Most days Charles Phillipson takes up his fountain pen to write to his young son Michael. Before Michael started school in 1944 Charles had already made him a book of playful drawings of the alphabet to encourage his reading. From early 1945 to the autumn of 1947 a sequence of 150 illustrated letters followed, creating a series which would, ‘like the Pied Piper’s irresistible sounds’, draw Michael into a world of reading.
In these letters to Michael Charles Phillipson captures the delight to be found in the mundane detail of everyday life, seen through the lens of his own quirky imagination: passengers on the morning train hidden behind their newspapers; clouds sketched as if they are players on a stage; the fun to be had on a revolving office chair; numerals that morph into animals; the different ways in which men carry their umbrellas; a walk on a very windy day; the sun rising over chimney-pots; the postman on his bicycle; carrying home a Christmas tree. Jotted on a sheet torn from a pad of office paper, and often sketched in haste in tea or lunch breaks, each letter was embellished with a hand-drawn stamp which made the young Michael feel as if he was receiving ‘real’ letters. And real letters they are – love-letters, even – for through their affectionate words, mischievous drawings and gentle encouragement of Michael’s own literary and artistic explorations, a father’s love for his son shines out.
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