- Search for:
0
0

Artists

Coombe Bissett Down

Coombe Bissett Down

‘A bossy lender will record the deed in an imposing ledger or demand a deposit, but will then get a reputation for meanness. You may stick in handsome personalized Ex Libris bookplates, all beautifully engraved and perhaps slyly pretending to be your family’s coat of arms, but your shelves will be stripped bare as soon as word gets round the community of avid and unscrupulous collectors of bookplates . . .’

Cover Artist: Slightly Foxed Issue 58, Debbie George, ‘Forget me not’

Cover Artist: Slightly Foxed Issue 58, Debbie George, ‘Forget me not’

Debbie George has been a painter for over twenty years. Her work is a celebration of her passion for flowers and the objects with which she surrounds herself. She finds inspiration in many forms, ranging from ceramics and plants to books and wallpaper, textiles and landscape. Assembling flowers or objects within the foreground of a painting and setting them against a variety of backdrops, Debbie builds up layers of paint that create a wonderful luminosity and depth.

Book Spines

These beautiful book spines by John Watson first appeared on the contents page of issue 54 of Slightly Foxed, and we liked them so much we wanted to share them with our readers around the world. Now, if you order a gift-wrapped present for a fellow book-lover, we'll tie it up with our signature foxed ribbon, and hand-write your personal message on a handsome gift tag bearing this wood engraving.

April Snow Showers

April Snow Showers

‘In his spare time, Calum carves rabbits and squirrels from pieces of wood. He doesn’t question his position in life, longing only to be free with the birds in the trees.’ Julian Hoffman introduces us to The Cone-Gatherers – two…

Pigs

‘“Those are good pigs,” he said, “aren’t they?” If he had said they were bad pigs I should have agreed with him equally. Their shape meant nothing to me. “Good length,” he explained, “broad in the back and not too much head.” I strove to see it, but no person can appreciate the points of a pig till he has dwelt long with them. Looking back, I cannot tell at what point I began to know a good pig from a bad one. The farmer’s eye is as subtle as the artist’s.’

Pussy Willow

We’re celebrating blue skies and sunshine this morning as Spring seems to have finally arrived. There are crocuses sprouting in Hoxton Square, and yellow tulips brightening up our office. These spring catkins by Yvonne Skargon first appeared in Slightly Foxed Issue 29, where they adorned the contents page.

Cover Artist: Slightly Foxed Issue 57, Luke Martineau, ‘Westminster, Afternoon Light’ (detail)

Cover Artist: Slightly Foxed Issue 57, Luke Martineau, ‘Westminster, Afternoon Light’ (detail)

Luke Martineau, ‘Westminster, Afternoon Light’ (detail) Luke Martineau was educated at Eton and Oxford and then studied briefly at the Heatherley School of Fine Art in London before beginning to paint professionally. His versatile output encompasses portraiture, landscape, still life…

Somerset Garden

Somerset Garden

‘She rises still. A region must be found unhaunted by birds, that else might profane the mystery. She rises still; and already the ill-assorted troop below are dwindling and falling asunder. The feeble, infirm, the aged, unwelcome, ill fed, who have flown from inactive or impoverished cities – these renounce the pursuit and disappear in the void. Only a small, indefatigable cluster remain, suspended in infinite opal. She summons her wings for one final effort; and now the chosen of incomprehensible forces has reached her, has seized her, and, bounding aloft with united impetus, the ascending spiral of their intertwined flight whirls for one second in the hostile madness of love.’

Beclouded

‘They fly free from every page, carrying the salt breeze and the sound of the waves with them . . . The author was very much a field naturalist, and accordingly British Sea Birds takes you where its author went, out among the birds, into their world. Gibson-Hill’s birds, captured in his fresh, lucid prose and exquisite photographs, are not dead specimens, anatomized by a detached scientific gaze.’

Cover Artist: Slightly Foxed Issue 56, Clare Curtis, ‘The Thought Fox’, linocut

Cover Artist: Slightly Foxed Issue 56, Clare Curtis, ‘The Thought Fox’, linocut

Clare Curtis has worked in print, design and illustration for over twenty years. The craft of drawing and printing are as important to her as the strong design, patterns and beautiful colour combinations that you’ll find in her work. As…

The Three Mothers

The Three Mothers

‘One image of a veiled woman was all net and nose. Then, by laying down carefully pared pieces of onion-skin tissue-paper behind the place where the impression would be made, Brian brought out and made visible the expression of traumatized, envious sympathy the artist had engraved into the wood in her depiction of the woman’s face. It slowly came alive at his touch – though Brian would pass the credit back to the artist who created the picture. I suppose he is right; but his contribution is closer to that of a concert pianist interpreting a score than that of an engineer.’

Great Spotted Woodpecker

Great Spotted Woodpecker

Today's featured wood engraving for Woodcut Wednesday is a ‘Great Spotted Woodpecker’ by Ian Stephens. It first appeared in Issue 51 of Slightly Foxed, where we featured a series of birds engraved by Ian.

Autumn

We’re not busying ourselves with harvest this autumn, but with books to be packed, proofs to be checked, and new office puppies to be played with (of which, more news coming soon . . .) we might just need a rest under the apple tree by the end of the day. This is ‘Autumn’ by Simon Brett, which first appeared on the contents page of Slightly Foxed Issue 19.

The Capon Tree

We’re feeling fully immersed in autumn now, thanks to the grey skies, the slight chill in the air, and the arrival of the new season’s issue of Slightly Foxed, no. 55. In it, Adam Foulds describes his lasting love for Geoffrey Hill’s poetry and his evocation of the English landscape, illustrated with this wood engraving of The Capon Tree by Angela Lemaire.

Cover Artist: Slightly Foxed Issue 55, Jemma Lewis, Hand-marbled paper, ‘Bloomsbury Blue & Orange Botanical’

Cover Artist: Slightly Foxed Issue 55, Jemma Lewis, Hand-marbled paper, ‘Bloomsbury Blue & Orange Botanical’

After graduating in Textile Art in Norwich Jemma Lewis worked for several years at a local bookbinding firm where she became fascinated with the marbled papers found on the binding of antiquarian books. She set up her own marbling business in 2009 and now works with her husband Craig in a purpose-built log cabin in their garden in Wiltshire. Their marbled papers are created by using traditional techniques, floating gouache paints on to a ‘size’ of carragheen moss, an Irish seaweed. They produce collections of both traditional and contemporary marbled papers, and often combine the two, using a modern-day palette to update historic designs.

Footbridge at Bishopstone

Footbridge at Bishopstone

‘I left the A303 and followed the A30 down a dead straight Roman road to Stockbridge then along the old drover’s road towards Salisbury. I began to recognise the distinctive local features, the gentle rolling hills, the trees silhouetted against the sky, and I knew I was entering Phipps country.’

‘Thanks for all this grace and beauty . . .

. . . Thank you for the beauty of your website and the quarterly magazine. It’s a real pleasure to read and discover authors, admire the unique editions and fine drawings. Also, I appreciate all your attention, your delicate packaging. It’s heart-warming to know that somewhere there are some persons who have so much enthusiasm and humanity to share their passion, and contribute to preserving the memory of these talented authors and beautiful land.’

M. Garny-Belabed, Virton, Belgium

Where to next?

>> View all categories

Sign up to our e-newsletter

Sign up for dispatches about new issues, books and podcast episodes, highlights from the archive, events, special offers and giveaways.