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The Hard Stuff

The Hard Stuff

The beginning of my teens came ‘between the end of the Chatterley ban and the Beatles’ first LP’. I regard it as highly appropriate that Larkin made the first of those milestones a novel, because it wasn’t only sex and rock and roll that had begun. Penguin Modern Classics, in their distinctive slate-grey livery, had also arrived, providing us hungry young readers with a list of books to grow up by. In due course PMC introduced me to Kafka, Joyce, Hemingway and Camus – and, later, Gide, Hesse and Sartre – offering the chance to luxuriate in amoral existential disgust, in contemplation of the meaning of mean­inglessness.
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As Old as the Hills

As Old as the Hills

Like space, the past is always nearer than we think. As a boy, I knew a woman who once cut Thomas Hardy’s hair. For his part, Hardy knew an old countryman who had set eyes on Napoleon when the Bellerophon put into Plymouth Sound, en route to St Helena. The Napoleonic Wars are just three human lifetimes away and if you get to my age you will know that a lifetime is no vast span. Anthropologists have a thing called the ‘long generation’ – the era extending from the birth of one person to the death of the latest-born person that he or she could have met. This is where it gets hair-raising. As James Hawes puts it, in the foreword to his exhilarating The Shortest History of England (2021), ‘Seven long generations . . . the old and the young holding hands – and we are back at the Battle of Hastings.’ This inspires the same sort of vertigo as the knowledge that standing in central London you are nearer to outer space than you are to, say, Market Harborough.
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Stiff Martinis and Bitter Marriages

Stiff Martinis and Bitter Marriages

I was an innocent when I first read Updike, and I can still remember those late teenage afternoons when, in an agony of tedium, I haunted the aisles of second-hand bookshops and Manchester Central Library, reading feverishly, hunting for sex. Moll Flanders promised much but remained, finally, coy. A copy of Lady Chatterley’s Lover, bought furtively from a basement bookshop in Charlotte Street, proved a great disappointment. No sooner had a glance been exchanged than the scene faded away into modest ellipses . . . it was only embarrass­ingly late that I realized it was a pre-1960 edition. But John Updike’s Couples (1968) was very definitely a product of the Swinging Sixties. ‘Welcome to the post-pill paradise,’ Georgene Thorne tells the main character, Piet Hanema, as we embark on the first of very many couplings in a novel where the sex is mostly adulterous, sometimes loving, always luxuriantly described. Wide-eyed, I fell into the featherbed of Updike’s post-lapsarian prose.
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Something Cooking

Something Cooking

I was passing through Newark, New Jersey, in 2002 when I picked up a paperback thriller in the airport bookstore. It was by Robert B. Parker, a writer I had never heard of, and I can’t remember what attracted me to it: almost certainly its portability and low price. I was at that time the New York correspondent of the Daily Telegraph. My beat was everywhere east of the Rockies, and I frequently took short-hop flights to cover stories. A banker had absconded with a bunch of cash in Baltimore; a stripper had been elected mayor in a small con­servative town in Colorado; there was a videogame convention in Chicago – and I hopped on a plane.
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I Too Am Here

I Too Am Here

I have a valued friend who lives a long way away and doesn’t do email or social media. We phone, occasionally, but once or twice a year I’ll sit down, choose a pen, assemble paper, pour a glass of wine, and spend the evening writing her a letter. It feels at once deeply self-indulgent and extravagantly generous. I write about myself but I’m thinking of her, knowing she will be pleased at being chosen. Jane Welsh Carlyle, a woman Sir Leslie Stephen described as ‘the most wonderful letter-writer in the English language’, put it simply: she liked ‘writing to people who like to hear from me’.
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