Should you really never judge a book by its cover? Had I gone along with that dictum years ago I would not have happened upon Edmund Crispin. Shameful though it is to admit it, I was attracted not by the name of the author – unknown to me – but by a Penguin Crime jacket. Its green and cream design caught my eye at an Amnesty International book sale in the church opposite our house. Our dining-room had recently been redecorated, and I judged Frequent Hearses would, suitably displayed, tone with the colour scheme.
First published in 1950, this was a 1987 paperback edition, apparently untouched. Not for long; once I’d handed over £1.50 I couldn’t resist a look inside, and by the seventh sentence I was entranced:
The cross-country journey is prolonged and tedious, involving four changes – at stations of progressively diminishing size and increasing antiquity, so that the effect is of witnessing a dramatized History of the Railways in reverse . . .
This was crime fiction with a difference. But who was Edmund Crispin? A brief blurb told me that his real name was Bruce Montgomery; ‘Edmund Crispin’ was borrowed from a character in one of Michael Innes’s Inspector Appleby novels, Hamlet, Revenge!
As well as writing he had been a composer of film scores and concert music, and until his death in 1978 lived in Devon ‘in a quiet corner whose exploitation and development he did his utmost to oppose’.
I loved the way this author wrote and wondered why I had never heard of him. ‘Forgotten Authors’, a 2008 piece in the Independent by Christopher Fowler, supplied an answer: ‘Nobody wants to be thought of as vanished, but shelf-life is fleeting.’ Crispin, one of Fowler’s Forgotten, was ‘an important critic and editor but best of all he wrote the Gervase Fen books, 11 dazzling, joyous volumes, all but one of which were produced between 1944 and 1951’.
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