Royal Glasgow Institute of the Fine Arts. He has won many awards and his work is in a number of public collections.
Cover Art: Slightly Foxed Issue 21, Francis Farmar, ‘Fox and Steam Train Francis Farmer describes himself as a painter of places. His work gives contemporary flavour to ‘prospect’ pictures, which bend and stretch the landscape it in order to describe more than can be seen from a single earth-bound viewpoint. www.francisfarmar.com
Cover Art: Slightly Foxed Issue 20, Susan Brown, ‘St Paul’s’ Susan Brown’s studies of European cities are an essay in investigating and capturing ‘spirit of place’, an exploration of the creative relationship between peoples and buildings which reflects the triumphs, and sometimes the pitfalls, of European civilization: www.susanbrownstudio.co.uk
Cover Art: Slightly Foxed Issue 19, ‘Vulpes Major’ contributor to Slightly Foxed but is officially retired and doesn’t wish to be promoted . . .
Cover Art: Slightly Foxed Issue 18, Cyril Edward Power, ‘The Eight’ Linocut by Cyril Edward Power (1872–1951), reproduced courtesy of the Estate of Cyril Edward Power and the Redfern Gallery.
Cover Art: Slightly Foxed Issue 17, James Nunn, ‘with apologies to Eric Ravilious ’ James Nunn burst on to the illustration scene with the panda on Lynne Truss’s bestselling Eats, Shoots & Leaves. He can also draw foxes and elephants, all of which can be seen at www.jamesnunn.co.uk
Cover Art: Slightly Foxed Issue 16, Posy Simmonds, ‘Fireside Reading’ Posy Simmonds lives and works in London. Her graphic novel Tamara Drewe was published in November 2009 and in 2010 the story was adapted as a feature film.
Cover Art: Slightly Foxed Issue 15, Shazia Mahmood, ‘Loch Eishort ’ Shazia Mahmood uses a variety of tools, to create organic and unplanned images. She often paints landscapes while on location. More of her work can be found at www.shaziamahmood.com.
Cover Art: Slightly Foxed Issue 14, Simon Dorrell, ‘Foxgloves’ Simon Dorrell is a freelance illustrator, principally of books and periodicals; a painter of landscapes and interiors in oils and in watercolour; a designer of gardens in the Arts & Crafts tradition; and art editor and co-publisher of the quarterly journal Hortus: www.hortus.co.uk
Cover Art: Slightly Foxed Issue 13, Susan Leiper, ‘Spring Garden’ Susie Leiper is a freelance calligrapher in Edinburgh. Oriental, especially Chinese, art influences most of her work: the poetry on the cover is by the 20th-century Chinese poet Mu Dan, and the garden is inspired by Japanese paste-resist textiles. Susie is a Fellow of the Society of Scribes and Illuminators.
Cover Art: Slightly Foxed Issue 12, John Caple, ‘Old Jack Frost the Almanac Seller’ John Caple lives and paints in the Mendips in North Somerset. He exhibits regularly with the John Martin Gallery, London and his work can be seen on the gallery’s website www.jmlondon.com
Cover Art: Slightly Foxed Issue 11, John Holder, ‘with apologies to Gainsborough’ John Holder was born in 1941 in Baldwell Ash, Suffolk, and studied at the Cambridge School of Art. His work has been published in books and periodicals worldwide and he has exhibited his travel drawings in London and Dubrovnik.
Toni McGreachan is a practising and exhibiting artist based in London. The image on the cover is a detail from a painting entitled Refreshment made during her residency at Tooting Bec Lido. To see further works by Toni and for contact details visit: www.newbritishartists.co.uk
Cover Art: Slightly Foxed Issue 9, Emma McClure, ‘Chickens’ Emma McClure trained as a painter at Winchester and Chelsea Schools of Art and now lives and works in London. She exhibits regularly and has had several successful one-person exhibitions at the Cadogan Contemporary Gallery. She can be contacted on: 07748 408937 or emmamcclure@hotmail.com
over Art: Slightly Foxed Issue 8, Sue Macartney-Snape, ‘Slightly Foxed’ Sue Macartney-Snape was born in Tanganyika, educated in Australia and now lives in London. She has had several sell-out exhibitions of her work and has been acclaimed as the Wodehouse of Art. Prints of her work are available from SMS Editions, tel: 01256 884043.
Cover Art: Slightly Foxed Issue 7, Hannah Firmin, ‘Autumn’ Since leaving the Royal College of Art Hannah has worked as a freelance illustrator and printmaker for a wide range of clients. In 2004, her cover for Alexander McCall Smith’s The No.1 Ladies’ Detective Agency was named ‘Book Cover of the Year’ at the British Book Awards. More of her work can be seen at: www.hannahfirmin.com
Cover Art: Slightly Foxed Issue 6, Ben McLaughlin, ‘Shadow Fox’ Ben McLaughlin was born in London in 1969, studied at Central St Martin’s School of Art and has been exhibited for the past seven years by Wilson Stephens Fine Art. His work is in both private and corporate collections in Britain, Europe, the USA and the Far East. His paintings can be viewed on www.wilsonstephens.com
Cover Art: Slightly Foxed Issue 5, Linda Scott, ‘Slightly Foxed’ An established illustrator, Linda Scott has enjoyed working for a variety of clients since graduating from the Royal College of Art in 1998. She also teaches at the London University of Arts and at Falmouth College of Arts.
Cover Art: Slightly Foxed Issue 4, Ronald Searle, ‘Foxed throughout’ Reproduced by kind permission of the artist and The Sayle Literary Agency, and taken from the book Slightly Foxed – But Still Desirable: Ronald Searle’s Wicked World of Book Collecting.
Cover Art: Slightly Foxed Issue 3, Jonny Hannah, ‘Foxed Brand Fireworks’ Born and bred in the kingdom of Fife, Jonny Hannah now works as an illustrator in Southampton, but remembers occasionally to have the odd whisky. He publishes his own limited-edition books and posters with the Cakes & Ale Press, a cottage industry of some repute. His obsessions include Hank Williams and Rocket Man, and he sometimes wears co-respondent shoes.
Cover Art: Slightly Foxed Issue 2, Tsugumi Ota, ‘Bathers’ Tsugumi Ota is a Japanese artist based in London. Her main media are stone and marble sculptures, woodcuts and drawings. Often inspired by myths, poems and classical writings, Tsugumi’s images are striking and original.
Cover Art: Slightly Foxed Issue 1, Christopher Corr, ‘Slightly Foxed’ Christopher Corr is a painter and illustrator based in London. He has a strong interest in architecture, and his work is often inspired by his extensive travels to other cities. Colour is very important in his paintings, which are done on hand-made Indian and Italian paper. www.christophercorr.com
  • The Completely Foxed Collection (2004–2024)
  • Slightly Foxed Issue 83 | Autumn 2024
  • Slightly Foxed Issue 82 (June 2024)
  • From the Editors | Slightly Foxed Issue 81
  • Slightly Foxed Issue 80, Winter 2023
  • From the Editors, Gail Pirkis, Hazel Wood, Slightly Foxed Issue 79
  • Slightly Foxed Issue 78, Summer 2023
  • Slightly Foxed Issue 77, Spring 2023
  • Slightly Foxed Issue 76, Winter 2022
  • Slightly Foxed Issue 75, Autumn 2022
  • Slightly Foxed Issue 74, Summer 2022
  • Slightly Foxed Issue 73, Spring 2022
  • Book Recommendations | Slightly Foxed Issue 72, Winter 2021
  • Slightly Foxed Issue 71 Autumn 2021
  • Slightly Foxed Issue 70 Summer 2021
  • Slightly Foxed Issue 69 Spring 2021
  • Slightly Foxed Issue 68
  • Slightly Foxed Issue 67
  • Slightly Foxed Issue 66
  • Slightly Foxed Issue 65
  • Slightly Foxed 64 Seren Bell
  • Slightly Foxed Issue 63
  • Slightly Foxed Issue 62
  • Slightly Foxed Issue 61
  • Slightly Foxed Literary Magazine Issue 60
  • Slightly Foxed Issue 59
  • Cover Artist: Issue 52, Mark Hearld, ‘Papercut Foxes’, screen print Born in 1974, Mark Hearld studied illustration at Glasgow School of Art and then completed an MA in Natural History Illustration at the Royal College of Art. Taking his inspiration from the flora and fauna of the British countryside, he works across a number of mediums, producing limited-edition lithographic and linocut prints, paintings, collages and hand-painted ceramics. He has completed commissions for Faber & Faber, Tate Museums and Walker Books. In 2012 Merrell Books published Mark Hearld’s Work Book – the first book devoted to Mark’s work. For a selection of Mark’s limited-edition prints visit www.stjudesprints.co.uk.
  • Mark Hearld, ‘Papercut Foxes’, screen print Born in 1974, Mark Hearld studied illustration at Glasgow School of Art and then completed an MA in Natural History Illustration at the Royal College of Art. Taking his inspiration from the flora and fauna of the British countryside, he works across a number of mediums, producing limited-edition lithographic and linocut prints, paintings, collages and hand-painted ceramics. He has completed commissions for Faber & Faber, Tate Museums and Walker Books. In 2012 Merrell Books published Mark Hearld’s Work Book – the first book devoted to Mark’s work. For a selection of Mark’s limited-edition prints visit www.stjudesprints.co.uk.
  • Cover Artist: Issue 50, Clare Halifax, Whitstable Lifeguard, print Clare Halifax has a BA Hons in printed textile design and an MA in multi-disciplinary printmaking. The inspiration for her work comes from the buildings that surround her and nostalgic reminiscences of places and items of interest. Within each image, design, pattern and colour play an important part, adding depth and decoration to build an aesthetically pleasing overall effect. To see more of her work visit www.clarehalifax.com.
  • Cover Artist: Issue 49, Rosie Sanders, ‘Dandelions and other flowers’ Rosie Sanders is a painter and printmaker specializing in plants. Her often bold and powerful watercolours of flowers express life and energy and sometimes fragility, not just depiction or imitation. She exhibits regularly with Jonathan Cooper of Park Walk Gallery in London. She is based in Devon.
  • Cover Artist: Issue 48, Sarah Woolfenden, ‘River in Winter’ Sarah Woolfenden trained at The Slade and taught art for many years. Now based in north Devon and a member of the South West Academy she draws large pictures of trees and woods in fine pen. To see more of Sarah’s work, which is available as prints and cards, visit www.sarahwoolfenden.co.uk.
  • Slightly Foxed Issue 47, Gail Brodholt, ‘Autumn’ Gail Brodholt is a painter and linocut printmaker of the contemporary urban landscape. Much of her work depicts the London transport network and the journeys made across the city on tubes and trains. She is a Fellow of the Royal Society of Painter-Printmakers and a recipient of many awards and prizes. She works full-time from her studio in Woolwich, South London. To see more of her work visit her website: www.gailbrodholt.com.
  • Slightly Foxed Issue 46, James B. W. Weston, ‘Summer Riverbank’ James B. W. Lewis is a printmaker and illustrator based in London. He makes relief prints and drawings inspired by nature, history and literature. Recent clients include the Oxford American and Caught by the River. More examples of his work and prints for sale can be seen at www.jwestonlewis.co.uk.
  • Slightly Foxed Issue 45, Andrew Gifford, ‘Arundel Cathedral, early evening light’ Born in Middlesbrough in 1970, Andrew Gifford is now recognized as one of the most innovative landscape painters working today. His paintings and light installations have been widely exhibited, including many solo public shows. His work is in the New Art Gallery, Walsall, and Chatsworth House, and in private collections in Europe, America and Asia. For more details visit www.jmlondon.com.
  • Slightly Foxed Issue 44, Mary Sumner, ‘Sheep in Frost’ Mary Sumner is an artist and printmaker who lives and works in mid-Devon. Her work is rooted in her love for the English countryside and the creatures that inhabit it. Observations from her daily walks inspire her paintings, and plants, seascapes and gardens are also recurring themes. Her work can be seen in galleries throughout the UK and on her website: www.marysumner.com.
  • Slightly Foxed Issue 43, Pam Grimmond, ‘Weathervane’ Pam Grimmond is an artist and printmaker who lives and works in North Yorkshire. She is fascinated by architecture and attracted by the quirky elements of buildings such as turrets, domes and weathervanes. Birds and the natural forms of trees and plants seen on walks around her home are a constant source of inspiration. She exhibits her work regularly in galleries throughout the UK. See www.pamgrimmond.co.uk.
  • Slightly Foxed Issue 42, George Devlin, ‘Searing Heat: Baumes de Venise’ George Devlin was a Glasgow-based artist who exhibited internationally and whose work is represented in civic, corporate and private collections worldwide, in addition to the Scottish National Gallery of Modern Art and the National Portrait Gallery of Scotland. For more about George’s work please contact the Portland Gallery: edh@portlandgallery.com.
  • Slightly Foxed Issue 40, Chris Corr, ‘Now We Are Ten’ Christopher Corr’s painting is inspired by his travels around the globe. Vivid colours and city scenes are what excite him. Recent commissions include a series of portraits of the Shard for the Shard, paintings about fish for the restaurant Kensington Place in Notting Hill and book illustrations for the Folio Society and Andersen Press. More examples of his work can be seen atwww.christophercorr.com and www.rowleygallery.com
  • Cover Art: Slightly Foxed Issue 39, Janet Brooke, ‘Telephone, telephone’ Janet Brooke is a printmaker with a passion for the city. Her work encompasses the urban environment in all its many forms: from the grand panoramic view to the minutiae of the street, with a particular penchant for the seemingly unremarkable and ephemeral aspects of city life. For more about her work see www.janetbrooke.com.
  • Cover Art: Slightly Foxed Issue 38, Emily Sutton, ‘Country Show’ Emily Sutton is an artist and illustrator who lives and works in York. She has illustrated children’s books for the Victoria and Albert Museum and Walker Books, and has worked on projects for Bettys and Taylors, Random House, Penguin Books and Hermes among others. She especially enjoys drawing interesting junk-shop finds and shop fronts. For more examples of her work see www.emillustrates.com
  • Cover Art: Slightly Foxed Issue 21, Francis Farmar, ‘Fox and Steam Train Francis Farmer describes himself as a painter of places. His work gives contemporary flavour to ‘prospect’ pictures, which bend and stretch the landscape it in order to describe more than can be seen from a single earth-bound viewpoint. www.francisfarmar.com
  • Cover Art: Slightly Foxed Issue 34, Ed Kluz, ‘The Silver Fox’ Ed Kluz was raised in the Yorkshire Dales and now lives in Brighton. He studied painting at the Winchester School of Art. He is a printmaker, illustrator, painter and designer, and finds inspiration in the historical objects, buildings, landscape and folklore of Britain. His eyes look into the past but his feet are firmly in the present: www.edkluz.co.uk
  • Cover Art: Slightly Foxed Issue 33, Andy Lovell, ‘Creek’ For the last 20 years Andy Lovell has enjoyed a successful career as an illustrator. He has also had regular exhibitions of his printmaking, which has now become the main focus of his work. Drawing and painting from life form the starting-point for his images, which are then honed, simplified and transformed through silkscreen and monoprint. For further details see www.andylovell.com
  • Cover Art: Slightly Foxed Issue 32, Alice Tait, ‘Gloucester Road in the Snow’ Alice Tait graduated from Bath Spa University in 2002 and has been working as an illustrator ever since. Her clients have included, among others, The Times, Vogue and Waitrose. She also has her own online print shop at www.alicetaitshop.com
  • Cover Art: Slightly Foxed Issue 31, Robert Field, ‘White Moon’ Robert Field is a mosaicist whose work has appeared in many exhibitions in both Britain and France. He is also the author of a number of highly successful books which have been used for creative design and is a founder member of the British Association for Modern Mosaic (BAMM). His work can be seen at www.robert field.co.uk and at the Quarr Gallery: www.quarrart.com
  • Cover Art: Slightly Foxed Issue 30, Emily Burningham, ‘Beach Huts’ Emily Burningham studied at Central St Martin’s College of Art and Design. Her design business was established in 2005 and now produces textiles and stationery. For more details and examples of her work visit www.emilyburningham.com
  • Cover Art: Slightly Foxed Issue 29, Rebecca Campbell, ‘The Foragers’ Rebecca Campbell’s work has been described as ‘quintessentially English’ but is influenced by an eclectic source of material ranging from Indian Mogul miniatures and Persian textiles to medieval tapestries. She is represented by Jonathan Cooper, Park Walk Gallery, London: www.jonathancooper.co.uk
  • Cover Art: Slightly Foxed Issue 28, Howard Phipps, ‘Downs in Winter’ Howard Phipps is a painter and printmaker with a special interest in wood-engraving, a medium in which he is now acknowledged as a leading exponent; the British Museum acquired twelve of his engravings for its collection in 2009. For further information he can be contacted on 01722 718294, and more of his work can be seen at the Rowley Gallery: www.rowleygallery.co.uk
  • Cover Art: Slightly Foxed Issue 27, Angie Lewin, ‘Midnight Garden’ Angie Lewin studied printmaking at Central St Martin’s College of Art and Design and at the Camberwell School of Arts and Crafts. Her limited-edition linocut, wood-engraving, lithograph and screen prints are inspired by skeletal plant forms seen against the sea and sky of North Norfolk and the Scottish Highlands. Her work can be seen at www.angielewin.co.uk
  • Cover Art: Slightly Foxed Issue 26, Leon Morrocco, ‘Blue Temple, Madurai’ Leon Morrocco’s work can be found in many notable public and private collections, including the Scottish National Gallery of Modern Art, the Scottish Arts Council, the Leeds Art Gallery, the Nuffield Foundation and the Queensland Art Gallery. For more information contact the John Martin Gallery: www.jmlondon.com ..
  • Cover Art: Slightly Foxed Issue 25, Simon Palmer, ‘Braithwaite Lane’ (detail) Simon Palmer’s watercolours have been widely exhibited in one-man and group exhibitions for thirty years. More of his work can be seen at www.jhwfineart.com
  • Cover Art: Slightly Foxed Issue 24, Quentin Blake, ‘Slightly Foxed’ Quentin Blake has drawn ever since he can remember. Now in his seventies he is recognized, according to the Guardian, as a ‘national institution’.
  • Cover Art: Slightly Foxed Issue 23, Gary Bunt, ‘Home’ Gary Bunt is represented by the Portland Gallery, 8 Bennet Street, London SW1A 1uRP. Gary’s work can also be seen on the gallery’s website: www.portlandgallery.com
  • Cover Art: Slightly Foxed Issue 22, Simon Laurie, ‘Greek Boat’: Simon Laurie trained at the Glasgow School of Art and is a member of the Royal Scottish Society of Watercolourists and the Royal Glasgow Institute of the Fine Arts. He has won many awards and his work is in a number of public collections.
  • Cover Art: Slightly Foxed Issue 21, Francis Farmar, ‘Fox and Steam Train Francis Farmer describes himself as a painter of places. His work gives contemporary flavour to ‘prospect’ pictures, which bend and stretch the landscape it in order to describe more than can be seen from a single earth-bound viewpoint. www.francisfarmar.com
  • Cover Art: Slightly Foxed Issue 20, Susan Brown, ‘St Paul’s’ Susan Brown’s studies of European cities are an essay in investigating and capturing ‘spirit of place’, an exploration of the creative relationship between peoples and buildings which reflects the triumphs, and sometimes the pitfalls, of European civilization: www.susanbrownstudio.co.uk
  • Cover Art: Slightly Foxed Issue 19, ‘Vulpes Major’ contributor to Slightly Foxed but is officially retired and doesn’t wish to be promoted . . .
  • Cover Art: Slightly Foxed Issue 18, Cyril Edward Power, ‘The Eight’ Linocut by Cyril Edward Power (1872–1951), reproduced courtesy of the Estate of Cyril Edward Power and the Redfern Gallery.
  • Cover Art: Slightly Foxed Issue 17, James Nunn, ‘with apologies to Eric Ravilious ’ James Nunn burst on to the illustration scene with the panda on Lynne Truss’s bestselling Eats, Shoots & Leaves. He can also draw foxes and elephants, all of which can be seen at www.jamesnunn.co.uk
  • Cover Art: Slightly Foxed Issue 16, Posy Simmonds, ‘Fireside Reading’ Posy Simmonds lives and works in London. Her graphic novel Tamara Drewe was published in November 2009 and in 2010 the story was adapted as a feature film.
  • Cover Art: Slightly Foxed Issue 15, Shazia Mahmood, ‘Loch Eishort ’ Shazia Mahmood uses a variety of tools, to create organic and unplanned images. She often paints landscapes while on location. More of her work can be found at www.shaziamahmood.com.
  • Cover Art: Slightly Foxed Issue 14, Simon Dorrell, ‘Foxgloves’ Simon Dorrell is a freelance illustrator, principally of books and periodicals; a painter of landscapes and interiors in oils and in watercolour; a designer of gardens in the Arts & Crafts tradition; and art editor and co-publisher of the quarterly journal Hortus: www.hortus.co.uk
  • Cover Art: Slightly Foxed Issue 13, Susan Leiper, ‘Spring Garden’ Susie Leiper is a freelance calligrapher in Edinburgh. Oriental, especially Chinese, art influences most of her work: the poetry on the cover is by the 20th-century Chinese poet Mu Dan, and the garden is inspired by Japanese paste-resist textiles. Susie is a Fellow of the Society of Scribes and Illuminators.
  • Cover Art: Slightly Foxed Issue 12, John Caple, ‘Old Jack Frost the Almanac Seller’ John Caple lives and paints in the Mendips in North Somerset. He exhibits regularly with the John Martin Gallery, London and his work can be seen on the gallery’s website www.jmlondon.com
  • Cover Art: Slightly Foxed Issue 11, John Holder, ‘with apologies to Gainsborough’ John Holder was born in 1941 in Baldwell Ash, Suffolk, and studied at the Cambridge School of Art. His work has been published in books and periodicals worldwide and he has exhibited his travel drawings in London and Dubrovnik.
  • Toni McGreachan is a practising and exhibiting artist based in London. The image on the cover is a detail from a painting entitled Refreshment made during her residency at Tooting Bec Lido. To see further works by Toni and for contact details visit: www.newbritishartists.co.uk
  • Cover Art: Slightly Foxed Issue 9, Emma McClure, ‘Chickens’ Emma McClure trained as a painter at Winchester and Chelsea Schools of Art and now lives and works in London. She exhibits regularly and has had several successful one-person exhibitions at the Cadogan Contemporary Gallery. She can be contacted on: 07748 408937 or emmamcclure@hotmail.com
  • over Art: Slightly Foxed Issue 8, Sue Macartney-Snape, ‘Slightly Foxed’ Sue Macartney-Snape was born in Tanganyika, educated in Australia and now lives in London. She has had several sell-out exhibitions of her work and has been acclaimed as the Wodehouse of Art. Prints of her work are available from SMS Editions, tel: 01256 884043.
  • Cover Art: Slightly Foxed Issue 7, Hannah Firmin, ‘Autumn’ Since leaving the Royal College of Art Hannah has worked as a freelance illustrator and printmaker for a wide range of clients. In 2004, her cover for Alexander McCall Smith’s The No.1 Ladies’ Detective Agency was named ‘Book Cover of the Year’ at the British Book Awards. More of her work can be seen at: www.hannahfirmin.com
  • Cover Art: Slightly Foxed Issue 6, Ben McLaughlin, ‘Shadow Fox’ Ben McLaughlin was born in London in 1969, studied at Central St Martin’s School of Art and has been exhibited for the past seven years by Wilson Stephens Fine Art. His work is in both private and corporate collections in Britain, Europe, the USA and the Far East. His paintings can be viewed on www.wilsonstephens.com
  • Cover Art: Slightly Foxed Issue 5, Linda Scott, ‘Slightly Foxed’ An established illustrator, Linda Scott has enjoyed working for a variety of clients since graduating from the Royal College of Art in 1998. She also teaches at the London University of Arts and at Falmouth College of Arts.
  • Cover Art: Slightly Foxed Issue 4, Ronald Searle, ‘Foxed throughout’ Reproduced by kind permission of the artist and The Sayle Literary Agency, and taken from the book Slightly Foxed – But Still Desirable: Ronald Searle’s Wicked World of Book Collecting.
  • Cover Art: Slightly Foxed Issue 3, Jonny Hannah, ‘Foxed Brand Fireworks’ Born and bred in the kingdom of Fife, Jonny Hannah now works as an illustrator in Southampton, but remembers occasionally to have the odd whisky. He publishes his own limited-edition books and posters with the Cakes & Ale Press, a cottage industry of some repute. His obsessions include Hank Williams and Rocket Man, and he sometimes wears co-respondent shoes.
  • Cover Art: Slightly Foxed Issue 2, Tsugumi Ota, ‘Bathers’ Tsugumi Ota is a Japanese artist based in London. Her main media are stone and marble sculptures, woodcuts and drawings. Often inspired by myths, poems and classical writings, Tsugumi’s images are striking and original.
  • Cover Art: Slightly Foxed Issue 1, Christopher Corr, ‘Slightly Foxed’ Christopher Corr is a painter and illustrator based in London. He has a strong interest in architecture, and his work is often inspired by his extensive travels to other cities. Colour is very important in his paintings, which are done on hand-made Indian and Italian paper. www.christophercorr.com
  • Illustrations: B/W
  • Producer: Smith Settle
Made in Britain

The Completely Foxed Collection (2004–2024)

Issues 1–84, Spring 2004–Winter 2024

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‘I can’t tell you how much I enjoy Slightly Foxed. It fills a deep need for intelligent conversation about books. I read every piece and treasure every issue.’

 

Slightly Foxed is the quarterly magazine that introduces its readers to books that are no longer new and fashionable but have lasting appeal. Good-humoured, unpretentious and a bit eccentric, it’s more like a well-read friend than a literary magazine. Every issue of Slightly Foxed includes fiction and non-fiction, books that have stood the test of time and have left their mark on the people who write about them. It’s an eclectic mix, and our contributors are an eclectic bunch too – some well-known, others not so, but all passionate about sharing their enthusiasm for a book or author.

The Completely Foxed Collection is the ultimate present for a bibliophile, or for oneself. Invest in a full set of Slightly Foxed issues 1–84, 2004–2024, along with twenty smart grey slipcases in which to keep them.



‘Thanks for the reading . . .’

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‘I have enjoyed every issue . . .’

P. Maher, Ireland

‘I have enjoyed every issue of Slightly Foxed and delighted in the new authors I have come across as a result.’

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‘I love your back catalogue!’

C. Lee, Australia

‘I love your back catalogue! Whenever I have been particularly good I reward myself by ordering a back issue. Just lately I have been especially good so I ordered two.’

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