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Somerset Garden

Somerset Garden

‘She rises still. A region must be found unhaunted by birds, that else might profane the mystery. She rises still; and already the ill-assorted troop below are dwindling and falling asunder. The feeble, infirm, the aged, unwelcome, ill fed, who have flown from inactive or impoverished cities – these renounce the pursuit and disappear in the void. Only a small, indefatigable cluster remain, suspended in infinite opal. She summons her wings for one final effort; and now the chosen of incomprehensible forces has reached her, has seized her, and, bounding aloft with united impetus, the ascending spiral of their intertwined flight whirls for one second in the hostile madness of love.’
The Three Mothers

The Three Mothers

‘One image of a veiled woman was all net and nose. Then, by laying down carefully pared pieces of onion-skin tissue-paper behind the place where the impression would be made, Brian brought out and made visible the expression of traumatized, envious sympathy the artist had engraved into the wood in her depiction of the woman’s face. It slowly came alive at his touch – though Brian would pass the credit back to the artist who created the picture. I suppose he is right; but his contribution is closer to that of a concert pianist interpreting a score than that of an engineer.’
Cover Artist: Slightly Foxed Issue 55, Jemma Lewis, Hand-marbled paper, ‘Bloomsbury Blue & Orange Botanical’

Cover Artist: Slightly Foxed Issue 55, Jemma Lewis, Hand-marbled paper, ‘Bloomsbury Blue & Orange Botanical’

After graduating in Textile Art in Norwich Jemma Lewis worked for several years at a local bookbinding firm where she became fascinated with the marbled papers found on the binding of antiquarian books. She set up her own marbling business in 2009 and now works with her husband Craig in a purpose-built log cabin in their garden in Wiltshire. Their marbled papers are created by using traditional techniques, floating gouache paints on to a ‘size’ of carragheen moss, an Irish seaweed. They produce collections of both traditional and contemporary marbled papers, and often combine the two, using a modern-day palette to update historic designs.

‘Thanks for all this grace and beauty . . .

. . . Thank you for the beauty of your website and the quarterly magazine. It’s a real pleasure to read and discover authors, admire the unique editions and fine drawings. Also, I appreciate all your attention, your delicate packaging. It’s heart-warming to know that somewhere there are some persons who have so much enthusiasm and humanity to share their passion, and contribute to preserving the memory of these talented authors and beautiful land.’
M. Garny-Belabed, Virton, Belgium

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