Pauline Melville | Contributors to Slightly Foxed literary review magazine

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Having failed to pursue a career as a trapeze artist and having turned down the opportunity to tour with Bertram Mills Circus in favour of joining the National Theatre, Pauline Melville now confines herself to flights of fiction, short stories and novels, some award-winning and some not.

The numbers in square brackets refer to the issue of the quarterly in which the article appears.
The unbracketed numbers refer to the starting page of the article.
For entries in multiple issues of the quarterly, the occurrences are separated by semi-colons.

article by, [62] 89; [66] 89; [74] 60; [78] 52

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A Stroll down Sinister Street

Pauline Melville on Compton Mackenzie, Sinister Street

A while ago on my bookshelves I came across an old copy of Sinister Street by Compton Mackenzie. Its cloth binding had faded and the yellowing pages were so fine that I sometimes had to blow on them to open them as I read. Edmund Gosse believed Sinister Street was on a par with Swann’s Way by Proust, published the same year, 1913. I might well have agreed with him had I ever read any Proust. However, I do know that Swann’s Way was rejected by many French publishers and Proust was obliged to publish it at his own expense. The reviews were bad. By contrast, Sinister Street was greeted with acclaim. One work became a world classic. The other is barely remembered.

Dem Bones

Pauline Melville on Edgar Mittelholzer, My Bones and My Flute

Some thirty years ago in the National Museum of Guyana, amidst the geological, archaeological and historical artefacts in their display cabinets, there existed a carefully cordoned-off empty space. It consisted of a plinth covered in plush red fabric surrounded by gold tasselled ropes, as if waiting for secret royalty. I am not sure how many other countries set aside a space in their national museums for their ghosts, spirits and jumbies. Not many, I imagine. Behind the empty space hung various plaques with detailed sociological descriptions of each spirit, itemizing its habitat, appearance, customary behaviour and even dietary preferences, an attempt by the rational with its orderly classifications and categorizations to contain or overpower these disturbing beings.

Life among the Ledgers

Pauline Melville on Herman Melville, ‘Bartleby, the Scrivener: A Story of Wall Street’

I am rather fond of the crowd that Dante meets at the very start of his journey into Hell with Virgil. They are all rushing around moaning and shrieking on the edge of the River Acheron, hoping that Charon the ferryman will carry them across. He refuses. When Dante asks who they are Virgil tells him that they are the ‘Futile’, the people who have done nothing in particular with their lives. They are not well-known for anything. They have achieved nothing spectacular either good or bad. They are not allowed into Heaven in case their dullness dims the radiant light of Paradise, and Hell won’t have them either because such an insipid bunch would downgrade the very notion of sinfulness. So they are not allowed passage across the river. They are seen hurrying to assemble under one flag and then fleeing in the opposite direction to assemble under another. They sound like most of us. Anyway, I number myself among them.

Ire and Irritability

Pauline Melville on Jane Austen, Sense and Sensibility

I am having another stab at Jane Austen. Friends beg me to keep trying, anxious for me not to miss what they tell me is an unrivalled view of a luminous literary landscape. I have made efforts on and off over the years and never found her to my taste. Somewhere along the line at school I passed through Northanger Abbey without retaining much impression of it. But now I have made a pledge with a friend who works at the Royal Society of Literature. I must endeavour to read some Austen and my friend will attempt to read Wuthering Heights, a book she has heretofore avoided. She suggested I start with Sense and Sensibility, so I did.

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