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Comfortable Words

To find the Book of Common Prayer among the collection was a surprise. To discover the name of Kurt Hahn – the founder of Gordonstoun and originator of Outward Bound – stamped on the inside cover, an even greater one. There was the intriguing, if minor, question of how a book of Hahn’s had found its way into Robert Weltsch’s library, but that may not have been so odd: Hahn was also part of the German-Jewish diaspora in Britain, even if not connected to the Prague circle (although he was descended from a Grand Rabbi of Prague on his mother’s side). Weltsch had been director of the Leo Baeck Institute in London, whose purpose was to recover the history of the German Jews; no doubt Kurt Hahn had been interested in its work. He probably contributed to it, perhaps providing a memoir of how he had protested against Hitler’s assumption of power in 1933, been briefly imprisoned, struggled to keep his boarding-school at Salem going through the first year of the Third Reich, and then, recognizing the impossible, left the German tyranny behind and moved to Britain to re-found his school in a new setting.
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A Glorious Contradiction

A Glorious Contradiction

Writing one’s autobiography involves a certain audacity: the presumption that one has a story to tell, that one can tell it engagingly, that there will be publishers willing to publish, readers eager to read and, in the dark reaches of the night, benign reviewers. But a life told in five volumes when the subject is but ‘nearing fifty and the grey hairs are beginning to show’, and is generally regarded as a second-rate author? Step forward Sir Osbert Sitwell, to enthusiastic applause.
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Mother’s Familiar

My parents had no interest in books. Having survived the Second World War, they found everything they needed in each other, and in their north London suburban home with doors they could lock, in a location free from falling bombs. For my father, it was ‘real life’ that mattered, so the daily and evening newspapers were sufficient; and my mother, as ever, deferred to him. They possessed between them a couple of telephone directories, an ancient Thorndike dictionary used by my father for his daily crossword, and the Radio Times, which my mother insisted on calling ‘the television book’, and that was it. Or so I thought.
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The Tortoise of Total War

The Tortoise of Total War

I don’t suppose anyone who buys Slightly Foxed can forget the sheer, joyful, all-absorbing intensity with which we read as adolescents; but it took a remark of T. S. Eliot’s to bring home to me the pattern of it. Young people, he observed, seldom explore a large number of authors: instead, they tend to seize on a handful of favourites, and try to read everything they ever wrote. For me, one of those authors was Evelyn Waugh: when I came across Decline and Fall in my early teens, I wanted to immerse myself for ever in his hilarious, anarchic world where the names alone were enough to bring on fits of helpless laughter. Lady Circumference and little Lord Tangent – not even Dickens could match that combination.
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Along the Old Ways

Along the Old Ways

For many years of my life, I was fascinated by mountains and their tops: drawn upwards by what Joe Simpson nicely calls ‘the inverted gravity’ that peaks exert upon certain people. I climbed and mountaineered – ineptly but passionately – in ranges around the world: Snowdonia, the Lake District, the Cuillins, the Cairngorms, the Alps, the Rockies, the Tian Shan, the Himalayas. All of these expeditions, from half-day to multi  month, were centred upon summits. My companions and I would scry our maps, mark the tops we wished to reach, then plan our journeys around those high points. It did not occur to me to explore a mountain without reference to its peak.
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Not Swinging, Just Dancing

Not Swinging, Just Dancing

With my first wage, earned by selling toys in a department store, I bought myself a pair of black stockings, a bottle of frosted pink nail varnish, and a copy of Edna O’Brien’s The Country Girls. My family believed books were ‘good for you’ and I’d gobbled up the classics: Dickens, the Brontës, Thackeray, Gaskell and Defoe, coping happily with long convoluted sentences and dutifully deploying them in my school essays. O’Brien’s brilliantly concise sentences were a revelation, her voice fresh and direct.
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