Articles & Extracts

Both a Caesar and a Cervantes

Both a Caesar and a Cervantes

The greatest memoirist you’ve never heard of? Quite possibly. The most enchanting read you least expected? Most definitely. Those readers who have yet to discover Babur and his Baburnama, the sixteenth-century memoirs of the opium-eating, hashish-smoking, wine-drinking, chess-playing poet, diarist, gardener, warrior, calligrapher, conqueror and founder of the Mughal Empire are in for the greatest treat. Think Pepys, Tamerlane, Machiavelli and Montaigne rolled into one.
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O Jackie . . .

It’s 1991 and the recession is beginning to bite. Publishers’ accountants are staring at unearned balances, and reputations – for being artistic, for having introduced a ‘new voice’ or style – are about to be shown up for what they are: froth on the daydream, in the unforgettable (and pretentious) words of the French surrealist writer Boris Vian. Everywhere, writers are talking of TV opportunities – or even, as rumour has it that Paramount are about to open a London office, the true daydream, that of the Hollywood blockbuster.
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A Tuft of a Masterpiece

A Tuft of a Masterpiece

The term ‘masterpiece’ is often used lazily as a bit of instant praise, but the dictionary definition is actually ‘a production surpassing in excellence all others by the same hand’. So, strictly, you can only produce one masterpiece. Cyril Connolly (1903-1974) may have had this on his mind when he began his book The Unquiet Grave: ‘The more books we read, the clearer it becomes that the true function of a writer is to produce a masterpiece and no other task is of any consequence.’ He, alas, never produced a major work to earn the distinction himself, and he will mainly be remembered as the founder (with Stephen Spender) of the literary magazine Horizon and as the principal book reviewer of the Sunday Times in the period after the Second World War.
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Seeds of Friendship

Garden-writing is always either grimly concerned with the nuts and bolts of gardening’s practicalities or with its latest and flashiest fashions. The first kind is written by mere doers, the second by mere puffers, therefore neither is of any interest as writing. Gardening, and by extension writing about gardening, is something done better in Britain than anywhere else, certainly better than anywhere else in the English-speaking world. Wrong, wrong, and wrong again, dear reader. A single slim volume, Gardening for Love by Elizabeth Lawrence, delicately but devastatingly disposes of all those fallacies.
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Unsung Heroes

Unsung Heroes

My first copy of Nicholas Monsarrat’s The Cruel Sea was a twelfth birthday present, given to me in 1956. It was Cassell’s expurgated ‘Cadet Edition’, intended for a generation who knew little about the war during which they had been born. While Monsarrat’s publishers thought we should be acquainted with the Battle of the Atlantic, they clearly considered that we would come in our own time to adultery and what was then breathlessly referred to as ‘premarital sexual intercourse’. What mattered was access to Monsarrat’s brilliant evocation of a grim campaign at sea. I read it as I bumped into school on the Northern Line and have been haunted by it ever since.
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A Matter of Trust

Once Upon Another Time is Jessica Douglas-Home’s account of the part she herself played in an extraordinary private enterprise which came to be known as ‘the Oxford visitors’. The story began with Julius Tomin, a philosophy teacher who had been ejected from his university position in Czechoslovakia. He continued openly, but unofficially, to teach courses for students expelled from Charles University on political grounds. He and his students were subjected to violence and harassment, and the strict control of access to books imposed by the authorities led to their losing touch entirely with the course of learning in the West. In 1979 Tomin wrote a letter to many Western universities, inviting lecturers to visit and speak at his seminars. Oxford was the only university to respond.
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The Pick of the Pocket Editions

The Pick of the Pocket Editions

For those like me who look out for, and sometimes even retain, useless knowledge, the first World’s Classic, published in 1901, was Jane Eyre; the last in the original pre-paperback series, published in 1973, was Crime and Punishment. The latter was No. 619, making the series many hundred volumes shorter than the original Everyman edition of classics, and many hundreds longer than the modern Everyman which started in 1992. If you had read even half of its remarkable range, you could consider yourself very widely read.
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