Articles & Extracts

A Glorious Menagerie

A Glorious Menagerie

‘Of all the civilizations of the ancient world, none enjoyed such a close and significant relationship with the animal realm as that of the ancient Egyptians.’ So Philippe Germond, an Egyptologist at the University of Geneva, plunges into his subject in An Egyptian Bestiary (2001). But already he is outflanked on the facing page by the regal profile of a leopard’s head carved in sunken relief, the sharply incised contour framing it with a powerful line of shadow. Which is fitting, for this is above all a picture book, led by 280 spectacular photo­graphs (mostly credited to his co-author Jacques Livet) of artworks that speak across the millennia and challenge the imagination.
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Fulmar, Gannet and Puffin

Fulmar, Gannet and Puffin

In shelves to the left and right of the fireplace in our dining-room, my husband keeps an extensive collection of books about Scotland. Half a shelf is given over to volumes on St Kilda. If ever I feel the need to escape from Hammersmith to a landscape of vast skies, mountainous waves, sea-spray blowing like white mares’ tails across the rocks, this is where I turn: to the extraordinary archipelago, 110 miles west of the Scottish mainland, whose black cliffs and dizzying stacks, the highest in Britain, unfold in a drumroll of Gaelic names – Mullach Mor, Mullach Bi, Conachair.
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The Art of Bookselling

The Art of Bookselling

Just as most good books aren’t really about the things they say they are, Penelope Fitzgerald’s The Bookshop (1978) isn’t really about a bookshop. It’s about English insularity, politics, the misuse of power and the headstrong persistence of hope, with Florence Green’s Suffolk bookshop a symbol for every newcomer who ever found their best intentions beaten down by suspicion and hidebound tradition. At the end of the book, the formidable local matriarch Mrs Gamart manipulates her MP nephew into pushing through Parliament a bill specifically designed to close down Florence’s shop in favour of a local arts centre. The arts centre is Mrs Gamart’s pet project, and the town of Hardborough falls into line behind her. Florence has to con­clude that ‘the town in which she had lived for nearly ten years had not wanted a bookshop’. That is the last line of a book about a book­shop. An upbeat ending it is not.
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Not So Verray Parfit

Not So Verray Parfit

I once taught English at a girls’ school in which the head of depart­ment didn’t like poetry. It’s an odd aversion but it worked well for me. The poetry room was right at the top of a very tall building, and thither wended her way every pupil in the place, to be rewarded by peaceful sessions chewing over every kind of poem, from epic to lyric to limerick. But some of these girls also had to pass public exams. The A-level syllabus was dictated by a higher authority and this term the poetry module featured Chaucer. No problem in that. To me, he is the tops. He understood the complicated, subtle, self-deluded and some­times glorious nature of human beings better than any writer, before or since, and he displayed enough humour, generosity and lightly worn erudition to keep a whole pilgrimage entertained from here to eternity.
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Following the Music

Following the Music

As deputy literary editor of the Independent on Sunday in the mid-1990s, it was my job to organize and compile several of the routine book columns and features every week. One such was the long-running ‘The Book that Changed Me’. It involved typing up a short telephone interview with a literary or other type of celebrity; less frequently, the contributor would write the copy themselves. It can be difficult to drum up fresh ideas once a column has been underway for some time, but we never ran short of suggestions and contribu­tions. One highlight for me was hearing Christopher Lee declaim at length down the line in Elvish, in his fanatical enthusiasm for The Lord of the Rings. I can only imagine how delighted he must have been to be offered the part of Saruman.
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Through a Glass, Madly

Through a Glass, Madly

In my day, the A-level Spanish syllabus included a few score of the key pages of Don Quijote – windmills mistaken for giants, labourers for lords, prostitutes for princesses, and so on. When I got to univer­sity I found that we were supposed to know the whole novel. I struggled through most of it but couldn’t handle its digressions and longueurs. Cervantes could veer off at tangents and not return for a hundred pages or more. My tutors encouraged me to persevere. After all, Cervantes was revered as Spain’s Shakespeare.
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9 January 1942 | To War with Whitaker

9 January 1942 | To War with Whitaker

This morning I went with Michael and Esther Wright to Mena where we met Freya Stark, Sir Walter Monckton and some more. We mounted donkeys and set off with a picnic lunch for Sakara. My donkey was called Telephone and trotted along well, but some of the others were less amiable and progressed by fits and starts. Freya Stark, dressed in a hideous sporting jacket, spun on her own mills in Italy, and snake gaiters topped by a large double-brimmed felt hat, was a sight for the gods, and her running com­mentary to her donkey made Walter Monckton laugh so much he nearly fell off his mount. This evening I went to the Scottish Hospital to visit the wound­ed. It was tragically full. I found it difficult not to flinch at some of the sights and had to struggle to appear cheerful and smiling. I heard tonight we have taken Sollum. Japan has declared war on the Dutch East Indies.
The Empress of Ireland | Noël Coward visited Tangier

The Empress of Ireland | Noël Coward visited Tangier

My routine was to stay in the house and write most days, and then go out with Brian for dinner, either to a restaurant or the home of one of his friends. La Belle Hélène was the bar and res­taurant we most frequented, owned by a strangely glamorous, middle-aged French lesbian with a face of elephant hide. She was said to have bought the establishment with money earned during a long circus career as a motorcyclist on the flaming wall of death. We ate elaborately at La Belle Hélène and drank copi­ously, and Brian indulged us extravagantly at lunch and dinner.
The Sins of the Father

The Sins of the Father

A. A. Milne’s son musing with mixed feelings on his childhood as ‘Christopher Robin’; Daphne du Maurier’s daughter recalling life at Menabilly, the model for Rebecca’s Manderley . . . I’ve always been drawn to memoirs by the children of famous writers. They may not be as stirring as the life stories of the writers themselves, the Trollopes and Dickenses who emerge triumphant from youthful adversity, but those whose lives are lived in the shadow of celebrated parents have struggles and sufferings of their own. It can be as much a burden as an honour to bear a well-known name, and I’m intrigued to find out how they carry it.
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