Fernando Pessoa was many writers in one. He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope.
When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet.
Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the ‘autobiography’ of Bernardo Soares, one of Pessoa’s alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.
Master of Invention
The Book of Disquiet (1982) is, strictly speaking, a book that isn’t a book by an author who isn’t an author. How does such a thing come into the world? Perhaps only under a very unusual...
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