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Episode 14: The Vital Spark

The Slightly Foxed Podcast

What sparks a lifelong love of reading? Francis Spufford, author of The Child that Books Built, and Emily Drabble of the children’s reading charity BookTrust, delve into bookshelves past and present with the Slightly Foxed Editors to understand the alchemy that ignites the spark. From books as seductive objects, the haphazardness of alphabetical organization and disappearing libraries to the joys of cover-to-cover reading and books being doorways to new worlds, the conversation reveals what a passion for reading can bring to our lives. In this month’s dip into the magazine’s archives Ysenda Maxtone Graham gives tried and tested tips for reading aloud, grappling with Tolkien pronunciations along the way, and there’s the usual round-up of recommendations for reading off the beaten track.

Magic Casements

Penelope Lively on Francis Spufford, The Child that Books Built

Francis Spufford’s The Child that Books Built is a short book that seems long, expansive, excursive. Of course – it cites a host of other books, from Where the Wild Things Are through The Little House on the Prairie to Nineteen Eighty-Four; it is packed with reference, with discussion. A book about books and, above all, a book about the power of books, about the manipulative effect of fiction, about the way in which story can both mirror and influence the process of growing up. A child learns to read, discovers the possibilities of that retreat into the pages of a book, and its life is never quite the same again.

Laura, Louisa and Me

Daisy Hay on her childhood reading

The Child that Books Built is the title of a memoir by Francis Spufford which explores the impact of books read in childhood by interspersing an account of Spufford’s own reading with excursions into history, philosophy and psychology. It beautifully articulates the formative nature of childhood literary exploration. ‘The words we take into ourselves help to shape us,’ Spufford writes. ‘They help form the questions we think are worth asking; they shift around the boundaries of the sayable inside us . . . They build and stretch and build again the chambers of our imagination.’

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