0
20081201160502 Cover Art: Slightly Foxed Issue 20, Susan Brown, ‘St Paul’s’ Susan Brown’s studies of European cities are an essay in investigating and capturing ‘spirit of place’, an exploration of the creative relationship between peoples and buildings which reflects the triumphs, and sometimes the pitfalls, of European civilization: www.susanbrownstudio.co.uk

Slightly Foxed Issue 20: From the Editors

Gail Pirkis & Hazel Wood

This issue marks a bit of a celebration for us – Slightly Foxed’s fifth we birthday. It seems no time ago – certainly not twenty issues – that we we’re sitting round the kitchen table, arguing about a title, discussing printers and finances and page designs and paper thicknesses, and how to get the word out about a new quarterly that — let’s be frank  — a lot of people felt couldn’t possibly work.
20081201160646 Daniel Macklin illustration - Frances Wood, Slightly Foxed Issue 20

Saying It with Books

Frances Wood on book titles

One of my favourite books is Wolfgang Kohler’s The Mentality of Apes. I haven’t actually read more than a couple of paragraphs at a time because the contents are of less significance to me than the cover. It is an old paperback with the characteristic turquoise cover that all Pelican books had, and the simplicity of the cover design allows the title to stand out clearly. I take it with me to meetings that I don’t want to go to and place it, obtrusively, on the table, title up.
20081201160645 Stalactites - Jeremy Noel-Tod, W. C. Sellar and R. J. Yeatman, And Now All This

Freudful Myth-Information

Jeremy Noel-Tod on W. C. Sellar and R. J. Yeatman, And Now All This

As in 1066 and All That, what carries the best jokes of And Now All This into something like poetry is an excess of wit. When the ‘Absolutely General Editors’ speak of sleepers entering ‘the land of Polymorpheus’, they casually combine their reading of Freud with their classical education. Elsewhere, ancient literature gets a whole chapter of learned mockery. ‘Myth-Information’ sets out to show – like many more pessimistic Modernist works – that ‘Western Culture is fundamentally myth-guided’. Proof comes in the form of the ‘Arthurian Cycle’, which looks like a Penny Farthing designed by William Morris, and is ‘steered by faith (or witchcraft)’.
20081201160644

Jeremy Makes a Stand

Hazel Wood on Hugh Walpole, the Jeremy books

I’m not sure how old I was when I first read Hugh Walpole’s Jeremy, but I think I was 9 or 10, for I had just gone away to boarding school, and I can remember the stab of longing that that description of the Cole family, on their way to their annual holiday at a seaside farm in the West Country, gave me. Exiled in a red-brick prep-school on the flat and muddy coast of the Bristol Channel, I dreamed with a desperate, nostalgic homesickness of the Devon lanes and cliffs and sandy beaches I’d left behind, and the sound and smell of the sea – the proper sea. The school holidays couldn’t come soon enough, and I knew exactly how Jeremy felt.
20081201160644 Hugh Walpole - Richard Hughes, Hugh Walpole’s Herries chronicle

Umbrellas at Dawn

Richard Hughes on the novels of Hugh Walpole

It is hard today to appreciate the extent of Hugh Walpole’s success. Not only did his novels – which had appeared annually since his first triumph, Mr Perrin and Mr Traill, in 1911 – consistently head the best-seller lists, but he was also a well-known public figure on both sides of the Atlantic. At the time of his death in 1941, he was giving a series of wartime propaganda broadcasts to the USA called ‘Hugh Walpole Talking’. His views were sought, his opinions respected. Hugh Walpole was master of his game. Yet there has always been a problem about the reputation of this seemingly dominant figure.
20081201160640

Unparliamentary Words

Trevor Fishlock on Khushwant Singh, Train to Pakistan

In the summer of 1980 The Times sent me to Delhi. My first foreign posting, it rewarded all my hopes of adventure. India and Pakistan were at the heart of my reporting. I also wrote from Afghanistan, Bangladesh, Burma, Nepal and Sri Lanka. Early on 23 June Sanjay, the politically powerful younger son of the Prime Minister, Indira Gandhi, crashed his sports plane in Delhi and died. It was a big story and I was only three weeks into the job.
20081201160640

A Visit from God

William Palmer on Kingsley Amis, The Green Man

I have always liked reading and pubs, and reading in pubs. By reading I mean sitting alone in a corner of the pub with a pint of bitter and a good book, not the Good Book – that might attract unwelcome attention. There are several conditions to be met. The pub should be quiet, and music-free. It should have few customers, and these also quiet and dotted around the smallish bar at a fairly unsocial equidistance from each other. Any conversation should be infrequent and sotto voce, limited perhaps to the names of racehorses or someone who hasn’t been in lately because he died last week. The best time is after two o’clock, when the lunchtimers have returned to work or afternoon telly. There is at least one such place remaining. It is called The Green Man and is situated in a rural West Midlands village. I am not going to name the village, because the brewery will immediately swoop and render it intolerable. As it is, it still has a public bar, a saloon bar, a snug and a small walled garden. It was in this garden that, fittingly, I first read Kingsley Amis’s novel The Green Man.
20081201160638 Mark Handley illustration -, Thucydides and Herodotus - Justin Marozzie on Herodotus, Histories

Travels with the Father of History

Justin Marozzi on Herodotus, Histories

You’d think, if you read History at university, that you might come across the man who invented it. These days, that would be a quaint hope. During my stint at Cambridge in the early Nineties, I encountered witches and deviants, demography and Dickens, consumer revolutions and the medieval kingdom of Aragon. I came across beggars and Bedlam, early Christian thought and the English Civil War. We had social and economic history, psycho-history, feminist history, oral history and micro-history. There was a brief stab at Rome from Augustus, but that was as ancient as we got. Of Herodotus, the Father of History, there was no sign.
20081201140301 Rohan Candappa on Maurice Sendak, Where the Wild Things Are

The Magic of Max and Mickey

Rohan Candappa on the works of Maurice Sendak

For me it all started the night Max wore his wolf suit and made mischief of one kind or another. But then again, that’s how it started for most of us who’ve read Maurice Sendak. Max is the hero of Sendak’s best-known work Where the Wild Things Are. First published in 1963, it has sold over 17 million copies worldwide, and has entertained, delighted and intrigued who knows how many millions of children and adults.
20081201123246

Orders from Swaledale

Roger Hudson on Rupert Hart-Davis & George Lyttleton, The Lyttelton Hart-Davis Letters

Rupert Hart-Davis retired to Swaledale from the London publishing world two years before I joined it in 1965, so it was on the shelves of second-hand bookshops that his name first really registered with me. I often found myself spotting books which he had published before I could read his name on them, because in both design and production they had a distinct air of quality. And then, when I pulled them off the shelf, I often ended up buying them because they were to do with the Victorian era, a period that has always mesmerized me.
20081201110651 Marilynne Robinson, Housekeeping, Slightly Foxed Issue20

Life with Aunt Sylvie

Ariane Bankes on Marilynne Robinson, Housekeeping

Once in a blue moon an encounter with a new book can be like falling in love – you just know, instinctively, that you’ve found a voice that’s entirely sympathetic, and that you want to spend the rest of your life with it – or at close quarters, at least. Housekeeping had that effect on me: I remember the distant rumbles of acclaim when it first came out in 1980 and was nominated for the Pulitzer among its raft of other awards, but I didn’t catch up with it myself until last year, and I read it with a sense of wonder.
20081201150906 A Boy at the Hogarth Press

Putting up Useful Shelves

Sue Gee on Richard Kennedy, A Boy at the Hogarth Press & A Parcel of Time

In 1922, Richard Kennedy’s formidable grandmother pulled a well-connected string and got him a scholarship to Marlborough. To say that Kennedy’s education up to this point had been patchy is an understatement. As he describes it in his childhood memoir A Parcel of Time, it consisted of ‘two uneducated women’, his mother and his nurse, failing to teach him to read, followed by a series of pretty dire south-coast prep schools from which he generally absented himself by the simple expedient of taking the bus home . . .
20081201120422

The Temptation of Mrs Harris

Maggie Fergusson on Paul Gallico, Flowers for Mrs Harris

It was astonishing to me that a grown-up could cry, and more than astonishing that anyone should cry for joy. The memory came back to me a few weeks ago, as I reread, with my 9-year-old daughter, Paul Gallico’s Flowers for Mrs Harris. For Gallico, most fondly remembered as the author of The Snow Goose, was a master of the bittersweet, of the mysterious kinship between suffering and joy. He knew how to fold together humour and poignant detail in just the right proportions to prevent his prose from curdling into mawkishness and sentimentality.
20081201104156 John Saumarez Smith on Iris Origo, War in Val d’Orcia

A Noble Cause

John Saumarez Smith, Iris Origo, War in Val d’Orcia

War in Val d’Orcia consists of the diary Iris Origo kept between the end of January 1943 and July 1944. The Origos were based throughout at La Foce, south of Montepulciano in central Italy, though they made occasional excursions to Florence and Rome. She and her Italian husband Antonio had devoted their pre-war lives to reviving the estate, something that could only be done by cooperating with Mussolini and his Fascist bureaucracy; when the Fascists allied themselves with Hitler and Nazism, the Origos keenly adopted the anti-Fascist cause. In what was a remote part of Tuscany they created a remarkable agricultural community, though its close-knit texture would be stretched to the utmost under wartime conditions.