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Sail, Lawrence

articles by, [10] 18; [22] 76; [25] 13; [45] 51

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Brave Old World

Lawrence Sail on Voltaire, Candide

I wonder how, if at all, it would be possible to measure the part played in our responses to individual books by the age at which we encounter them. Time enough for the eighteenth century later, observed Peter Currie, my excellent teacher of French literature, and he proceeded to focus, over the years of the sixth form, largely on the seventeenth century: on Corneille, Molière and Racine, seasoned memorably with La Fontaine and La Rochefoucauld.
20090601101540 Lawrence Sail, Bettina Ehrilich - Slightly Foxed Issue 22

Round and Round and Round

Lawrence Sail on Bettina Ehrlich, Cocolo

It arrived, as the inscription tells me, two months after my third birthday, a Christmas present from my mother’s brother, Uncle Basil. A large hardback book – to a 3-year-old very large, its fourteen inches height by almost ten width enough to give it immediate status: a book to wield as well as to read. The striking cover, in slightly acidic lemon yellow, had the single word Cocolo in brown, in a bold freehand. Below this was a small outline sketch of a donkey, a rather pot-bellied one with ears protruding from a wide-brimmed straw hat.
20100301120551 Lawrence Sail on Ted Walker, The High Path

Beginning in Gladness

Lawrence Sail on Ted Walker, The High Path

Though I’ve long been familiar with Ted Walker’s poems, until recently I had not read The High Path, his wonderful memoir of childhood. I came to it not only with the curiosity of a fellow poet, but also as one having newly completed a memoir of my own. For a writer, the recall of childhood runs an assortment of risks – the editing effected by forgetfulness or by self-censorship; the distortions brought about by nostalgia or over-simplification; the assumption that the particulars of family history will axiomatically be of interest to the reader. Yet the best memoirs – and Ted Walker’s is surely among them – carry a potent charge, not only conveying the sensuous quick of childhood, but avoiding pure solipsism by acting as triggers for the reader’s own memories.
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Healing Laughter

Lawrence Sail on P. J. Kavanagh, The Perfect Stranger

Rereading can be exhilarating or disappointing: it is rarely neutral. For me, revisiting P. J. Kavanagh’s account of his first thirty or so years, The Perfect Stranger, has been enjoyable as well as enlightening. Of course, even the first time round any book is edited as we go along by personal preference and perception. And when, as in this case, nearly half a century has passed, it’s likely that the reader’s perspectives have been modified by personal experience, and that some of the detail will have been forgotten.

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