A Set of Plain Foxed Editions
Adrian Bell, Corduroy ,Plain Foxed Edition - Slightly Foxed
Ysenda Maxtone Graham, Mr Tibbits’s Catholic School
Ysenda Maxtone Graham, Terms & Conditions - Life in Girls' Boarding Schools, Plain Foxed Edition
John Hackett, I Was a Stranger, Plain Foxed Edition
Helene Hanff, 84 Charing Cross Road, Plain Foxed Edition
Diana Holman-Hunt, My Grandmothers & I, Plain Foxed Edition
Richard Kennedy, A Boy at the Hogarth Press,-Plain-Foxed-Edition
Gwen Raverat, Period Piece, Plain Foxed Edition
  • Format: 170 x 110mm
  • Producer: Smith Settle
  • Genre: Memoir
  • Binding: Cloth hardback
  • Trimmings: Silk ribbon, head- & tailband; gold blocking to spine
  • NB: Unlimited Plain Foxed Editions
Made in Britain

A Set of Plain Foxed Editions

From£128

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UK & Ireland £128 *save £20
Overseas £144 *save £20

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UK & Ireland £140 *save £8
Overseas £156 *save £8
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Description

Bound in duck-egg blue cloth, with a silk ribbon marker, the Plain Foxed Editions come in the same neat pocket format as the original SF Editions and will happily fill any gaps in your collection, as well as forming a delightful uniform series of their own.

Catch up with a set of eight of our available Plain Foxed Editions. This literary bundle includes:

Adrian Bell, Corduroy

Adrian Bell was a rather frail young man of 20 when, in 1920, he left London to learn agriculture on a Suffolk farm. He arrived one autumn day on an old motorbike feeling all wrong for the part. Like many townies, he assumed at first that the locals were somewhat simple, but soon his own ignorance and initial inability to do the most basic physical tasks taught him a new respect. A farmer, he discovered, stored away in his head thousands of facts about animals, crops and fodder, while his eye for a pig was ‘as subtle as an artist’s’. Bell’s eye was subtle too. He grew to love the land, and Corduroy is filled with precise and poetic descriptions of the countryside and of farming life. It is not simply a period piece – it captures what is unchanging about the lives of those who live from, rather than simply on, the land.

Ysenda Maxtone Graham, Mr Tibbits’s Catholic School

Like many of the best books, this unusual history of an unusual school – St Philip’s prepschool in Kensington, founded in 1934 by Catholic convert Richard Tibbits and still going strong today – is hard to classify. ‘As you live through its story,’ the author promises her readers, ‘you’ll be taken on a meander through the 20th century. War, rationing, smog, mini-skirts, strikes, Thatcherism, the first computer . . .’ Enough to say that for anyone who has enjoyed Decline and Fall or St Trinian’s, anyone who loves to laugh yet feels the poignancy of the passage of time, this book will be a treat.

Ysenda Maxtone Graham, Terms & Conditions

‘When I asked some girls who had been at Hatherop Castle in the 1960s whether the school had had a lab in those days they gave me a blank look. “A laboratory?” I expanded, hoping to jog their memories. “Oh that kind of lab!” one of them said. “I thought you meant a Labrador.”’ As we discover from this quietly hilarious history of life in British girls’ boarding-schools, this was a not untypical reaction. Harsh matrons, freezing dormitories and appalling food predominated, but occasionally these eccentric establishments imbued in their pupils a lifetime love of the arts and a thirst for self-education. In Terms & Conditions Ysenda speaks to members of a lost tribe – the Boarding-school Women, who look back on their experiences with a mixture of horror and humour.

John Hackett, I Was a Stranger

In September 1944 John Hackett, commander of the 4th Parachute Brigade, was severely wounded and captured during the Battle of Arnhem. After being taken to a hospital in enemy hands and given emergency surgery, he was spirited away by the Dutch Resistance and hidden in a house owned by three middle-aged sisters, who risked their lives to nurse him back to health and help him escape down the canals of occupied Holland to the British lines. I Was a Stranger is less a war memoir than a story of friendship, a tribute by a very unusual soldier to a group of outstandingly brave, unassuming and resourceful people.

Helene Hanff, 84, Charing Cross Road

In the drab and traumatized postwar London of 1949, Marks & Co., second-hand and antiquarian booksellers at 84, Charing Cross Road, received an enquiry from ‘a poor writer with an antiquarian taste in books’, a Miss Helene Hanff of New York City. It was the beginning of a correspondence that would last for twenty years and the result is this gloriously heart-warming account of a friendship conducted through letters.

Diana Holman-Hunt, My Grandmothers and I

Diana Holman-Hunt spent her Edwardian childhood shuttling between two wildly contrasting grandparents. Her paternal grandmother, the eccentric widow of the Pre-Raphaelite painter Holman Hunt, lived entirely in the past in her big gaunt house in Kensington, while her mother’s mother, in her comfortable and well-ordered home on the edge of the Sussex marshes, lived entirely in the present. Both competed for Diana’s affection while being spectacularly blind to her needs. My Grandmothers and I is Diana’s touching and darkly funny memoir of that time – a small comic masterpiece of pitchperfect dialogue and deadpan observation.

Richard Kennedy, A Boy at the Hogarth Press & A Parcel of Time

In 1926, at the age of 16, Richard Kennedy left school without a single qualification and went to work at the Hogarth Press. The Woolfs clearly developed a fondness for their apprentice, but when he left several years later, Leonard pronounced him ‘the most frightful idiot he [had] ever had the privilege of meeting in a long career of suffering fools’. But Kennedy, who became a successful artist and children’s book illustrator, was taking everything in, and 50 years later he produced a minor classic in A Boy at the Hogarth Press, accompanied by his own wonderfully alive illustrations. Later still, he wrote his touching childhood memoir, A Parcel of Time. Now published together in a single edition, the two are a sheer delight.

Gwen Raverat, Period Piece

Gwen Raverat is best-known for her glorious wood engravings, but in her childhood memoir Period Piece she created a perfect small masterpiece of another kind – a deliciously funny, affectionate and atmospheric picture of life in the small world of 19th-century academic Cambridge among the eccentric Darwin clan. Illustrated with Gwen’s own delightful drawings, it not only brilliantly captures a moment in time but also shows us the making of the artist Gwen was to become. As Rose Macaulay wrote when it was first published, it is ‘funny, witty, beautifully written, more than beautifully illustrated, everything such a book can be’.



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