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Golding, William

the novels of, [7] 18, 24; The Spire, [71] 7

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20210901101025 Andrew Joynes on William Golding, The Spire, SF 71

Jocelin’s Folly

Andrew Joynes on William Golding, The Spire

Across the east end of the nave of Canterbury Cathedral, where I was a volunteer guide for over a decade, there is a stone strainer arch erected by Prior Thomas Goldstone 500 years ago. It is a kind of tiebar, one of six which bind together the columns that support Bell Harry Tower, the cathedral’s dominant feature. The arch is essential to the integrity of the building’s central structure and is decorated with flowered designs and an inscription. On either side of the Prior’s initials and his rebus – three golden pebbles, a visual pun on his surname – there is the first verse of the psalm that begins Non nobis Domine (‘Not unto us, O Lord, but unto thy name give glory . . .’).
20050901170138

. . . and Tempests and Doldrums

Andrew Sinclair on the works of William Golding

William Golding was the only writer I have ever pursued. An Angry Young novel I wrote in three weeks when up at Cambridge, The Breaking of Bumbo, outsold Lord of the Flies that year for Faber & Faber. This was ludicrous, but it was followed by Golding’s kindness when I wrote to him. He sent me an open invitation to visit him by the watercress beds at Bowerchalke, halfway between Salisbury Cathedral and Stonehenge – midway between the new and the ancient faiths.
20050901123752 Penelope Lively on William Golding, Slightly Foxed Issue 7, Caroline Forbes

Infinite Depths . . .

Penelope Lively on the novels of William Golding

William Golding’s is not a large oeuvre: fifteen books, a play, an unfinished novel. Rereading everything, I am struck by the modesty of the pile through which I have worked, and the brevity of the books. He pared fiction down to bony essentials: an entire universe in the 223 pages of Lord of the Flies, or the 233 of The Inheritors. I wanted to try to identify what it is that sets him apart – on a pedestal, as far as I am concerned.

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